Spectateur et alter ego au cinema
Spectator and alter ego to the cinema

Summary/Abstract: The article pursues the relationship between the implicated receiver and the objective one, beginning with influential films (signed by Tarkovski or Fellini), in order to expose, in comparison, the author's own experiment related to two of his fims: "Dis Joe" and "Adieu à l’amour". The aim of the paper is to reveal several elements of the game that is created between the interior image and the exterior image of a character. This dichotomous relationship explains, from our point of view, also the director's spectatorship.

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