Жанровые особенности пьесы "Баба Шанель" (2010) Николая Коляды

Author(s): Magdalena Zyśk / Language(s): Russian Issue: 13/2020

The article is dedicated to the study of distinct features of Nikolai Kolyada’s play Baba Chanel [The Hag Chanel], with the view to defining the piece’s genre. The author, referencing work of other scholars, pays attention to the types of characters, the topic, the language and the presence of the author in the play. Moreover, the conflict between the characters and the world is described. A substantial part of the article is devoted to showing the features which are characteristic of reportage, in line with Iakov Zharski’s research. The article ends with a summary of the study and with the presentation of Baba Chanel’s generic specificity: this takes into account the features discussed and the authorial definition.

Commonplace Book Compilationand Early Modern Reading: The Case of Hesperides, or the Muses’ Garden

Author(s): Tianhu Hao / Language(s): English Issue: 8/2019

Hesperides, or the Muses’ Garden is a 17th-century manuscript commonplace book compiled by John Evans, now collected mainly at the Folger Shakespeare Library in Washington D.C. The commonplace book has been known primarily for its Shakespearean connections. Borrowing Gunnar Sorelius’s useful term “spontaneous editing,” I discuss it as a way of reading. According to Robert Darnton, the early modern segmental reading contrasts with the modern sequential reading. I maintain that the commonplace book compilation process, as can be inferred from the extant manuscripts, offers an intimate peep into a particular type of early modern reading practice. Hopefully a detailed analysis of the reading activities of John Evans can add to our understanding of the nature of early modern reading, especially commonplace reading. I argue that the defining features of commonplace reading include the fluidity of the text, the subjectivity of the reader, and the multiplicity of the authorial intention.

Zionism in the Writings of the Romanian Jews Authors in the Interwar. Case Study – E. Dorian, M. Sebastian, U. Benador and I. Peltz.

Author(s): Bogdan Ciurezu / Language(s): English Issue: 1 (16-17)/2016

The Interwar was in Romania, as it was in most of Europe, a period of relative peace followed by a deterioration of the situation. Romania was one of the last countries to emancipate its approximatively 700.000 Jews in 1923 and from this point onwards the legislation became increasingly oppressive and anti-Semitic. In these conditions, it’s important to know in what measure Zionism represented a solution for the Romanian Jews. The literature reflects most times not only what a specific group believes about an idea, but also the group itself. Because of this, my study focuses on some of the important Romanian Jews authors like Ury Benador, Isaac Peltz, and Mihail Sebastian. For a more accurate perspective of the reality, the case study will include the diaries of Mihail Sebastian and Emil Dorian. It is important to mention from the beginning that Zionism was not a very important subject in the writings of the mentioned authors, but rather a theme that appeared sporadically and episodically. One of the two main points of the research is whether Zionism became a more popular and viable idea as the Romanian legislation toughened up or did it remain the same taking into consideration the late foundation of the State of Israel in 1948 and the British Mandate of Palestine policy which was against the immigration, not to mention that the land itself was a hostile environment. The other main point of the research is to analyze the arguments of the named authors regarding the creation of a State of Israel, the possible emigration to this newly founded state and if they themselves were supporters of this emigration. Secondary, the research focuses on the Jewish society in Romania as it was seen by the selected authors, taking into consideration that the literature can be a mirror of this society and of the society’s views on the issue; the research is not limited to the Jewish society in Romania, but also the Romanian society as a whole, also as it is seen by the selected authors.

МИХАЈЛО ДИМИЋ И ДРАМА „НАЦИОНАЛНЕ ХЕРОИКЕ”

Author(s): Predrag Nešović / Language(s): Serbian Issue: 1-2/2020

Испитујући позоришну биографију Михаила Димића, долазимо до података да је припадао типу старог путујућег глумца ‒ редитеља ‒ управника – драмског писца.

HRVATSKA KAZALIŠTA I TKT FEST

Author(s): Srđan Vukadinović / Language(s): Serbian Issue: 1-2/2020

Twentieth year of the third millennium is eighteen summers since the organization of the TCT-fest, a sign of recognition of the Tuzla Cabaret Theater in the wider regional theatrical and cultural context. The eighteen year run of the TCT - fest has constituted a kind of theater festival being made up of numerous factors of the theatrical act. The aforementioned period (2003-2019) is a period during which many ensembles and protagonists of the theatrical act have been identified through the projects presented at the TCT-fest and the festival stage. A special dimension of this theatrical festival is the participation of Croatian theaters on the festival stage. Theaters from Croatia took part in the first TCT-fest. Many of them, such as the Virovitica Theater or the Rugantino Theater in Zagreb, can also be considered the founders of this Festival. Throughout the eighteen years of participation, all Croatian theaters have integrated a lot of theatricality into one act that can be defined as participation in the TKT-fest and enormous effort and energy in its maintenance and duration.

КАЛЕМЕГДАНЦИ

Author(s): Zoran Rankić / Language(s): Serbian Issue: 1-2/2020

Literary text (comedy): Зоран Ранкић, КАЛЕМЕГДАНЦИ. Српска комедија, дакле драма / Zoran Rankić, KALEMEGDANCI. Srpska komedija, dakle drama

Katarina Kotromanić-Kosača, posljednja bosanska kraljica

Author(s): Marica Petrović / Language(s): Bosnian Issue: 14/2018

Katarina Kotromanić-Kosača, posljednja bosanska kraljica, autorice Marice Petrović, monodrama je što ju je režirao Vlado Kerošević. Predstava je nastala u koprodukciji Teatra kabare Tuzla, Matice hrvatske Tuzla i Studentske scene pri ADU Tuzla. Ulogu Katarine Kotromanić Kosače ostvaruje mr. umjetnosti Ivana Milosavljević. Predstava je dobila preporuku Pedagoškog zavoda Tuzla za igranje učenicima viših razreda osnovnih škola i učenicima srednjih škola. Ovo je ujedno bila i praizvedba teksta domaćeg autora koji je pisan hrvatskim jezikom i plod je brojnih kalemova, kombinacija umjetničkih, tradicijskih, svjetovnih i religioznih tekstova.

HYBRIDIZATION OF POETRY AND THEATRE IN THE CREATIVE WORLD OF JORDAN PLEVNEŠ

Author(s): Sonja Stojmenska-Elzeser / Language(s): English Issue: 21/2020

Трудот се осврнува врз творештвото на македонскиот современ писател Јордан Плевнеш од аспект на неговите жанровски координати, односно се обидува да ја аргументира испреплетеноста на поетскиот и драмскиот дискурс во неговиот богат творечки опус. За таа цел анализата започнува од препрочитување на неговите две поетски збирки Теорија на отровот и Уби поезија иби патрија, за потоа да ги лоцира пунктовите во драмските остварувања кои кореспондираат со мотиви, слики и стил што се присутни и во неговата поезија. Во фокус на интересот се драмските текстови „Еригон“, „Мацедонише цуштенде“, „Подземна Република“, „Безбог“, „Среќата е нова идеја во Европа“ и „Вечна куќа“. Вообичаено Плевнеш се карактеризира како драмски писател, а се минимизира неговата поезија. Но, во овој труд се доаѓа до сознание дека поетското искуство е иманентно и особено важно за интегралниот креативен свет на Плевнеш, така што и неговите драмски текстови, а и самите театарски претстави создадени врз нивна основа, можат да го носат предзнакот „поетски“.

Az ember, aki magában beszél

Author(s): Matei Vișniec / Language(s): Hungarian Issue: 798/2020

Short play by Matei Vișniec translated by Zsolt Karácsonyi.

„Ez is egy érzésköteg, amiről vagy tudunk mondani valamit, vagy nem”

Author(s): Dóra Mărcuțiu-Rácz / Language(s): Hungarian Issue: 801/2020

ЛЕТОТ НА СИЛЈАН НАД ПОНОРОТ НА НЕБИДНИНАТА: АНАЛИЗА НА ЦРНА ДУПКА ОД ГОРАН СТЕФАНОВСКИ

Author(s): Despina Angelovska / Language(s): Macedonian Issue: 76/2020

This paper analyses Black Hole, one of the most emblematic and complex plays of Goran Stefanovski, written in 1987 and announcing the end of an era – the fall of communism and war in ex-Yugoslavia. The play rereads the story of “Siljan the Stork” by Marko Cepenkov, resetting its initiatory talein the context of agonising socialism. Deconstructing the initial teleological and didactic matrix of the story, the play questions the sense of its redemptive ending in the context of a post-ideological and devastated world. The paper further considers the rupture marked by Stefanovski’s dramaturgy in regard to the traditional normative concept of drama. The play’s hybrid and open form, which constantly reinvents and deconstructs itself, is approached as representative of a new “rhapsodic” poetics of modern contemporary drama.

Tłumaczenie teatralne w polskim języku migowym

Author(s): Magda Schromová,Aleksandra Kalata-Zawłocka / Language(s): Polish Issue: 1/2020

W artykule bliżej przedstawiono temat tłumaczenia teatralnego, które w ostatnich latach podlega dynamicznemu rozwojowi. Tłumaczenie teatralne to rodzaj tłumaczenia artystycznego, które umożliwia społeczności Głuchych uczestniczenie w otaczającej ich kulturze słyszących. Artykuł szczegółowo omawia kilka rodzajów tłumaczenia teatralnego: pozycyjne, strefowe, cieniowe oraz eksperymentalne. Główna uwaga poświęcona jest tłumaczeniu cieniowemu – specjalnemu rodzajowi symultanicznego tłumaczenia języka fonicznego na język migowy, wykonywanemu w taki sposób, że każdemu aktorowi na scenie towarzyszy jeden tłumacz. Podczas tłumaczenia cieniowego tłumacze są w pełni włączeni w występ, poruszają się razem z aktorami – są ich cieniami. Tłumaczenie cieniowe jest dla osób Głuchych bardzo komfortowe, widzowie mogą się skupić na grze aktorów bez konieczności odrywania wzroku od artystów. W Polsce pierwsze próby zastosowania tej formy tłumaczenia podjęto dopiero w 2015 roku. Artykuł porusza również temat przygotowania do tłumaczenia, trudności związanych z każdym z opisanych rodzajów tłumaczenia oraz specyficzną rolą tłumacza.The article explores the topic of theatrical interpreting, a type of interpreting that has been developing dynamically for the last few years, enabling Deaf people to participate in the surrounding culture of the hearing society. The article discusses in detail a few forms of theatrical interpreting, such as position interpreting, zone interpreting, shadow interpreting and experimental interpreting. The main attention in the article is given to shadow interpreting, a special form of simultaneous interpreting from spoken language to sign language, whereby each actor on stage is accompanied by one interpreter. During the play, sign language interpreters are an integral part of the performance – they follow the actors and become their shadows. This form of interpreting is very comfortable for Deaf viewers as they can fully concentrate on the actors’ performance without the necessity to split their attention between the artists and the sign language interpreting. The first attempts to apply this form of interpreting in Poland were made only in 2015. The article deals also with the topics of preparation for interpreting, challenges connected with each type of the interpreting described in the article as well as the specific role of an interpreter.

Vedran Matošić "Ribareva Kći" Ili Kako Umiriti Žalosnu Dušu

Author(s): Sanja Nikčević / Language(s): Croatian Issue: 103-104/2020

Splićanin Vedran Matošić poznat je kao vodič po Splitu, direktor Turističke zajednice, autor tekstova poznatih zabavnih pjesama, glumac Dioklecijana, ali i autor nekoliko mjuzikala... Na natječaj za Nagradu Marin Držić Ministarstva kulture posao je dramu Ribareva kći koja me kao članicu povjerenstva oduševila.

Dramska predstava: "Korak do Bosne"

Author(s): Nada Đurevska / Language(s): Croatian Issue: II/2020

Theatrical play by Nada Đurđevska (writer) and was directed by Anela Križanac.

The Philosophy of History in Henrik Ibsen’s early works

Author(s): Krystyna Szelągowska / Language(s): English Issue: 4/2020

The early works of Ibsen – which concentrate on historical issues from the old Norwegian past, using material from sagas, folk-tales, and songs – give us a picture of an author who is focused on a national programme. In accordance with the Romantic philosophy of history (historism), Ibsen uses its main categories of causation and explanation of the national past, mainly posit-ing individual ideas as a major shaping force of the course of history and the impact of great personalities. At the same time, Ibsen presents the path for Norwegians to build a strong and independent nation, and the conditions that have to be fulfilled for that to happen.

ХЕНРИX IV

Author(s): Luigi Pirandello / Language(s): Serbian Issue: 3-4/2020

Tragedy play by Luigi Pirandello ("Henry IV")

БРИГАДИР

Author(s): Denis Ivanovich Fonvizin / Language(s): Serbian Issue: 3-4/2020

Comedy play by Denis Ivanovich Fonvizin

WHIGS AGAINST TORIES: THE DEVELOPMENT OF AMERICAN DRAMA

Author(s): Violeta M. Janjatović / Language(s): English Issue: 32/2020

The overwhelming sarcasm and the taunting satire are certainly the feelings that accompanied the American revolutionary period. Approaching both the struggle for independence and the American Revolution, it is discovered that the colonists' sense of laughing and ridiculousness became more pronounced and readier in recognizing the weakness of its enemy and presenting it to the world through the biting laughter of satires. Many satires of this character did not suddenly appear. Their appearance leads to a period many years before the outbreak of the War of Independence and the famous Bacon Rebellion in 1676. Nevertheless, what cannot be denied is that by the approach of 1776, dramatic creativity started its rapid development. Immediately after the first war blow, satires began to be published in nearly every newspaper in the American colonies. American dramatists took an active part in the struggle for independence. At first, the potential, and later, an inevitable revolution made dramatists from the ranks of patriots and loyalists define themselves, their opponents, and the nature of the conflict itself in a way that remains intriguing and powerful over two hundred years later

« ­J’espère toujours que mes photos puissent contribuer, chez certaines personnes du moins, à réenchanter leur quotidien »

Author(s): Mihaela-Genţiana Stănişor / Language(s): French Issue: 26/2020

This is an interview with a Canadian artist who does not like to be called a writer even though he works with words and who moreover does not like to be called a photographer even though he captures images with his camera. What was he doing then, as an artist, before and even now? In his words, he simply worked at re-enchanting his world and daily life.

Stand up tragedija: nekoliko refleksija o pandemiji iz sarajevske izolacije

Author(s): Almir Bašović / Language(s): Bosnian Issue: 89-90/2020

Zadnjih par mjeseci smo se po medijima nagledali i naslušali izvještaja o raznim “tragedijama” vezanim za pandemiju Covid-19 koja nas je zadesila. Ima neke gorke ironije u tome što je virus korona, sa svojom sklonošću ka svakodnevnom štancanju tragedija, takvo ime dobio zbog oblika virusnih čestica čiji obodi podsjećaju na krunu. Sama riječ pandemija etimološki upućuje na to da se tu radi o događaju koji se tiče svih naroda na planeti, onako kako su se u tragediji događaji u kraljevskim porodicama uvijek ticali najšire društvene zajednice i povezivali se s kosmičkim principima. [...]