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Summary/Abstract: Maryla Zielińska describes the Russian Case 2013 Festival, an overview of the best Russian performances of the year past. To the critic's mind, the most interesting movement on display in the festival is the dialogue between theater and Russian history, literature, and identity. Plays like Talagat Batalov's Uzbek or King Lear: A Comedy by the St. Petersburg group Priyut Komedyanta entered a subtle, though pointed dialogue with the past, presenting a subversive and unconventional vision of Russian tradition. In turn, the stream that spoke of the present included plays that drew from documentary theater.

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