RICHARD STRAUSS’S PHILOSOPHICAL BELIEFS EXPRESSED IN HIS TONE POEM “ALSO SPRACH ZARATHUSTRA”
RICHARD STRAUSS’S PHILOSOPHICAL BELIEFS EXPRESSED IN HIS TONE POEM “ALSO SPRACH ZARATHUSTRA”
Author(s): Bianca-Teodora BĂILĂSubject(s): Philosophy, Fine Arts / Performing Arts, Music
Published by: Editura Universitatii din Oradea
Keywords: Richard Strauss; Also Sprach Zarathustra; Philosophical References; Post Romanticism; Musical Analysis;
Summary/Abstract: Richard Strauss (1864-1949) remains one of the most appreciated composers by musicologists, as his compositional contributions are significant, especially regarding the post Romantic musical language, but also for the tone poem genre. His timeless and innovative creations continue to be integrated in the worldwide concert programs. Even though he had a confident, straight-forward personality, this was not the only reason why he became successful over time. Some of the childhood acquaintances and professional role models from his mature year clearly impacted his career and determined him to become a great musician, as he was also a renowned conductor not only composer. The following article analyzes one of Richard Strauss’s most famous and significant tone poems, Also Sprach Zarathustra. In addition, his views and attitude regarding Friedrich Nietzsche’s philosophy of nihilism will also be discussed.
Journal: Colloquia Artium
- Issue Year: 7/2024
- Issue No: 1
- Page Range: 52-61
- Page Count: 10
- Language: English
