Iscrtavanje granica oko posthabsburške Rijeke. Narativizacija granica u Luci ljubavi Giovannija Comissa i Danuncijadi Viktora Cara Emina
Framing and Narrativizing of Borders around the postHabsburg Rijeka: Giovanni Comisso’s Il porto dell’amore and Viktor Car Emins Danuncijada

Summary/Abstract: Between 1917 and 1923, as European continental empires were shattering after the lost world war and new nation-states were created on their ruins, several radical political-ideological movements emerged as well, employing various types of (para)military violence to achieve their goals. In the post-imperial context, (para)military violence was particularly employed in numerous conflicts over new boundary demarcations in the areas known as shatter zones (Bartov, Weitz, 2013) in former multi-ethnic empires, areas for which national activists had been disputing for decades. D’Annunzio’s occupation of Rijeka in 1919/1920 is considered one of the most significant examples of postimperial border conflicts. In this paper, two literary stagings of the border dispute around Habsburg Rijeka will be presented: Giovanni Comisso’s Il porto dell’amore and Viktor Car Emin’s Danuncijada, two very different, but thematically closely related reflections on D’Annunzio’s Fiume exploit.

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