Inspiracje fenomenologiczne w myśli filmowej (2)
Phenomenological Inspiration in the Thought of Films (2)
Author(s): Andrzej ZalewskiSubject(s): Philosophy, Fine Arts / Performing Arts, Social Philosophy, Film / Cinema / Cinematography
Published by: Uniwersytet Jana Długosza w Częstochowie
Keywords: noema; idealism; realism; nominalism; constructivism; film viewer; perception of film
Summary/Abstract: It is the second part of the article the first part of which was published in “Prace NaukoweAkademii im. Jana Długosza w Częstochowie. Filozofia”, vol. X. This section discusses and putsforward for critical evaluation the concept of film phenomenology contained in Allan Casebier’sbook entitled Film and Phenomenology. Casebier uses mainly two Husserl’s early fundamental works: the second volume of Logical Research and the first volume Ideas of Pure Phenomenology.He tries to use them as a source of ideas for his own findings concerning the structure of film experience.At the same time he takes an opportunity to make a lot of simplifications and thereforeviolates the integrity of Husserl’s doctrine, which was pointed out to him. At the end of the articlehe states that a possible phenomenological option in the future theory of film will have to be builtvirtually from scratch.
Journal: Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Filozofia
- Issue Year: XI/2014
- Issue No: 11
- Page Range: 41-59
- Page Count: 19
- Language: Polish