Proces produkcji w warunkach
The Production Process from Way Up Close

Summary/Abstract: Writing on the 12th German Dance Platform (Tanzplattform Deutschland) in Frankfurt, taking place between 2 and 6 March 2016, Karolina Wycisk has a close look at: "On Trial Together" by Ana Vujanović and Saša Asentić, "Until Our Hearts Stop" by Meg Stuart, "Violent Events" by Verena Billinger and Sebastian Schulz, "Triadische Ballet" by the Bayerisches Staatsballett ensemble, and "Aerobics! A Ballet in 3 Acts" by Paula Rosolen. Analyzing the discussion in some projects with the production system of dance performances, she draws inspiration from the festival program and from reflections by Bojana Kunst in her text The Economy of Proximity: Dramaturgical Work in Contemporary Dance."On Trial Together" by Ana Vujanović and Saša Asentić, "Until Our Hearts Stop" by Meg Stuart, "Violent Events" by Verena Billinger and Sebastian Schulz, "Triadische Ballet" by the Bayerisches Staatsballett ensemble, and "Aerobics! A Ballet in 3 Acts" by Paula RosolenWriting on the 12th German Dance Platform (Tanzplattform Deutschland) in Frankfurt, taking place between 2 and 6 March 2016, Karolina Wycisk has a close look at: On Trial Together by Ana Vujanović and Saša Asentić, Until Our Hearts Stop by Meg Stuart, Violent Events by Verena Billinger and Sebastian Schulz, Triadische Ballet by the Bayerisches Staatsballett ensemble, and Aerobics! A Ballet in 3 Acts by Paula Rosolen. Analyzing the discussion in some projects with the production system of dance performances, she draws inspiration from the festival program and from reflections by Bojana Kunst in her text The Economy of Proximity: Dramaturgical Work in Contemporary Dance.

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