ИНТЕГРАЛНИ АСПЕКТИ НА КАМЕРНОТО МУЗИЦИРАНЕ И ПОЛИФОНИЧНО СИТУИРАНЕ
INTEGRAL ASPECTS OF CAMBER MUSIC PERFORMANCE AND POLYPHONIC SITING

Summary/Abstract: The thesis proposes one original way of rationalizing of the ensemble matter. It observes the problems of the process of the camber music playing as a peculiar polyphonic situation. Integral aspects are presented in three directions: 1. within the nature of its matters. Both the camber music and polyphony are an unity from various of its characteristics parts – melodies or layers of texture. The unity of them realizes by multiformity of interpretations and the multiformity – by the unity; 2. in the shared common time by achieving of identify or distinction of quality of the sound in the mutual interpretation. It is shown how the unity realizes in solo practice, in camber music and in unequal ensemble type by soloist and accompanist; 3. about some contrapuntal technics towards analogical correspondences in camber music performance: the drafting method of composing in its different applications, the principles of augmentation towards the means of expression in interpretation, etc.There are given a reasons with historical facts from the appearing of the professional West music art and its separating from the folk tradition.

• Details
• Contents