TÜRK SİNEMASINDA MİNYATÜR SANATININ SEVMEK ZAMANI, 7 KOCALI HÜRMÜZ VE KAMBUR FİLMLERİ ÜZERİNE YANSIMASI VE ANLATI YAPISINA ETKİSİ
REFLECTION OF MINIATURE ART IN TURKISH CINEMA ON THE MOVIES SEVMEK ZAMANI, 7 KOCALI HÜRMÜZ AND KAMBUR AND ITS EFFECT ON THE NARRATIVE STRUCTURE

Summary/Abstract: The place and position of art, which is one of these artistic, cultural narratives and traditional Turkish arts, found in Turkish Cinema in Sevmek Zamanı (1965), written and directed by Metin Erksan, 7 Kocalı Hürmüz (1971), written by Ayşe Şasa and directed by Atıf Yılmaz and Kambur (1973), directed by Atıf Yılmaz. In this study, which is carried out under the umbrella of narrative, firstly the concept of traditional Turkish art is explained. After this review, the development process and features of miniature art are explained in detail to make film analyses understandable. This study analyses the films named Sevmek Zamanı, 7 Kocalı Hürmüz and Kambur, mentioned above and selected as samples in the study, through the content analysis method. This study examines the reflection of the main features of the miniature art in the mentioned films, and tries to reveal how the miniature affects the narrative structure of the film. It looks at how narrative types in different fields come together/combine and what kind of content this combination emerges. It also tries to determine that the two different arts, cinema, and miniature, are intertwined as narrative and how it directs the narrative in the film.

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