Badania muzycznej intertekstualności: rynek pierwotny i wtórny. O książce „Intertextuality in Music: Dialogic Composition”
The Study of Intertextuality in Music: The Primary and Secondary Market. On the Book ‘Intertextuality in Music: Dialogic Composition’

Summary/Abstract: The papers collected in this publication open up promising research perspectives by introducing the concept of intertextuality into music studies. The key contributions address the following issues: Lawrence Kramer argues that musical intertextuality is grounded in quotation, allusion, and plagiarism; Nicholas Cook contrasts autonomous with multimedia mentalities; Michael Klein links intertextuality to the formation of new subjectivity; and J. Peter Burkholder explains it as a mechanism for renewing traditions. The collection includes both studies rooted in the theory of intertextuality and others that adapt older methodologies to the needs of this subject.

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