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Varia: Dramatization of Politics in the Age of Shakespeare

Varia: Dramatization of Politics in the Age of Shakespeare

Author(s): Alexander Shurbanov / Language(s): English Issue: 1/2019

The article is concerned with the relationship between politics and aesthetics within the context of English Renaissance drama. It is argued that during the Renaissance politics was very much at the centre of all aesthetic reconstructions of reality. Renaissance writers were keenly interested in the problematization of traditional Christian morality by the advent of political realism, and this interest can be found at every structural level of their works. The article examines the reflection of the issue in a recurrent binary pattern of contrasted characters in select plays by Marlowe and Shakespeare.

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Crossing the Divide between Christianity and Islam: Representations of Religious Conversion in Three Seventeenth-Century English Plays

Crossing the Divide between Christianity and Islam: Representations of Religious Conversion in Three Seventeenth-Century English Plays

Author(s): Ludmilla Kostova / Language(s): English Issue: 1/2017

This article focuses on three English plays, The Renegado, or the Gentleman of Venice (1624) by Philip Massinger, The Tragedy of Mustapha, Son of Solyman the Magnificent (1665) by Roger Boyle, Earl of Orrery, and The Siege of Constantinople (1675) by Henry Neville Payne, which were written at a time when the illdefined entity generally known as “the West” today was not in the ascendant and apprehensions of the expansionist Ottoman Empire and its dependencies in North Africa played an important role in European social and political life. The plays are approached from a historicist perspective as attention focuses on anxieties aroused by the early modern European perception of Islam as an alien religion that nevertheless attracted Christians and incited them to convert. Representations of religious conversion are also analysed in terms of gender differences. In addition, each of the plays is read as a response to a particular set of social and political problems, which troubled early modern England and were re-imagined through dramatized stories of encounters between Muslims and Christians.

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UNE OEUVRE SINGULIERE
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UNE OEUVRE SINGULIERE

Author(s): Alain Vuillemin / Language(s): French Issue: 2/2021

Lubomir Guentchev’s work holds a special place in Bulgarian literature and in 20th century French-speaking European literature. This author was born on November 26, 1907 in Pazardzhik, Bulgaria. He died on August 28, 1981 in Plovdiv. He has always lived in Bulgaria. He has never been to France. Yet he left a work written in a remarkable French language. He also wrote in Bulgarian. In total, in several stages, a collection of seventy-six manuscripts, left in French and Bulgarian by Lubomir Guentchev, was found between 1999 and 2005, whose proofing was completed in 2020. Ten volumes of his Écrits inédits (“Unpublished Writings”) have been published in France since 2003. How does this unique work appear? How were these manuscripts analyzed? What finds have been made? What about the translations, poetic creations and lyrical dramas those constitute the material?

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Od Hegela prema antičkom žanru gnoma – dijalektika u Sofoklovoj tragediji Kralj Edip

Od Hegela prema antičkom žanru gnoma – dijalektika u Sofoklovoj tragediji Kralj Edip

Author(s): Vladimir Rismondo / Language(s): Croatian Issue: 02/162/2021

Hegel’s viewpoint on Greek tragedy is a valuable way-station in any theoretical as well as practical consideration of dramatic play. Hegel considered Greek tragedy from the perspective of his dialectical system, thereby indirectly influencing dramaturgical practice in the 19th and 20th centuries. This is why the paper explores Sophocle’s tragedy Oedipus Rex from the viewpoint of Hegel’s theoretical perspective, as well as practical perspectives based on an influential textbook on playwriting by Lajos Egri. The paper further explores the different understandings of dialectics in philosophical and dramatic dialogue. Also, it addresses the kind of applied dialecticism in the work of Greek artists of the 5th century BC. Finally, the text explores the early Greek literary form gnome, which is – hypothetically speaking – the source of the later Greek understanding of dialectics.

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Moj prijatelj Šnajder

Moj prijatelj Šnajder

Author(s): Velimir Visković / Language(s): Croatian Issue: 01+06/2021

Jesen je 1969. godine, tek sam došao na studij iz Splita u Zagreb; pasionirano obilazim zagrebačka kazališta, najčešće sam jer nitko od mojih prijatelja, koje tih dana upoznajem, ne može podnijeti toliku količinu teatra u tako kratkom vremenu. U Zagrebačkome dramskom, koje se još ne zove po Gavelli, gledam Minigolf, čitao sam već o mladom autoru te drame u novinama, znam da je samo tri godine stariji od mene, bio je jedan od glavnih zagrebačkih šezdesetosmaša, iako tek dvadesetogodišnjak; u Minigolfu bavi se zbivanjima u jednom omladinskom listu šezdesetih godina (na način koji dosta podsjeća na »predigru « Krležina Vučjaka, koja se odigrava u redakciji novina Narodna sloga, neposredno nakon 1. svjetskog rata).

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End-Life Crisis in Edward Albee’s 
The Sandbox and The American Dream
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End-Life Crisis in Edward Albee’s The Sandbox and The American Dream

Author(s): Réka M. Cristian / Language(s): English Issue: 26/2021

The essay focuses on the end-life crisis in two plays by Edward Albee, The Sandbox (1960) and The American Dream (1961) and investigates the contexts of this crisis through the figure of Grandma and her means of encountering age and death. I will use age studies and the close reading of the two dramas in order to see the ways in which Albee’s senior citizens challenge mainstream constructions of aging by reconnecting with their pasts in various ways on their deathbeds. They build up an idiosyncratic “age autobiography” (to use Margaret Morgenroth Gullette’s term) in an inventory of events and feelings by assessing a complete(d) life. By doing so they achieve an “agewise” (Gulette) identity that comes full circle in the very moment of grace.

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A Personal Exploration of Translation Studies during the Pandemic. Functionalist Approaches
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A Personal Exploration of Translation Studies during the Pandemic. Functionalist Approaches

Author(s): Camelia Maria Dicu / Language(s): English,Romanian Issue: 26/2021

Translation is a human activity and like all human activities, it has its difficulties and satisfactions. With the aim to enlighten some theories regarding the translations, we are going to explore the studies of the theorists Anca Greere (2003), Hans J. Vermeer (2000) and Christiane Nord (1997). By examining the above theories, our goal is to obtain a clearer view upon the difficulties encountered in the translating activity, on the one hand and on the other, to find the proper way to surpass these difficulties. The translator as a professional has to take into account different aspects in order to comply with the translation task. Thus, the translator has to consider aspects related to the analysis of the source text, this constituting a source of information. On the other hand, the translator has to consider aspects regarding the text type, the text production and the recipient of the target text. In addition to presenting theoretical considerations on functional approaches, the applicative part of our paper will bring to attention four types of translation mistakes, which any translator should avoid and some viable solutions to the problems they pose.

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Софийският международен литературен фестивал – декември 2021

Софийският международен литературен фестивал – декември 2021

Author(s): Daria Karapetkova / Language(s): Bulgarian Issue: 1/2022

The text offers a review of the 9th edition of the Sofia International Literary Festival which took place in December 2021, trying to discover the conceptual threads that determine its structure and contents. It describes the meetings and the conversations with the participants at the festival, as well as the subjects of the discussions which were aimed to analyse some significant phenomena from the present days and also the perspectives they develop for all of us.

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LIGHTS AND SHADOWS IN THE POST-9/11 AGE. LITERATURE, TRAUMA, GEOPOLITICS,  Florian Andrei Vlad

LIGHTS AND SHADOWS IN THE POST-9/11 AGE. LITERATURE, TRAUMA, GEOPOLITICS, Florian Andrei Vlad

Author(s): Alina Buzarna-Tihenea Gǎlbeazǎ / Language(s): English Issue: 2/2022

Review of: LIGHTS AND SHADOWS IN THE POST-9/11 AGE. LITERATURE, TRAUMA, GEOPOLITICS Florian Andrei Vlad, Editura Universitară: Bucureşti, 2021. pp. 166. ISBN: 978-606-28-1385-7

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L’insospettata prossimità della memoria storica: Descarriadas (2018) di Laila Ripoll
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L’insospettata prossimità della memoria storica: Descarriadas (2018) di Laila Ripoll

Author(s): Veronica Orazi / Language(s): Italian Issue: 44/2023

Descarriadas is a monologue about an atrocious legacy of Francoism: the internment in the centres of the Patronato de Protección a la Mujer (1941-1984) of girls considered descarriadas, that is, stragglers. To end up in these reformatories, it was enough to deviate even slightly from the morals imposed by the regime and to be reported by supervisors in charge of this type of control. Among the shocking aspects of the story, the continuation of this practice and the existence of the centres until the mid-1980s stands out. Over a period of forty years, this phenomenon involved thousands of girls: another example of a silenced intra-history that the play transforms into a cry, giving voice to the victims.

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Інтертекстуальна онімна парадигма в інтерпретації вічних образів та сюжетів (на матеріалі драм Ж. Б. Мольєра, О. С. Пушкіна, Лесі Українки)

Інтертекстуальна онімна парадигма в інтерпретації вічних образів та сюжетів (на матеріалі драм Ж. Б. Мольєра, О. С. Пушкіна, Лесі Українки)

Author(s): Aleksandra Nemirovska,Svitlana Formanova / Language(s): English,Ukrainian Issue: 1/2018

In the article the comparative analyses of the functioning of onyms in the works devoted to image interpretation of Don Juan. The study of language and stylistic tools in comparative aspect proves cross intertextuality is conceptual images and stories, their universal significance. Revealed common and different features onym intertextual paradigm of dramatic works Zh.B.Molyer, A. S. Pushkin, Lesia Ukrainka. The article deals with functional and stylistic features of the role of onyms – components onym paradigm in the works with identical story, written at different times. Onym space all studied the works caused theme, idea, plot, ideological orientation dram; it is a means of character, styling narrative, artistic way to create chronotope and disclosure of the author’s conception. The main character in all studied the works is unchanged4 number of other characters range varies according anthroponymy amount used. Other components onym paradigm – toponyms with function like stage directions (Lesya Ukrainka) and in the language of the actors (A.S.Pushkin, Zh.B.Molyer, Lesia Ukrainka). The toponyms perform its main task – creating art works and the space of the certain national colors. The toponymic fields form a striking association parallel and contrasting opposition; they are rich expressive. Most branched is right toponimic in the drama Lesi Ukrainki, which is actively involved in the creation of equal artistry. The investigation lead to the conclusion about the similarity onym paradigm dramatic works, which are based on the story of Don Juan. Individual differences in onym dramas structure caused by the deployment of the scene of action, the author’s conception of the work. The analyses confirms purposeful hard work of masters of artistic expression of linguistic and stylistic parameters of their work, onym coordination of all components in the context of artistic microcosm according to its idea.

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MACHINE TRANSLATION FOR LITERATURE. TRADUCTOLOGICAL APPROACH

MACHINE TRANSLATION FOR LITERATURE. TRADUCTOLOGICAL APPROACH

Author(s): Alexandra Ilie / Language(s): English Issue: 28/2022

The quality of a literary text translation is influenced by several factors. Starting from reading and understanding the text, establishing a translation strategy(s) to the translation itself, the human translator pays special attention to each procedural stage. These stages preceding a literary text are organized in detail and contribute to the quality of the final result. In machine translation, pre- translation consists in interventions on source texts so that they can be "understood" by computer systems. At the orthographic level the conversion of uppercase to lowercase and / or the omission of punctuation might be performed, at the lexico-semantic level processes such as lemmatization or tokenization can be performed, and at the morpho-syntactic level the texts can be annotated and grammatical information can be added using syntactic and morphological analyzers. But the human translator does not decode the text only at the orthographic, lexico-semantic and morpho-syntactic levels. The stylistic level remains "coded" by automatic translation systems.

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CROSSING THE LIMITS IN THE GREEK TRAGEDY: CLYTEMNESTRA, ANTIGONE, MEDEA

CROSSING THE LIMITS IN THE GREEK TRAGEDY: CLYTEMNESTRA, ANTIGONE, MEDEA

Author(s): Cristina Iridon / Language(s): Romanian Issue: 29/2022

This paper intends to present how Greek tragedy manages to create a modern perspective of the women, compared with their traditional status in the historical reality of the archaic community. The analysis will focus on three Greek noble characters: Clytemnestra, Antigone and Medea who offer to any reader from any time instead of / beside the image of the devoting wife and of the obedient housekeeper, the image of the adulterous, of the murderer, of the revenger or of the fighter for the members of her family.

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THE SUICIDE OF THE LITERARY WORK

THE SUICIDE OF THE LITERARY WORK

Author(s): Amelia TUȚĂ / Language(s): Romanian Issue: 29/2022

For many writers, the road to suicide was a last resort, a road to no return, but considered a savior. According to Cioran, a written book can delay the suicidal gesture, for this reason, it is considered as a burning flame that lingers incessantly in the artist's consciousness, which he keeps alive. "It is often said that there is a fine line between genius and madness, or that geniuses are misunderstood. Most of the time we find at least a grain of truth in these statements. [...] they live in an eternal conflict not only with the public, which they hope to impress, but also with themselves -because the author is the fiercest (self) critic. ” Creation is life, and when it dies, the writer's life ends. The writing of works is the medicine that each author administers daily, under the strict guidance of the reading public, an audience that the doctor of his spirit considers. When a destabilization occurs in the writer's life, it automatically reflects on the creation, and often the support of the public and the knowledge of success are hit by the external fluctuations of the transformations that the artist goes through. Thus, the fluency and linear trajectory of literary writings are destabilizing, and the lack of this drug metamorphosed into creation leads to death, the death of the writer, the death of creation. As I explained above, Cioran's words, the burning flame, the book that lasts in the artist's consciousness, keeps him alive, by postponing death, but through creation it is consumed. Thus, we will analyze what is its path that leads to death. Throughout most of their lives, writers find nothing in the social environment that imposes an obstacle or a brake, and even if these things start to appear timid, they do not stop, but look for ways to revive and release, as is the case of Paul Celan and Gherasim Luca, who chose to go to France when they were unable to find a purpose in Romania.

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NATURALISTIC SIMILARITIES IN ROMANIAN AND GERMAN LITERATURE

NATURALISTIC SIMILARITIES IN ROMANIAN AND GERMAN LITERATURE

Author(s): Oana Carina Cîrcu (Crișan) / Language(s): Romanian Issue: 30/2022

The naturalist current has its origin in France and has developed throughout Europe. In terms of Romanian and German literature, the naturalism first appears in Germany and then in Romania. The similarities between the two literary manifestations are: family disasters, the city, the collective character, the environment, the decadence, the degeneration, reality fiction correspondence, the death, the representation of the female character, the heredity, the disease and the music.

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STEREOTYPES ET MAXIMES : RESSEMBLANCES ET DISSEMBLANCES

STEREOTYPES ET MAXIMES : RESSEMBLANCES ET DISSEMBLANCES

Author(s): Mihaela Chapelan / Language(s): French Issue: 32/2023

The present article sets out to explore the issue of stereotypes from a literary perspective. Long before the notion was conceptualized, fiction capitalized on an abundant repertoire of stereotypes, thus proving that, despite the ethical dilemmas posed by it, the process of stereotyping can also be artistically fruitful and valuable. This goes against the commonly held assumption that stereotypes are merely encouraging intellectual laziness. Our research will be based on an analysis of the literary genre of the maxim. We will highlight the fundamental characteristics that allow us to draw analogies between this genre and stereotypes. Using a pragmatics approach, we will focus more particularly on the process of decontextualization, followed by a generalizing recontextualization, which appears to be at the core of both phenomena.

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THE VOCATION OF ILLUSION OR ABOUT THE CHARACTERS OF A POETIC DRAMATIC UNIVERSE

THE VOCATION OF ILLUSION OR ABOUT THE CHARACTERS OF A POETIC DRAMATIC UNIVERSE

Author(s): Raluca Giurgiulescu / Language(s): Romanian Issue: 32/2023

During the communist period, Romanian Theatre stands under the sign of politics, not the philosophical as in free countries of the world. In these conditions, the connecting with universal theatre techniques is quite difficult. Fănuș Neagu, important writer of the 60s generation, achieves such a synchronization with the universal theatre. Although known more as a prose writer, not as a dramatist, he is able to create original plays, in which the dramatic leans on the narrative and the lyric with which they mutually borrow techniques and procedures. He creates an original dramaturgy, populated by atypical dramatic characters with a complicated existence, consciences in a dazed state. They are amazing characters, who impose themselves through their colourful, metaphorical speech and their capacity for self-delusion.

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THE LIGHTS AND SHADOWS OF TEODOR MAZILU’S SLUM ON THE BIG SCREEN

THE LIGHTS AND SHADOWS OF TEODOR MAZILU’S SLUM ON THE BIG SCREEN

Author(s): Luminița VELKER (COLOPELNIC) / Language(s): Romanian Issue: 32/2023

The article reveals a lesser-known role of the great playwright Teodor Mazilu, that of a screenwriter. Although he has several collaborations with cinematography, the making of the film "Bariera" is representative. We analyzed the motivations that were the basis of the collaboration with the director Mircea Mureșan, possible satisfactions and regrets, the value of the screening, the similarities and differences between the book and the film, the message and the atmosphere created by the film.

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A POETICS OF THE STAGE DIRECTIONS. INDICES OF NON-VERBAL COMMUNICATION AND FIGURATIVE LANGUAGE IN CAMIL PETRESCU’S DRAMATIC WORK

A POETICS OF THE STAGE DIRECTIONS. INDICES OF NON-VERBAL COMMUNICATION AND FIGURATIVE LANGUAGE IN CAMIL PETRESCU’S DRAMATIC WORK

Author(s): Ruxandra Coman / Language(s): Romanian Issue: 33/2023

Camil Petrescu validates the suggestive power of the non-verbal communication indices in the parenthetical text not only with the intention of lyricizing the dramatic discourse, but also to enhances, through expressive means, the deep symbolism of the conflict. All the auxiliary elements to verbal communication provide information about the social status and the relationships between the characters, about their moral traits or state of mind, all the more so as they are rendered through expressive means, emphasizing the verbal conflict by marking, step by step, the dynamics of dramatic communication. When it comes to analysis the paralinguistic modalities of communication given in brackets by the author, some must take into account all the aspects that are somehow involved with the inner message conveyed by the author.

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LA VISION DE UMBERTO ECO SUR LA TRADUCTION LITTERAIRE

LA VISION DE UMBERTO ECO SUR LA TRADUCTION LITTERAIRE

Author(s): Monica Alina Toma / Language(s): French Issue: 33/2023

Our approach aims at reconstructing Umberto Eco’s view on translation starting from the premise that a translator is, first of all, a Model Reader who has the ability to interpret the text in a specific manner. A text may have several interpretations, in which case the reader has to deal with several possible worlds. Even if, by the use of textual strategies, a literary work tries to limit the range of acceptable interpretations, the Model Reader may only approximate the meanings of a text. That is why the translation of a book says “almost” the same thing as the book itself, because of the limits of any possible interpretation, but also because, by trying to convey the message of a text to another language, the translator has to face some inherent perils. The article is trying to find an answer to the question: what makes a good translation in Eco’s view?

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