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After a brief theoretical consideration of the cultural memory and political communication in electoral campaigns, this paper analyses statements of politicians during the 2015 Croatian parliamentary campaign. The main goal of the paper is to establish the manner in which events and happenings from modern Croatian history and the various ‘collective memories' surrounding them were present in the media excerpts analysed. Research of excerpts from the leading Croatian media outlets (daily newspapers, TV stations, web portals) was performed through content analysis. The results show that excerpts including political communication about modern historical themes were present to a significant extent, and that discussions of these topics were most often provoked by the largest political parties, Croatian Democratic Union (HDZ) and the Social Democratic Party (SDP). On the level of general conclusion, it can be claimed that the electoral campaign largely became a "site of memory" where further political conflicts surrounding historical issues were generated, while discussions of solutions to numerous social problems were neglected.
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The film is one of few examples of political documentaries produced in Poland after 1989. It is not limited to merely outlining the political argument over General Jaruzelski’s decision to impose martial law. Although it concerns events in Polish history, it is not a historical documentary, as it brings forth present-day political conflicts that have arisen around historical events. Trying to reconstruct this current political argument, Zmarz-Koczanowicz reaches for a method developed in the 1970s by the so-called “Kraków School” led by Krzysztof Kieślowski. ^e “talking heads” method was meant to help documentary filmmakers in the Polish People’s Republic reach what the person in the street actually thought and avoid the distortions of propaganda. For Kieślowski, however, the overriding aim was conciliation and an attempt to understand both sides of the political barricade - the authorities and the vox populi. His attitude, according to the terminology suggested by Chantal Mouffe, was a post-political one striving for an agreement through a rational dialogue. Zmarz-Koczanowicz’s aim, however, is different: she is intent on showing a clash of different hegemonies that do not strive for consensus. Their agonistic argument, played out in the political register, rather than a moral one, is a guarantee, according to this Belgian philosopher of politics, that democracy will continue to exist.
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In the period before the 1990s, in the context of a strong tradition of socialist realism literature, the positive heroes were placed in the center of the literary world; those that were created according to a standard model. They were developed in a linear way and often were incompatible with the internal logic. The tendency to create "social characters" caused the extinction of the particular and loss of curiosity. The characters of these works appear without any dilemmas, without great twists, without spiritual breaks, without vacillation for the life, the world or the human existence. Near the positive character are the others, who worship them or they want to resemble to the heroes; while on the other side, opposite them are the antagonists, the enemies.In Agolli's works, besides these two groups, are those characters that are seen as "weird", “irregulars” or "incorrect". They are not negative characters because they are not "enemies" but they are not even positive characters because do not resemble the standard example at all. This kind is considered as "the other", and actually this is what it is deep inside the unconscious of the author.“The other” is an individual who is perceived by the group as someone who does not belong, as different in an essential way. The group sees themselves as the norm and judges those who do not meet the norm elements. “The other” can have many forms, in the case of Agolli appears as one who is not indoctrinated. He is not interested about politics, but either he is interested in objecting it. His non-inclusion and non-ideology make him different. They reveal an essential feature that differs from others; speak openly and directly and do not have the veil of deceit in front of their eyes and they see the reality as it is, without idealizing it.In some cases at Agolli’s characters, "the other" is ultimately subjected to the group's norm, but also their existence as being different, makes Agolli's works distinct from the others. One form of "the other" can be considered Commander Rrapo in the novel "Commissar Memo" or Mato Gruda in "The Man with the Cannon".There are other cases where Agolli's "the other" it may be someone who shows great passion for life. A way to enjoy life with all the pleasures that it brings, through humor, eating, drinking, dancing, women, as it is Cute Babulja in the novel "The Ark of the Devil". Such a man with great love for life and the pleasures that life brings is not in line with the positive hero “whose character is shaped among the great difficulties". Agolli's literature work is filled with atypical characters, with special features, with individuals in conflict with the society norms, which consists in alienation from the principles of the official frame method.
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The paper titled "The ‚Other‘ in Literary Modernity (Pashku, Kadare, Rrahmani)" examines the problem of the „other“ presence in modern Albanian literature (of the second half of the twentieth century) and aims to give the frameworks of this problem to the authors used as a model and in this literary era.This paper is only an initial, since the problem of the „other" in literature is not only literary, it is also relates to the cultural and the social identity context. So, the basic method of research, is the comparative one, which also verifies the comparative origin of the "other“ in literature.The concept of the „other“, in historical terms, both in psychological and literary terms, takes on a particular character, often dramatic, and conveyed with contradictory views, so our goal is to follow this line of manifestation. Such a problem will undoubtedly be clarified with theoretical arguments.The authors chosen for this case are: Anton Pashku, Ismail Kadare and Zejnullah Rrahmanin, with the works "Tower", "Castles" and "Romani for Kosovo". Selected works are testify to the value of the authors and the ways of presenting the ctagiry of the "other " in modern literature. These authors are representatives of poetic patterns and selected styles of modern Albanian literature, while the problem of the „other“ in literature, in the works of these authors, represents some of the most important variations of his appearance in the Albanin modern literature.Realizing the theme of the „other“ in Albanian literature Pashku, Kadare and Rrahmani make it having primary concern for the Albanian identity and being guided by national motives and patriotism. In this context, the literary concept of the other of these authors, has the meaning of the conqueror, meaning the impersonator of the idea, and therefore, on this look remain foreign forever. The „other one“ in their work is shaped by the fictional world, literary characters, history as time-stamped and as probable evidence, and through literary figuration. But the perception of the other here is distinguished in the thematic plan: in the other side, it is similar to the literary works of Kadare, through historical events (but to one evil only root causes, while the other good can be bad), while to Rrahmani as a personal theme (continuation of the invader). All three of them, as modern authors, are similar to the universality of the subject, so that Albanian issues are treated as human issues and have a wery good histographic and ethnographic knowledge.
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Considering that Gjergj Fishta (1871-1940) is regarded as one of the most prominent writer in Albanian Literature, especially with his epic and satire, the review of the presence and social and literature status of “The Other” in his work is significant not only for his writing but for the whole Albanian literature. The concept of “The Other” in literature has derived from cultural and sociological studies, therefore the study of this concept in literature is also a result of text analysis, in relation with cultural and sociological studies, thus the concept of “The Other” is primarily related to cultural, philosophical, ethical, political and sociological principles. From the prism of the text analysis, several models of “The Other” in Fishta’s texts are identified, however, the source of these models has two common denominators: one, the mentality of a patriarchal and closed society; and two, the moral of a society that has been forced to suffer the status of captivity for a long time.In this article, the models of “The Other” will be defined and argued by the examples from the Fishta’s texts. Based on Fishta’s literary text, conclusions will be provided about the culture of “The Other” in Albanian society of the first half of the 20th century. In this article the experience of English Cultural Studies is used for the concept of “The Other”, especially the studies of Eduard Said, Bozidar Jezernik, Cvetan Todorov, Anthony Giddens, Georg Simmel, etc.
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Death is not only one of the most universal topics, in addition to love, travel, life, beauty, etc., but is also seen as one of the most difficult to deal with, both ethically and psychologically and religiously. The most natural tendency of the last century has been to avoid death as topic, to non-rebound directly, to project it euphemistically into other areas of the individual or collective world.But Kuteli's case is somewhat specific and quite contrary to this trend. Death is so present in Kuteli's narrative prose, that he seems to have explored it with all his techniques and literary means in all of its individual, social, ethical, religious manifestations. We can affirm that he has a special interest in this subject and he's familiar with it."The Death of the Other", however, as a concept explored in his writings, but also in other paraliteratur and nonfictional writings, gives us a complete insight into his ethical, religious, philosophical and literary concepts of death and of life itself."The death of the other," is seen in confrontation and in a comparative way with "my death", in the M. Kuteli's "rrëfenja"-s, but also in other its writings.
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Katarzyna Citkos article is an analysis of Dagmara Drzazga’s film Bez jednego drzewa las lasem zostanie (Without One Tree, a Forest Will Stay a Forest, 2012), an example of a religious and historical documentary. The article describes the film’s depiction of the tragic fate of Jan Macha, a priest who during the Nazi occupation of Poland organized help for victims of German oppression as a co-founder of the Scout organization Konwalia (Lilly). For his work, he was arrested and executed in a prison in Katowice by means of a guillotine that was installed there in 1941. The article also analyses film-making techniques characteristic to documentaries, as well as the specific forms of expression which situate Drzazga’s work in the realm of religious cinema. These documentary techniques include combining photos and archival documentaries, interviews with people who knew Macha, and the opinions of experts, such as historians, clergymen and journalists. Other interesting techniques employed by the director make it possible to describe the film as belonging to religious cinema of the transcendental style, as described by Paul Schrader, which abandons unnecessary suspense in favor of poetic images; focuses on the dynamics and drama of the events rather than an in-depth psychological analysis of characters’ motivations; interweaves first and third person narration, which is carried out by means of both voice over and by people speaking in the film; uses suggestive image editing combined with music which employs the theme of Agnus Dei. All of these features helped Drzazga’s interesting and thought-provoking film win a number of awards at international Catholic film festivals.
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This article analyzes the views of ordinary Ukrainian citizens of their state. To this end, consider the results of sociological surveys of research on public opinion of Ukrainians and public institutions in the context of creating a positive internal image of Ukraine. The conclusion is that efforts to improve the image of Ukraine, will not be productive without a real change in Ukrainian reality.
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The article analyzes constructions of parenthood and childcare in childcare advice—disseminated through books, TV broadcasts, and websites—by popular Ukrainian pediatrician Evgenii Komarovskii. The article consists of three parts. The first part deals with the public, social, and pedagogical discourses of parental (ir)responsibility and (in)competence in Ukraine, as well as conceptions of parental competence in Doctor Komarovskii’s advice as the alternative to this discourse. The second part aims to evaluate the peculiarities of constructions of maternal and paternal roles and childcare in his advice. The author explores Evgenii Komarovskii’s role in the discursive actualization of parenting and childcare as important sociopolitical issues in the third part. The article draws on work in the sociology of parenting, exploring the role of expert knowledge in its construction.
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The definition of The Other in the Albanian literature is consequence of self-identification national, social, cultural and spiritual endeavor which begins with the romanticism during Albanian National Renaissance. In its early stages, this process was accomplished ‘out’ of texts for as long as structurally Albanian literature lived its naïve stage, without its subsequent complexity which relocated the respective phenomena inside the limits of literary text as dialectic relationship between the definition of ‘I’/’WE’ and ‘The Others’, in all its structural totality. Nevertheless until of the ‘80th of the XX century despite important changes in Albanian literature, one of rare inviolable categories remained the definition of ‘The Other’ expressed under unified cultural and ideological ‘out of literature’ platform which was disintegrated at the beginning of the ‘90th of XX century.We aim to represent an investigation on this case especially after ’90th e so on when this process continues on the absence this ‘out of literature’ platform. We used texts written by Fatos Kongoli and Ben Blushi as the most distinct representative in our judgment of the most important tendencies of this phenomena from the viewpoint of structural construction and relevant meanings made by a cultural instrument ‘The possible reader’ based on theoretically hybrid version ‘Eco-Fish’. In this sense ‘The Other’ is manifested at the limits of literary structure simultaneously as a process and an object done by interpretation.
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Political parties in a democratic system, are trying to get his/her vote by convincing voters. Parties make political campaign which is a political communication activities to convince voters. Parties use election promises as an important instrument of political campaign in order to be attracted the vote of the electorate. Promises which are made to answer the main problems of the country, the electorate’s expectations and demand’s, function as an effective tool to convince. In this study, it is appeared that how the economic promises which are used in AK Party’s political campaign in 1 November general election affect the election results.
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1920-1950s, national-spiritual ideals of the Azerbaijan literature in the servitude of the judge ideology. This article is dealt from in which condition was national-spiritual ideals of Azerbaijan literature in the servitude of the soviet ideology and problems of Azerbaijani writers lived during this period.
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Between 1950 and 1960, various incidents occurred both in Turkey and in the world. These kinds of events have created a great influence in the country, especially in the written press and publications. These issues could be seen in the local press as well as in the national press. While international issues were being processed in the national press, these issues also took their place in the local press. Ağrı, which is at the farthest point of the country, has not remained indifferent to such matters. In particular, the activities of Turkey on international platforms was included in the local press of Ağrı with various positive and negative criticisms. In addition to the international events, various national issues and events that influenced both the region and the period were also included in the press. Reflections of some national and international events between 1950-1960 on Ağrı press were tried to be studied in the study.
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Energy consumption and the need to continue on a global scale, as in the past and in recent years. Oil and natural gas will continue to be the primary energy source until 2030 despite all the alternatives to meet this need. As a result of this situation, energy resources will continue to be one of the most important determinants of the twenty-first century. In addition, at least a half century, dominance of oil in the field of energy will continue to. Energy experts frequently reported that the “cheap oil” era has ended and price volatility in the oil market will continue to today.The Caucasus and Turkestan (Central Asia) regions including the Turkish Republics maintained its importance throughout history due to various reasons. Today, however, due to the rich energy resources, especially oil and natural gas, they took part in the world’s agenda. In this study, the important actors of the energy wars and reserve status of the energy resources of the Turkish Republics in the Caucasus and Turkestan regions were briefly described. In addition, as well as importance of energy resources for the region and the world’s nations, beginning in the late twentieth century and growing competition over energy resources of the Caspian Sea were discussed today.
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Chinese literary modernization movement, which began in the years 1917-1918, initially attracted only attention of intellectuals and did not spread to the whole country. Throug the outbreak of the May 4th movement, there are important developments and changes in society, education, culture, art, politics and most importantly literature in 1919. With this movement in mind, the youth and intellectuals embraced the western culture with great enthusiasm. The years between 1917 and 1919 in Chinese literary history were highly productive years for the prolific authors. Among these authors Zhu Ziqing, who synthesized the East-West cultures, was the pioneer of Modern Chinese Literature. Zhu Ziqing not only glorifies love for father but also yearns for is childhood in his proses, especially in “Beiying”, which is one of his memorable works. Trough the ages, “Beiying” which can be translated “Ardindan” into Turkish, is a great inspiration source to the young authors.
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The present article examines the connection between Cage’s politics and aesthetics, demonstrating how his formal experiments are informed by his political and social views. In 4’33’’, which is probably the best illustration of Cage’s radical aesthetics, Cage wanted his listeners to appreciate the beauty of accidental noises, which, as he claims elsewhere, “had been discriminated against” (Cage 1961d: 109). His egalitarian stance is also reflected in his views on the function of the listener. He wants to empower his listeners, thus blurring the distinction between the performer and the audience. In 4’33’’ the composer forbidding the performer to impose any sounds on the audience gives the audience the freedom to rediscover the natural music of the world. I am arguing that in his experiments Cage was motivated not by the desire for formal novelty but by the utopian desire to make the world a better place to live. He described his music as “an affirmation of life – not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we’re living, which is so excellent once one gets one’s mind and desires out of its way and lets it act of its own accord” (Cage 1961b: 12).
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In this study, socio-economic aspects of Honaz Township in the first quarter of XVIth century, which was an important township of Kutahya City which was a state of Ottoman Empire in its golden age, will be examined in the framework of Anatolian Accounting Register which dates from 1530 and numbered 438. The register mentioned above has all necessary sources such as wealth sources, population movements, ethnic structure, foundations, administrative and military structure, system of the state. The main aim of this work is to eliminate the deficiencies by evaluating all data in the register written in Suleyman The Magnificent’s time and works about Honaz and its income sources, settlement, population, foundations, socio-cultural structure of that period and also provide materials which can be used safely and easily by the historians who search this topic.
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The review of: Ignác Romsics: Bethlen István. Politikai életrajz (István Bethlen. A Political Biography); Budapest: Magyarságkutató Intézet, 1991, 356 pp.
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