Візантійська гимнографія в українському музичному мистецтві крізь призму листування Мирослава Антоновича й Зиновія Лиська
Byzantine hymnography in Ukrainian musical culture through the prism of correspondence between Myroslav Antonovych and Zinoviy Lysko
Author(s): Natalia Syrotynska, Taras DubrovnyiSubject(s): Christian Theology and Religion, History, Cultural history, Music, Local History / Microhistory
Published by: SAV - Slovenská akadémia vied - Slavistický ústav Jána Stanislava SAV, v.v.i.; Slovenský komitét slavistov
Keywords: Myroslav Antonovych; Zynovii Lys’ko; Ukrainian musical art; Byzantine hymnography; Sunday Troparia; Bizantianе choir
Summary/Abstract: The article highlights the importance of studying the epistolary legacy of Ukrainian musicologist, medievalist, and conductor Myroslav Antonovych, which provides valuable insights into the creation of the “Sunday Troparia”cycle by Ukrainian composer Zynoviy Lys’ko. The extensive correspondence between the two artists sheds light on the circumstances surrounding the composition, intended for performance by the Byzantine Choir under Antonovych’s direction. At the same time, the letters reveal the challenges they faced regarding melodic intonation and the poetic interpretation of this liturgical genre, which occupies a central place in the sacred repertoire of the Ukrainian Church.
Journal: Slavica Slovaca
- Issue Year: 60/2025
- Issue No: 02
- Page Range: 193-206
- Page Count: 14
- Language: Ukrainian
