Wybrane aspekty kreatywności podczas interpretacji utworów muzycznych
Selected aspects of creativity during an interpretation of musical works

Summary/Abstract: The article discusses various aspects of creative activity during a preparation and interpretation of music works. On the basis of the theory of creative interaction by E. Nęcka (1987), the author made an analysis of a creative process to be observed in musicians, adapting the main assumptions of the theory for the purposes of explaining work on a given music work. The model presented, also taking into account the evaluation criteria of the interpretation of music works, is, according to the author of the article, a correct and accurate choice. There are few recipes in instrumental teaching on the basis of which one can formulate general directives concerning the actual work on the preparation and interpretation of music works. It seems that the theory of creative interaction gives such a possibility.

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