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In Memoriam of Maxim Mladenov
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This article delves into Bosnia-Herzegovina, and especially into the town of Bihać, to ethnographically examine the changing nature of the state and family, as visible through practices of elder care. I use my ethnographic data gathered at a nursing home Vitalis in Bihać, and especially the predicament of an elderly Bosnian woman whom I call Zemka, to argue that both the state and family in postwar and postsocialist Bosnia-Herzegovina materialize as semi-absent. In the process of unpacking these multiple semi-absences, I reveal the lived effects of changing postwar and postsocialist state, and altering kinship relations as they affect "ordinary" people.
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In recent years, domestic work has become the centre of many scientific studies. Still, in most cases, disregarding its specific aspects and features, domestic work is displayed as a homogeneous category. In contrast, by observing daily activities and narrations of the live-in eldercare workers, specific working conditions, dispositional attitudes, duties and obligations are disclosed. The article suggests that in order to fully comprehend the extent of the eldercare work it is equally important to place the research where care work is located – within the domestic space. Hence, only by entering the deepest void of this work, space for exploitation, struggle and invisibility can be reduced to a minimum.
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This paper is part of ongoing research conducted by the authors which aims to map the turbotronic scene and provide an answer to the question of what music can reveal about the broader dynamic of sociocultural life in contemporary Serbia. The paper follows the paths of the anthropology of music, already well established in Serbian anthropology. It focuses on the seemingly banal, everyday discursive practices of ordinary people, situates them in a wider framework of symbolic geographies, and suggests that turbotronic narratives belong to the discourse of the Balkan "barbarogenius". The paper shows, to use Hertzfeld's terminology, "how and under what pressure people resort to stereotypes, and even represent them directly – act them out, as it were". It answers the question of where the creators of turbotronic find binary oppositions consisting of essentialist constructs, how they instrumentalize them strategically, and how they use them in negotiating power. Our analysis shows that the following value signs assigned to the key pairs of oppositions in the discourse of the "Second Serbia" – (+) Western/European : (–) Balkan, (+) civilized : (–) primitive – have switched places within turbotronic discourse, and that the following pairs of oppositions have been added – (+) emotions : (–) reason, and (+) authentic : (–) fake. We propose that the change be interpreted as a potential reflection in the literature of the wider changes in the reception of the Ottoman heritage in Serbian culture but also in the wider region of the Balkans. An analysis of ethnographic material will show why the authors of turbotronic take the side of "the people" and "ordinary folk", why they insist on the "banished Balkan heritage", and will shed light on the function and symbolic significance that the kafana (a type of Balkan pub) assumes in their narratives. Finally, we suggest directions for future research of this analytically fruitful phenomenon.
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The essay gives a critical review of The Rituals of the Media by Lajos Császi. It seeks to showhow the Durkheimian sociology of religion can be applied to the modern communicationtheory and what perspectives such a combination can store for sociology. The mediahas a significant impact on the formation of public opinion; therefore, its rituals deservea special attention. However, the opinion forming power of the media depends on thesocial structure and the movement of the masses. Today even ordinary people can broadcastInternet TV-programmes and we have not even mentioned the technical possibilitiesoffered by the various social network sites. It is not only the technical competence, whichdetermines whether a given opinion will remain embedded in a narrow subculture or itsucceeds to move the masses, which was a well-loved catchword of the 20th century
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This article offers a closer look at the intellectual origins of ‘textual debate’ in the field of cultural anthropology – as initiated by Clifford Geertz in The Interpretation of Cultures and Works and Lives, and continued then on by James Clifford and George Marcus in their volume Writing Culture. An attempt subsequently followed at combining the insights, having appeared within the debate’s confines, into interpretation and textual processing of ethnographic data with the idea of anthropological reflectiveness conceived as examination of de-objectivising influence exerted upon the ethnographic description of culture by factors such as historicity and politicality of the writing individual; his/her assumed research strategy and writing rhetoric; and, unconsciously accepted socio-cultural and personal data determining the cognitive process.
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Cultural norms in relationships are learned from parents, peers, and many others whose values, attitudes and behaviors take place in the context of their own social culture. This paper, partially based on my diploma thesis ‘Doubled identity of crew members on cruise ships as the instrument of cultural adaptation’ supervised by Mgr. Helena Tužinská, PhD. investigates intimate relationships of men and women of various ethnic identities with different cultural backgrounds who work on the cruise ships. Coming from all over the world, crew members of cruise ships bring here different cultural values, norms and attitudes. Nevertheless, shortly after the embarkation they are confronted by ‘ship life’ – the specific way of life on the cruise ships. Its acceptance is the only way of successful adaptation to the new social environment. Independently of their authentic cultural norms in relationships they acquire norms specific for ‘ship life’ and enter intimate relationships with characteristics of its part - ‘ship love’. This paper explores these characteristics as well as the strategies the crew members involved in these intimate relationships use to deal with the difference between their authentic and newly acquired intimate relationships’ norms. To make the mosaic of intimate relationships on cruise ships complete, I take closer ‘look’ at themes which are communicated by crew members most frequently: arranged marriages in some parts of India and transnational bride migration of some Filipino and Thai women.
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The article presents the program of sexual education prepared and offered by Krakow Branch of the Planned Parenthood Association in the wider context of socio-political situation in Krakow (1956 – 1989). Since the beginning of the Association’s existence, the special attention was paid to the development of educational program, which concerned the different aspects of „family life“. The article is going to answer the questions about its goals, the educational tools used to achieve them and its social targets. To accurately determine the position of the Association in the city‘s community I will analyse its foundation and activities in wider context of the pre-war traditions of the organisation and the activities regarding premarital counselling undertaken by the Krakow Catholic Church.
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Contemporary study of history approaches popular witchcraft and magic folk culture as concepts associated with cultural dichotomies: popular culture versus high culture. The component of magic is considered most characteristic of popular culture. Aron Gurevich constructs medieval folk culture from the aspect of magic by means of early medieval books of penitence. This material, however, does not allow such construction for two reasons: firstly, the content information, and secondly, the articles on superstition and magic in the books of penitence are not targeted at peasantry. Quite conspicuously, it is often the clergy that is accused of witchcraft. The letters of witchcraft (charms), mostly spread in written form, were accessible for the literate clergy. Thus the early medieval witchcraft was clerical rather than popular. The access to the tradition of witchcraft texts makes the clergy an expert of witchcraft, to whom the people turn for advice and who are therefore persecuted in the Late Middle Ages. Therefore, witchcraft formulae moved in the downward direction.
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Maszkulinitások és feminitások a hagyományos tánckultúrában
Does the distinction between feminine and masculine movements exist? What is the relation between these two notions in the Hungarian traditional dance culture?
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Discussion of Dariusz Czaja's works.
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REVIEWS AND COMMENTS
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The main purpose of this paper is to determine the most frequently used propaganda forms of expression in the film Triumph of the Will by Leni Riefenstahl. This research target may be presented in the form of the following questions: Which propaganda forms of expression have been used in the film? Which symbols have been used to convey the message in Leni Riefenstahl’s film? The answers to these questions will be interpreted in the context of Stewart M. Hoover’s theory “from medium to meaning.” Its author paid attention to the essential question: To what extent do media convey meaning? To what extent do they give meaning to a phenomenon? Analogically, a question may be asked, with reference to Riefenstahl’s film: to what extent her film might have given meaning to the Nazi propaganda? What was the role of cinema in Adolf Hitler’s policy and in popularising his views? The article is a review paper. Its indirect goal is to draw attention to the transfer of meaning in audiovisual communication.
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The objectives are to analyze the development of the relations in the sphere of the culture between Switzerland and Germany in the 1930-40’s and to determine the reasons for termination of the cultural dialogue between the countries after the arrival of national socialists in German and conditions of its recovery after the Second World War. The historical-genetic and comparative methods were chosen for the study. With the use of the historical-genetic method, the evolution of the German-Swiss cultural relations in the first half of the XX c. was explored. Appeal to the comparative method has enabled to draw the conclusions about the features of the bilateral cultural relations between Switzerland and Germany in the period between the two world wars, during the war of 1939 – 1945 and post-war years. Scientific novelty of the proposed article is that for the first time in Ukrainian historiography an attempt to explore the development of the cultural relations between Switzerland and Germany in 1930 – 40's was made. Conclusions. The main reasons of the Swiss efforts to withdraw from the involvement in the German cultural world in the late 1930's – 40's were memories of the First World War, when the conflict between the French and German communities had put in jeopardy the peace within the Swiss society, and a desire not to create the pretext for the global public accusations against Switzerland of its involvement in the crimes of the national socialists, which could raise doubts about the issue of Swiss neutrality. The background for the restoration of the cultural dialogue between the countries was the desire of Swiss to support the formation of a new democratic regime in the neighboring country, which was realized through the activities of both individual private artistic associations and institutions, and the work of the Swiss diplomacy, which through the analysis of the cultural situation of the particular German states was searching for the potential areas and ways of cooperation.
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The understanding of good by a man who grew up in the “gutter” among juvenile gangs is distorted. It is not surprising then that Han Solo did not become a Jedi knight. However, can a young reader of “The Great Escape” from “Star Wars” reason this out? Media education is indispensable here, so that by analysing the content of the book and its context throughout the saga, we can come to conclusions that many would see as opposite to those intended by the author. So what is this boomerang effect?
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This paper was written between 2002 and 2003 as the result of a first anthropological fieldwork by the authors in Rovinari, a Romanian mining town. “Systematisation” is considered to be one of the particularities of the last communist decade, together with the industrialisation and urbanisation process. These lead to a systematic regrouping and large scale re-distribution of the population, as well as to the proliferation of ‘the block of flats’ – the only type of building and inhabitation mode accepted, following the political will to increasingly homogenize the population. Built almost overnight, on barren land, as accommodation for the necessary work force brought by the increasing development of the regional mine, the “industrial town” of Rovinari can be considered a “dorm” or “work colony”. Without denying it this characteristic, we tried to analyse the way in which people who arrive in this town from all over Romania and for different reasons, have managed to feel “at home” in the apartments assigned to them.
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