THE CONCEPTION OF THE MUSICAL FORM OF FRYDERYK CHOPIN’S PRELUDES OP. 28 Cover Image

THE CONCEPTION OF THE MUSICAL FORM OF FRYDERYK CHOPIN’S PRELUDES OP. 28
THE CONCEPTION OF THE MUSICAL FORM OF FRYDERYK CHOPIN’S PRELUDES OP. 28

Author(s): Tímea Kurucz
Subject(s): Music
Published by: Studia Universitatis Babes-Bolyai
Keywords: Chopin; Preludes; conception; musical form; harmony; structure; biography.

Summary/Abstract: Fryderyk Chopin’s preludes are a set of piano miniatures. The term prelude is used in an unconventional sense. These pieces do not serve as introductions; they are freestanding works. Chopin’s Op. 28 preludes have been compared to J. S. Bach’s preludes in the Wohltemperiertes Clavier, although they have been following a unique structure. While Bach’s pieces are arranged in ascending chromatic order, Chopin’s preludes are arranged in a circle of fifth. Let us evoke the brief characterisation of Hugo Leichtentritt regarding these beautiful and important compositions: “The variety of moods and impressions contained in the Preludes Op. 28 is without equal in the whole of world music literature”.

  • Issue Year: 55/2010
  • Issue No: 1
  • Page Range: 59-106
  • Page Count: 48
  • Language: English