Дигитални симулации или „Kак е създадено?“ Cover Image
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Дигитални симулации или „Kак е създадено?“
Дигитални симулации или „Kак е създадено?“

Author(s): Iosif Astrukov
Subject(s): Fine Arts / Performing Arts, Film / Cinema / Cinematography
Published by: Институт за изследване на изкуствата, Българска академия на науките
Keywords: digital; screen; simulation; image

Summary/Abstract: All we already see on the digital screen is heavily merged art simulations, where no specific art, genre or technique used could be recognized anymore. Actually, the digital screen equals everything – it no longer matters what processes have been applied. The time, the efforts and different formats are all forced in the pixel framed square, where we finally perceive all arts. This blurred reality shifts also the position of artists. Often, the final image decision is that of the software processing person, not the one behind the camera or in front of the canvas. “How was it created?” is no longer the main artistic question on focus, but the placement of advertising and PR market. This shifted reality spreads even outside the art field, as we all live in a fake digital world of what it pretends to be, not what, indeed, it is.

  • Issue Year: 2022
  • Issue No: 2
  • Page Range: 301-311
  • Page Count: 11
  • Language: Bulgarian