По-дълбокият генезис на Новата музика на ХХ век: за субстанциалното в нея
The deeper Genesis of the New Music of the 20th century: about the substantial in it

Summary/Abstract: The aims of this study are the hermeneutical presentation of the multiple complex problems and concerns for consistency of the New Music of the 20th century, as well as it spiritual-cultural claims. The aims of this study also are the hermeneutic of some of the most complex musical content and comprises topics of the deeper levels of the inner sense, value, art’s truth content of the some of the most uncompromising compositions of the New Music and the new inner stylistic organization of some of it different trends. No one who studies the emancipation of the New Music from old pre-established form, as well as its rise and its aging, will be able to dispense with the multiple complex problems of deepest formative powers. And also no one will be able to dispense with the alleged intellectuality and sophisticated new articulation both of the pure musical thinking-itself and the critical thought of it. And all these are some of the topics discussed here too. The aims of this study also are the hermeneutics and at the philosophical aesthetics of the spiritual origins and the deeper reality of the great compositions in the trends of the New complexity and in the New simplicity of the New Music. The complex relationship of the new truth content to the new criteria for inner consistency is interpreted in the text though the ideas of the immanent reason of the scores themselves and the transcending of the pieces beyond their differentiated, complex empirical material and availabilities. From the most generalized and unspecific to the most extreme concretion it is up to the changing the status quo that constitutes the essence, or Being, of the New Music.

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