SCHÖNBERG AS A FILM MUSIC COMPOSER: MOSES UND ARON (1975) BY JEAN-MARIE STRAUB AND DANIÈLE HUILLET Cover Image

SCHÖNBERG AS A FILM MUSIC COMPOSER: MOSES UND ARON (1975) BY JEAN-MARIE STRAUB AND DANIÈLE HUILLET
SCHÖNBERG AS A FILM MUSIC COMPOSER: MOSES UND ARON (1975) BY JEAN-MARIE STRAUB AND DANIÈLE HUILLET

Author(s): Małgorzata Lisecka, Laurenţiu Beldean
Subject(s): Philosophy, Fine Arts / Performing Arts, Music, Aesthetics, Film / Cinema / Cinematography
Published by: Studia Universitatis Babes-Bolyai
Keywords: Schoenberg; opera; Moses und Aron; film; film music;

Summary/Abstract: The article discusses the issue of using Arnold Schoenberg’s music as film music in the adaptation of his opera Moses und Aron by Jean-Marie Straub and Danièle Huillet. The article examines the film soundtrack, by using audiovisual analysis tools, trying to answer the question whether the attempt to adapt avant-garde music to the language of cinema was successful or not. In the further part of the article, the authors relate the results of this analysis to Schoenberg's musical philosophy and musical aesthetics.

  • Issue Year: 70/2025
  • Issue No: Sp.Issue 3
  • Page Range: 117-129
  • Page Count: 13
  • Language: English
Toggle Accessibility Mode