Cookies help us deliver our services. By using our services, you agree to our use of cookies. Learn more.
  • Log In
  • Register
CEEOL Logo
Advanced Search
  • Home
  • SUBJECT AREAS
  • PUBLISHERS
  • JOURNALS
  • eBooks
  • GREY LITERATURE
  • CEEOL-DIGITS
  • INDIVIDUAL ACCOUNT
  • Help
  • Contact
  • for LIBRARIANS
  • for PUBLISHERS

Content Type

Subjects

Languages

Legend

  • Journal
  • Article
  • Book
  • Chapter
  • Open Access
  • Philosophy
  • Aesthetics

We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.

Result 5101-5120 of 6068
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 255
  • 256
  • 257
  • ...
  • 302
  • 303
  • 304
  • Next
Документирането на себе си като контрадисциплина в етическите работи на Мишел Фуко
4.90 €
Preview

Документирането на себе си като контрадисциплина в етическите работи на Мишел Фуко

Author(s): Strand Sheldahl-Thomason / Language(s): Bulgarian Issue: 3-4/2016

This paper examines the role of self-documentation in the care of the self. As is well known, Michel Foucault exposes how disciplinary power functions in hospitals, schools, prisons, and other institutions to train the living for productive use. An important tool of disciplinary power is documentation, or the recording and cataloguing of the living that constitutes them as objects of knowledge. I show how documentation creates and extends knowledge to individuals. At the same time, documents become physical appendages of the lives they record, which, while separable from those lives, nevertheless affect those lives. Despite these apparently negative functions, Foucault finds that documentation can also be the means by which the living take over their own disciplining. In writings about both fiction and ancient ethics, Foucault points to self-documentation as a way of objectifying the self before the self, so that the self may train itself according to self-imposed standards. Although disciplinary power may be inescapable, self-documentation offers a technique of counter-discipline that functions alongside and against institutional discipline.

More...
Ако не знаеш, защо питаш? Карта на подобията и съвпаденията на пет места, в две градини и покрай седем реки
4.90 €
Preview

Ако не знаеш, защо питаш? Карта на подобията и съвпаденията на пет места, в две градини и покрай седем реки

Author(s): Daniel Bozhkov,Michael Joyce / Language(s): Bulgarian Issue: 3-4/2016

The essay overlays Michael Joyce’s 2015 novel, Foucault in Winter in the Linnaeus Garden – a polylingual, operatic fantasy comprised of invented letters— upon Foucault’s work, especially Madness and Civilization, as an existing topography that overlaps with the physical and emotional territories of the authors’ own lives. They meet at several locations, from New Hamburg and Nyack, to Marcel Broodthaers’ exhibition at MoMA, New York; while Daniel Bozhkov separately travels to Sweden, Spain, Germany, Bulgaria and Texas, in order to visit various locations mentioned in the novel, as well as ones not mentioned, but relevant to Foucault. The seemingly fragmented text, perforated by the authors’ letters to each other, exists in a non-stop costume ball of famous shadows – Goya, Dürer and Bosch meet Magritte, Deleuze and William Kentridge. A hand drawn map accompanies the essay as a parallel, Deleuzian fold that aims to further unravel the authors’ developing connection to each other (who first met through this project), and their relationship to Michel Foucault’s unsettling and foreverprovocative endeavor.

More...
Distant affinities: speculative realism and the philosophy of Gilles Deleuze

Distant affinities: speculative realism and the philosophy of Gilles Deleuze

Author(s): Dr. Rahma Khazam / Language(s): English Issue: 4/2016

This article explores and contrasts Deleuze’s thought and speculative realism (SR). Focusing on their respective approaches to art, it aims to show that the Deleuzian perspective can be regarded as a critique of SR’s treatment of art. It starts by demonstrating that a particular strand of SR known as object-oriented ontology (OOO) is unable to account for contemporary art as we know it. It then contrasts the approach of OOO with Deleuze’s thought, which endorses art and demonstrates an understanding of the nonhuman that can help to resolve some of the problems encountered by OOO. Having explored the differences between Deleuze’s thought and SR with respect to art, the article goes on to examine their similarities. It shows that both Deleuze and a rationalist offshoot of SR take an analogous approach to the relation between philosophy, art and science. Here, not only Deleuze and SR, but also SR and art, find common ground.

More...
Ritmo sąvokos metamorfozės Gilles’io Deleuze’o ir Félixo Guattari tekstuose

Ritmo sąvokos metamorfozės Gilles’io Deleuze’o ir Félixo Guattari tekstuose

Author(s): Jūratė Baranova / Language(s): Lithuanian Issue: 4/2017

This article deals with the ability of the concept of rhythm functioning in the texts of Deleuze and Guattari to discern the lines of navigation of thought from philosophy towards different forms of art (literature, cinema, painting, music) and backwards. Starting from the dynamic cartography of the problems and concepts discerned as suitable for such thought experiments by Sauvagnargues, Buchanan, Bogue, and Zepke, this research comes to the conclusion that the concept of rhythm is a suitable link for navigation of the possible cohesions between philosophy and different arts. The concept of ‘rhythm’ becomes a philosophical concept in the texts of Deleuze and Guattari and gains the ontological status transcending limits of philosophy and arts. It functions in the territory between the sound, word, and image, as well as the work of art, philosophy and life. Mainly from this ontological perspective, this concept receives the power to reveal not only horizontal, but also vertical, genealogical aspects of art as the process of becoming.

More...
Tüntetések vizuális kreativitása (Románia, 2016–2019)

Tüntetések vizuális kreativitása (Románia, 2016–2019)

Author(s): Gizella Horváth / Language(s): Hungarian Issue: 4/2019

Today, the battle between great ideas is not only fought via texts or speeches on TV screens, the radio, or at lectures or public debates, but also through real and virtual images, and so-called imagetexts. This paper tackles the image politics of the Romanian post-2016 anti-government popular resistance through some typical cases of imagetext: hashtags, symbols, videomapping, posters and some cases of visible space-occupation. These examples can present the anonymous (in some cases professional) artistic creativity, which helps the formation of a social solidarity and crystallizes the message of the resistance through aesthetic pleasure.

More...
Ut pictura poesis – adalék a posztmediális állapot előtörténetéhez

Ut pictura poesis – adalék a posztmediális állapot előtörténetéhez

Author(s): Adrienne Gálosi / Language(s): Hungarian Issue: 4/2019

By examining the art history of the middle of the 20th century, the study attempts to show how the medium as an ontological concept of art was challenged and then dismissed, and how the question of the nature of art became fully conceptual. Starting from Clement Greenberg’s theory of medium specificity, it explores how abstract expressionism, then minimalist sculpture, and finally conceptualism could relate to time and space, how they could form their own time and space perceptions, and sensations, and how this determined the question of what constitutes a work of art.

More...
A kép „nyelve”

A kép „nyelve”

Author(s): Mónika Jáger-Péter / Language(s): Hungarian Issue: 4/2019

In my paper I wish to prove that the truth of the pictures does not stand in correlation with reality. The picture is not the reflection of everyday things, but a different, truer representation of things. The privilege of pictures stands in their being able to always go beyond themselves. The picture possesses a particular kind of logic, as its delotic logos, that is, its nature of showing the thing itself but from a different perspective as well in the same time, cannot be grasped conceptually or by language translation.

More...
SANAT TARİHİNDEKİ ESERLER İLE PİKTOGRAMLAR ARASINDAKİ ETKİLEŞİM VE BENZERLİKLER

SANAT TARİHİNDEKİ ESERLER İLE PİKTOGRAMLAR ARASINDAKİ ETKİLEŞİM VE BENZERLİKLER

Author(s): Reyhan Uludağ Eraslan / Language(s): Turkish Issue: 7/2020

Pictograms which were existing as a cave painting during pre-historic times was seen as a function of written and oral language for humans. Individuals have tried to express their feelings and ideas with the help of basic and simple paintings on the caves „ walls. The pictrogram that was an important role in the pre-historic period has an indispensable position today. Most of the concepts can be explained with the pictogram due to the rise of overpopulation,living together with multinational societies and highly importance of fast communication in our world. The pictogram which expresses abundance of emotions and ideas by symblolizing has been studied to remove the discrimination in religion,language and racism. The pictogram that is the pattern of symbols and the paintings in the art history is interacted.In this regard,an subject from art history and a sample of artist have been scanned. The samples of artists researched: Edvard Munch, Jean Arp, Piet Mondrian, Poul Klee, Join Miro, Pablo Picasso, Pierre Alechinsky, Bruce Nauman, Kara Walker and they work on to clarify Keith Hany’s masterpieces and sampling the pictogram‟s visuals in terms of interaction and similarities.

More...
The power of paradox: notes on categories of the tragic, mono no
aware, and lacrimae rerum

The power of paradox: notes on categories of the tragic, mono no aware, and lacrimae rerum

Author(s): Maria Korusiewicz / Language(s): English Issue: 34/2020

The paper is an attempt to investigate the intriguing convergence of the inner logic of three aesthetic categories that emerge from the experience of finitude of existence in diverse cultural environments: the awareness of the tragic in Western cultures, the Japanese category of mono no aware, expressing the painful beauty of things in their impermanence, and a famous Greco-Roman notion of lacrimae rerum (tears of things). All three – despite the deep disparities between the cultural traditions they represent – prove to be the “places” of paradox, of powerful synchronic tension resulting from the “clash” of contradictory forces, transforming one’s perception of the universum. It seems that it is the paradoxical nature of the experiences labelled by these categories (as confirmed by neuroscience) that allows us to confront our finitude with the aid of aesthetic tools.

More...

Poezja i obraz, piśmienność i wizualność od 1989 roku

Author(s): Anna Kałuża / Language(s): Polish Issue: 43/2020

The article traces the history of the relationship between linguistic (textual, verbal, discursive) elements and graphic, visual, and pictorial elements in Polish poetry after 1989. The subject of interest here are various phenomena, such as: artistic books (by Natalia Malek, Kira Pietrek, and Justyna Bargielska), reference to painting/film/photography, experiments with visual and verbal representation, using a language mark/ text by visual artists. The goal is not so much to catalog the relationships between text and image, but to describe the difference between artistic activities in the era of intermedia (twentieth-century avant-garde) and artistic activities in the era of transmedia.

More...

Poeci-tłumacze jako „awangarda” lat 90.

Author(s): Joanna Orska / Language(s): Polish Issue: 43/2020

David Lehman in his book The Last Avant-Garde. The Making of the New York School of Poets sustains the avant-garde character of the New York School (painters and poets), pointing to the resistance of the public to their works as to one of the symptoms showing their anti-normative and emancipatory message. New experimental poetry in post-transformational Poland of the 1990s was, in general, following the innovations of foreign neo-avant-garde practices – in respect to the methods, interests, and creative ideas. The New York School tradition became the main source of inspiration, due to its reception by poets-translators of the circle of “Literatura na Świecie” magazine: Piotr Sommer, Bohdan Zadura, Andrzej Sosnowski, and Tadeusz Pióro. This article shows that their literary statements on art, which could be seen as programmatic in the avantgarde way, displayed certain outlines similar to the New York School ideas. One might risk the thesis that at the turn of the centuries in Poland not only American neo-avantgarde poetry aroused the interest of Polish poets-translators. Also the programme of the New York School poets, however vague, became important for their experience and it was being “translated” alongside the poems, though its features would turn out different in Polish conditions.

More...
The Lack of the Body and
the Body of Writing in Kierkegaard

The Lack of the Body and the Body of Writing in Kierkegaard

Author(s): Flaviu-Victor Câmpean / Language(s): English Issue: 1/2020

Søren Kierkegaard existed only through his work, which comprises his literary and philosophical pseudonymous oeuvre, the Journal and the theological bodies of work. When unable to nourish this vivid production anymore, he launched his attack against the church in a periodical called the Instant, an effort he could not sustain for too long. In the midst of the attack he fell violently ill in the street in Copenhagen and died in hospital, without having previously been diagnosed with a serious or fatal illness. On the other hand, his body has always been rendered as a failure, even as a missing element in some passages that reveal symptoms of different kinds of hypochondria. These are due to what he confesses to be an “excess of spirit”, a hyper-spiritual subject that enacted a peculiar melancholic and incorporeal condition. The failing body pertains to the lack of an effective body that could sustain existence and at the same time enforces the solution to the question concerning the unavoidable ek-sistence in anxiety (Heideggerian avant la lettre) by way of an incorporeal body of writing. In this paper I will point out the connections between the function of Kierkegaard's writing as a vehicle for shaping identity and the metaphors of the failing body, using a psychoanalytical approach, while trying at the same time to keep close to Kierkegaard’s own style of allusions and bitter irony as an attempt to save the unique subject by writing.

More...
Schmerz, Symptom, Sublimation
Von der Phänomenologie zur Psychoanalyse

Schmerz, Symptom, Sublimation Von der Phänomenologie zur Psychoanalyse

Author(s): Virgil Ciomoş / Language(s): German Issue: 1/2020

In medicine and psychiatry, pain often falls under the term “comorbid disorder”. We will therefore begin with a brief phenomenological analysis of the term “comorbidity”. The emphasis here will not be so much on “morbidity” but on the prefix “co”, more precisely on the fusion between the various forms of morbidity, including the pain itself. I would like to further state that the real thing that comorbidity is concerned with is essentially the interaction between the organic and the psychic, or, generally speaking, that between “body” and “soul”. The prefix “co” can denote at least three possible situations, depending on the respective context: an organic cause with psychological effects, a psychological cause with organic effects, or, a much deeper source of origin, which is both organic as also affects the psychic and thus leaves behind the mere duality of this pair of terms. As we shall see, this last meaning became the source of inspiration for one of the important working hypotheses of phenomenology, which is the reduction of dualisms as body-soul, inside-outside, etc. from the perspective of their common condition of possibility. This hypothesis is shared by both psychoanalysis and the psychoanalytic clinic that emerges from it.

More...
Worldview Essence and Cosmic Connotations of Religious Feelings

Worldview Essence and Cosmic Connotations of Religious Feelings

Author(s): Olena Predko,Denys Predko / Language(s): English Issue: 25/2020

The purpose of this study is to identify the essence and features of the cosmic nature of religious feelings, their various meanings, which are unfolded in the system of the “Person-Absolute” relationship. The authors reveal the essence of cosmic religious feeling as the experience of unity, the harmony of a person with nature, with the Universe, in which the experience of beauty (aesthetic feelings), sacred (religious feelings), moral (moral feelings), and intellectual (scientific feelings) are combined. In the trinity of religious feelings — immediate experience, manifestation, and comprehension — certain spiritual existential meanings are fixed, which reflect the unity of the human and the Divine, the finite and the infinite. The authors compare such phenomena as “cosmic religious feeling,” “transpersonal experiences,” and “peak experiences” and describes their similarities and differences. Religious feeling is immanently inherent in life-meaning orientation, which is associated with the experience of infinity, immortality, and that is due to socio-cultural realities. Religious feeling “expresses” the desire to go beyond the finite, to establish itself in the infinite, and thereby contribute to the integrity of the personality. It should be noted that these experiences are of great importance for the person, differing in generalization, originality, and relate mainly to the emotional states. The authors conclude that the infinity is inherent in religious feelings, which leads to the presentation of them as a cosmic religious feeling that combines religious, intellectual, and aesthetic features resulting in the formation of cosmic consciousness as a certain worldview strategy.

More...
КОРПОРАТИВНА КУЛЬТУРА ЯК ВАГОМИЙ ЧИННИК ПРОФЕСІЙНОЇ ПІДГОТОВКИ ТЕЛЕВЕДУЧИХ

КОРПОРАТИВНА КУЛЬТУРА ЯК ВАГОМИЙ ЧИННИК ПРОФЕСІЙНОЇ ПІДГОТОВКИ ТЕЛЕВЕДУЧИХ

Author(s): Olena Mykolayivna Kosinova / Language(s): Ukrainian Issue: 2/2019

The purpose of the work is to reveal the essence of the process of introduction of corporate culture in the system of aesthetic orientation of professional training of TV presenters. The research methodology involves a comprehensive approach with the use of analytical, systematic, and comparative methods, which makes it clear that the ideal of art education needs a meaningful content, creating optimal conditions for corporate culture in the system of aesthetic life of students of higher education and arts. The scientific novelty of the work lies in updating the concept of corporate culture in the context and in connection with the formation of professional training of broadcasters. Conclusions. As a result of the conducted research it is established that in the conditions of creative higher education the implementation of the aesthetic orientation of students' professional training is carried out by forming the personality of the artist with harmoniously combined professional, moral and aesthetic, psychological qualities and is provided with purposeful educational activities. The most important aesthetic qualities in the process of forming the corporate component of aesthetic training of future TV presenters are the following: respect for the history, culture, dignity, ethical ideals of each people; interest in the national language, customs, traditions, as well as feelings of mutual tolerance and delicacy as to the national "other" mentality, spiritual values, and carriers of another culture and opinions that do not coincide with one's own.

More...
Božansko i demonsko Leonardo da Vincija
5.90 €
Preview

Božansko i demonsko Leonardo da Vincija

Author(s): Dimitrije Popović / Language(s): Croatian Issue: 25/2020

Svako pisanje o Leonardu da Vinciju postavlja problem autoru teksta na koji način i kako pokušati obuhvatiti složenost kreativne ličnosti ovog renesansnog genija. Mnogostrukost profila njegove stvaralačke prirode izmiče mogućnostima da sejasnim konturama izrazi ta složenost umjetnika i znanstvenika, estetičara i matematičara, anatoma i pronalazače, pisca i astronoma, arhitekta i scenografa, skulptora i botaničara, geologa i aeronautičara... »Složeniji i tajanstveniji karakter od njegovog nije postojao - ističe Kenett Clark - i svaki pokušaj uprošćavanja bio bi suprotan svoj aktivnosti njegove misli«. Ugledni engleski likovni kritičar zaključuje kako se Leonardov lik »mijenja kao oblak« i Da Vincija vidi kao »Hamleta povijesti umjetnosti, koga svatko od nas za sebe mora ponovo stvarati«.

More...
Likovna umjetnost i fizika
4.90 €
Preview

Likovna umjetnost i fizika

Author(s): Nikola Godinović / Language(s): Croatian Issue: 25/2020

Ovaj esej o likovnoj umjetnosti i fizici proizišao je iz potrebe da razumijem zašto su neka umjetnička djela remek-djela, a druga nisu. Čitajući knjige iz povijesti umjetnosti, kroz diskurs fizičara, primijetio sam da postoji veza između likovne umjetnosti i fizike, koja nije baš tako očita i koju nije baš jednostavno raspetljati. Osnovna je teza koja se provlači kroz ovo promišljanje o isprepletenosti fizike i umjetnosti: znanost definira duh vremena (»zeitgeist«) određene epohe, dok ga umjetnost interpretira, propituje i holistički sublimira u umjetničkom djelu. To djelo odražava narativ određenog povijesnog razdoblja, naravno često puta propituje i ruga se aktualnom ili nametnutom narativu, i tako potiče stvaranje drugačijeg, novog načina promišljanja i doživljavanja svijeta.

More...
Co czyni wystawa? Praktyki artystyczne kreujące „trzecią sferę”, czyli wystawianie naturykultury w galeriach sztuki

Co czyni wystawa? Praktyki artystyczne kreujące „trzecią sferę”, czyli wystawianie naturykultury w galeriach sztuki

Author(s): Barbara Major / Language(s): Polish Issue: 1/2020

The article is an anthropological reflexion over the activities that are connected with exhib-iting in the art galleries the art created in the ecological and/or posthumanist world vision. Exhibiting such works constitutes the gesture of outlawing a certain system of qualifica-tion based on anthropocentricism and is a challenge to social idea of taste. The exhibition becomes the place of constructing an aesthetic world, the main paradigm of which is no longer defined by the opposition nature / culture. This is how the “third realm” is created: connecting the culturally constituted contradiction of nature and culture, and that realm makes the synthesis- natureculture, where the place of opposition is taken by ecological relation of biological and social factors.

More...
Lust zwischen ästhetischer Selbst- oder Ideenliebe und religiösem Leidenwollen beim frühen Kierkegaard

Lust zwischen ästhetischer Selbst- oder Ideenliebe und religiösem Leidenwollen beim frühen Kierkegaard

Author(s): Jonas Hodel / Language(s): German Issue: 2/2020

The aim of this paper is to offer a provisional, though coherent overview of the different phenomenal aspects of lust (dan. Lyst) with respect to the three existential stages stated by Kierkegaard. It proceeds in four steps: first, Kierkegaard’s concept of anxiety and its relation to personal freedom is introduced as background for the question of how lust comes about in the individual. Second, it exposes the aesthetic character of lust, consisting in the fulfilment of a multitude of desires rather than in any of their specific objects themselves. A third step reconstructs the main critique of the hedonistic ‚view of life’ as articulated from the ethical standpoint. The dialectic of religious joy as an intentional suffering for a higher form of fulfilment is being analyzed in the final step.

More...
The Embodied Gaze: Flesh, Spatiality and Beyond
4.90 €
Preview

The Embodied Gaze: Flesh, Spatiality and Beyond

Author(s): Mathilde Bois,István Fazakas / Language(s): English Issue: 03+04/2020

This paper investigates the involvement of the flesh in the contemplation of depictive images. Against the apparent disincarnation of the gaze in front of such images, we argue that the phenomenalisation of the depicted world implies not only the empirical body but that diving into an image awakens a bodily dimension proper to phantasy. Our point of departure is the contrast between the functioning of the body in the experience of the objective world and its role in the constitution of the place of the image in the empirical space. The image opens up on a different space, a space of unreality in the space of reality that modifies the way I inhabit my body. In a second step, we show, in a Husserlian context, that the spatialising function of my body is maintained – to some extent – even in the world of the image. This matter of fact calls for the thematisation of kinestheses in phantasy. In the third part, we show that kinestheses related to the contemplative gaze, besides being related to possible positions, also have a tempo and a rhythm that reveal a dimension of kinestheses that transcends the apparent cleavage between the real and the imaginary.

More...
Result 5101-5120 of 6068
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 255
  • 256
  • 257
  • ...
  • 302
  • 303
  • 304
  • Next

About

CEEOL is a leading provider of academic eJournals, eBooks and Grey Literature documents in Humanities and Social Sciences from and about Central, East and Southeast Europe. In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, researchers, publishers, and librarians. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. CEEOL supports publishers to reach new audiences and disseminate the scientific achievements to a broad readership worldwide. Un-affiliated scholars have the possibility to access the repository by creating their personal user account.

Contact Us

Central and Eastern European Online Library GmbH
Basaltstrasse 9
60487 Frankfurt am Main
Germany
Amtsgericht Frankfurt am Main HRB 102056
VAT number: DE300273105
Phone: +49 (0)69-20026820
Email: info@ceeol.com

Connect with CEEOL

  • Join our Facebook page
  • Follow us on Twitter
CEEOL Logo Footer
2025 © CEEOL. ALL Rights Reserved. Privacy Policy | Terms & Conditions of use | Accessibility
ver2.0.428
Toggle Accessibility Mode

Login CEEOL

{{forgottenPasswordMessage.Message}}

Enter your Username (Email) below.

Institutional Login