Анатолий Константинович Лядов и неговото пианистично творчество. Значение в традициите на руската клавирна култура
Anatoliy Konstantinovich Lyadov and his piano works. Significance in the traditions of the Russian clavier culture
Author(s): Zornitsa PetrovaSubject(s): Fine Arts / Performing Arts, Music
Published by: Академия за музикално, танцово и изобразително изкуство „Проф. Асен Диамандиев“ – Пловдив
Keywords: Piano; creativity; miniatures; traditions; clavier
Summary/Abstract: Anatoliy Konstantinovich Lyadov is one of the eminent person- 60 alities in Russian musical culture. His unique presence as composer, conductor, educator and artistic public figure outstands in a time of various stylistic tendencies, as the end of 19th and the beginning of 20th century was. Unifying and transforming the divergent artistic specifics of his time, Lyadov deservedly is considered one of the pleiad of artists who brought about the evolution of the Pre-Revolutionary Russian musical culture. The musical works of Lyadov comprise 67 opuses, and in those, the most important place take the piano compositions. There are 40 opuses of piano music composed by Lyadov, most of which produced within the two decades between 80s – 90s. In this period, Laydov developed as a notable and unique composer of his own clavier style, the major features of which are: • Deep and genuine bond with the Russian folklore songwriting;• Innate attachment to the Russian classical music;• Strong presence of vivid program images; • Clearly shaped, orderly and accomplished forms; • Tunefulness and melodiousness of texture.
Journal: Годишник (Академия за музикално, танцово и изобразително изкуство)
- Issue Year: 2018
- Issue No: 1
- Page Range: 59-79
- Page Count: 21
- Language: Bulgarian
