THE COMPOSITIONAL CONCEPT. LANDMARKS OF THE CONTEMPORARY PHOTOGRAPHIC IMAGE STRUCTURE
THE COMPOSITIONAL CONCEPT. LANDMARKS OF THE CONTEMPORARY PHOTOGRAPHIC IMAGE STRUCTURE

Summary/Abstract: Current Art entails, individually, the manifestation of an extremely large stylistic availability, the creator in agreement with plurality, diversity and its (constant) temporal uniqueness, being able to accede to a stylistic configuration to which it resonates, revealing a stylistic behavior. Style has become a way of expressive adequacy to a certain message rather than an intrinsic purpose. As concerns photography, the moment of recording the image implies the encounter of two realities, two concerted universes that genuinely live at the level of the creator’s sensitive inwardness followed by the immortalized objective reality. Gravitationally polarizing underneath the empire of a formal or conceptual reflection, of a semantic adjoin that permits the transgression of common, “visible” aspects, the two worlds governed on one hand by the artistic life experience of the creator and on the other hand by the photographic referent, prove the natural existence of the adherence of the work of art to the author.

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