The Face of God’s Divinity: Some Remarks on the Origin, Models and Content of the Trinity Images of Synthronoi Type in Post-Byzantine Painting Cover Image
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The Face of God’s Divinity: Some Remarks on the Origin, Models and Content of the Trinity Images of Synthronoi Type in Post-Byzantine Painting
The Face of God’s Divinity: Some Remarks on the Origin, Models and Content of the Trinity Images of Synthronoi Type in Post-Byzantine Painting

Author(s): Margarita Kuyumdzhieva
Subject(s): Fine Arts / Performing Arts
Published by: Институт за литература - BAN
Keywords: Post-Byzantine Painting; Eastern Orthodox church painting; the Holy Trinity; God the Father Ancient of Days

Summary/Abstract: The present text is an attempt to understand and to come closer to that which has been passed down through the centuries as the perception of God as the Holy Trinity, which has found its visual expression in art that in the Orthodox tradition has been transformed into an indivisible part of theology. To this end, one of the variants for the visualization of the idea of the Holy Trinity is chosen that exists both in Eastern Orthodox and Western art with close formal characteristics, but in different contexts: the image of the Trinity of the Synthronoi type.What are the origins of this image, what is its meaning, what were the mechanisms for its spread and what are its basic models - these are the questions that the present text raises, without pretending to be able to answer them definitively.

  • Issue Year: 2007
  • Issue No: 5
  • Page Range: 161-182
  • Page Count: 22
  • Language: English