Neue Slowenische Kunst: Političko čitanje umjetnosti kao retrogradne nadidentifikacije s budućnosti
Neue Slowenische Kunst: Political Reading of Art as a Retrograde Over-Identification With the Future
Author(s): Jasmin HasanovićSubject(s): Music, Visual Arts, Sociology of Culture, Sociology of Politics, Sociology of Art
Published by: Fakultet političkih nauka - Univerzitet u Sarajevu
Keywords: Neue Slowenische Kunst; subversive affirmation; over-indentification; retro-avant-garde; totalitarianism; postsocialism; neoliberal capitalism;
Summary/Abstract: The aim of this paper is to present the political dimension of a controversial artistic, but also political movement Neue Slowenische Kunst (NSK), established in 1984 in Slovenia, as a total project including different disciplines from music, art, design, installation art, film, innovative theater, also including the Department of Pure and Applied Philosophy. Their political interpretation, often associated with totalitarianism will be analyzed in the context of time in which Neue Slowenishe Kunst as such appears and exists – in the context of the dissolution of socialism in former Yugoslavia. Therefore, the paper does not sees Neue Slowenische Kunst as a critics towards the socialist system being its totalitarian reflection, but more like the reflection of that that the postsocialist future will bring.
Journal: Sarajevski žurnal za društvena pitanja
- Issue Year: V/2016
- Issue No: 1-2
- Page Range: 111-126
- Page Count: 16
- Language: Bosnian