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Žak Derida, Robert Muzil: putevi s one strane stvarnog

Author(s): Aleksandra Kostić / Language(s): Serbian Publication Year: 0

Author initially attempts to differentiate ‘modern’ and ‘postmodern’ stance by emphasizing the subtle distinction between Derrida’s notion of peut-ętre (maybe) and Robert Musil’s concept of Möglichkeit (possible). These two notions are similar but nevertheless they can exemplify two different approaches to the realm beyond Reality: derridian ‘maybe’ refers to the openness of things, to surprise and ‘event’, whereas ‘possibility’ remains, by means of causality, motivation, utopism, etc., tied to existing reality. In the conclusion author suggests that ‘contemporary times’ – illustrated by Sloterdijk’s pictoresque portrait of polyvalent logics – demand ‘maybeness’ that encompass and surpass musilian contemplation on unreal, but possible things.

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Grimms Volksmärchen "Katze und Maus in Gesellschaft" tiefenpsychologisch gedeutet

Author(s): Tomasz Małyszek / Language(s): German Publication Year: 0

This article is an interpretation of the text of the Grimms’ "Cat and Mouse in Partnership" from the collection "Fairy Tales". The interpretation is based on Carl Gustav Jung’s theory of psychological types. The article shows that the figures of cat and mouse represent different types of humans: the extroverted and introverted types, divided into subtypes. The interpretation shows a harmonious relationship between Jakob Grimm’s theory of the metonymic transfer of drive and instinct in fairy tales and the inevitable triumph of instinct over socialisation.

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Max Toeppens masurische Märchen im Schnittpunkt der Kulturen. Zu ihrer Wirkung und Rezeption

Author(s): Mirosław Ossowski / Language(s): German Publication Year: 0

As a historical borderland at the intersection of German and Polish cultures in southern East Prussia, Masuria has also created its own collection of fairy tales in the field of regional literature. This article presents texts collected by Max Toeppen and published in 1867, and discusses their significance in the context of the popularisation of Masurian fairy tales. Their reception in East Prussia until 1945 and especially in Poland is also analysed.

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Interkulturelle Erkundungen am Beispiel eines Märchens aus Burma

Author(s): Rosemarie Tüpker / Language(s): German Publication Year: 0

Is it possible for a fairy tale from a foreign culture to provide emotional access to this culture for those who listen to the tale without bias and prior information? Or, putting it another way: is it possible for a fairy tale to become an ambassador of its country of origin and to inspire an intercultural debate in foreign places? The research presented here explores this question using a fairy tale from Burma, which was read to small groups and then described by the audience. It demonstrates how such an intensive engagement with a fairy tale can bring one’s own and the foreign into exchange with each other in a new format. As a result, it becomes clear that there can be no Archimedean point for such an intercultural experience objectifying the whole. It is not an interpretation of the fairy tale and its social origins that is the result of such an exploration; rather, it is all about the process of an intercultural engagement: a highly (inter)subjective process, a creation rather than a receiving recreation.

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Wenn Frauen die Hosen anhaben – Märchen-Frauen in Männerkleidern

Author(s): Sabine Lutkat / Language(s): German Publication Year: 0

This article focuses on the motif of women in men’s clothes and explores the folk-tale types that include this motif, for example ATU 881, ATU 882, ATU 883A, ATU 884 and ATU 888. The analysis of this motif in various traditional folk tales reveals that contrary to general belief heroines in fairy tales can be very active, can do men’s chores and, disguised as men, behave differently than role clichés would suggest. Even when they are tested to determine their true sex they behave in a “manly” way. And, interestingly enough, in some tales they are much more capable than all the male characters in the story.

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(Un)gestillte Sehnsucht. Liebeswelten in Sophie Tieck-Bernhardis Märchensammlung "Wunderbilder und Träume in elf Märchen"

Author(s): Renata Dampc-Jarosz / Language(s): German Publication Year: 0

Drawing on the Romantic conception of love, formulated in a new way by Friedrich Schlegel in his novel Lucinde, and based on Niklas Luhmann’s contemporary theory of love, the article analyses three fairy tales by Sophie Tieck-Bernhardi from the collection "Wunderbilder und Träume in elf Märchen" (1802), showing the diversity of the depiction of this feeling, its social plane and its relation to the prevailing discourses, especially in men’s literature. The fairy-tale worlds show love relationships in which both sexes play an equal role and complement each other, but also those in which love remains dependent on social convention. The proposed codes of love are variable, but they are united by the need for freedom and self-determination.

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Individuum vs. Gesellschaft – Schattenlosigkeit als Anlass zur Fremdstigmatisierung in Adelbert von Chamissos "Peter Schlehmils wundersame Geschichte"

Author(s): Andrey Kotin / Language(s): German Publication Year: 0

In this article, the confrontation between the individual and society is discussed on the basis of "Peter Schlemihl’s Wondrous Story" by Adelbert von Chamisso (1781–1838), a German poet and novelist of the late Romantic era. This dramatic conflict is presented through the symbolic prism of a vendable shadow, the sale of which results not only in the protagonist losing his social status, but even his very belonging to the human race. Such a reading is found to be coherent with the common psychoanalytic interpretation of Chamisso’s text.

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J.R.R. Tolkiens "On Fairy-Stories": Wozu ist ein Märchen überhaupt gut?

Author(s): Lubomír Sůva / Language(s): German Publication Year: 0

This paper discusses the essay "On Fairy-Stories" (presented 1939, first published 1947) by John Ronald Reuel Tolkien (1892–1973). Tolkien poses fundamental questions about the character, origin and especially about the use of fairy tales, or, in a more specific way, about the character, origin and use of human fantasy, which in his view is responsible for fairy-tale production. Tolkien identifies human fantasy as a rational and cognitive activity, which fulfils a specific function: to provide re-creation as well as consolation for the fantasy-producing or fantasy-consuming individual; of all literary genres he considers fairy tale, as a type of literature where fantasy plays a dominant role, to be most suitable for fulfilling these functions. From these positions, Tolkien argues with other fairy-tale conceptions, understandings and theories and defends the fairy tale from narrowing and abusive definitions and interpretations. The present paper summarises, outlines and comments on Tolkien’s most important thoughts and show his ideas as embedded in the Romantic movement, corresponding in various ways to the works and thoughts of the Brothers Grimm (Jacob 1785–1863, Wilhelm 1786–1859). In this manner it provides additional evidence supporting Tolkien’s observations, advocating for the positive influence of fantasy and fantastic literature on the humanity of the present age.

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„Das seltsame Königsmärchen…“. Zur Bedeutung des Märchen-Narrativs im Roman "Sehnsucht ins Reich" von Willibald Köhler

Author(s): Nina Nowara-Matusik / Language(s): German Publication Year: 0

The subject of this article is the novel "Sehnsucht ins Reich" (1933) by Willibald Köhler, which is interpreted in terms of the meaning that the fairy tale plays in it. The analysis focuses on the question of Upper Silesian identity, illustrated by “The Strange King’s Tale…” It shows that the writer creates in the novel a vague identity that does not lend itself to national categorisation.

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Michael Köhlmeiers alter/neuer Märchenschatz

Author(s): Marek Jakubów / Language(s): German Publication Year: 0

Disruption in the continuity of cultural memory raises questions about the meaning of tradition and possible methods of its preservation. In his publishing project "Die Märchen" (2019), Michael Köhlmeier sets out to tell fairy tales in an innovative manner, using intertextual referencing to link traditional motifs to contemporary subject matter. Moreover, he creates identification patterns, which allow the reader to both identify with their own cultural tradition and reflect critically on its defining modes of thinking.

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Mating Habits of the Common Draccus: Community and the Subversion of the Dragon Theme in "The Name of the Wind (The Kingkiller’s Chronicle") by Patrick Rothfuss

Author(s): Maria Błaszkiewicz / Language(s): English Publication Year: 0

The purpose of this paper is to explore the subversive folk-tale conventions of overcoming the monster in the unfinished fantasy cycle "The Kingkiller’s Chronicle" by the American writer Patrick Rothfuss, where an intriguing dragon episode in the first part of the series, "The Name of the Wind", calls for an interpretation and invites the reader to use it as a key to the understanding of the nature of the narrative. The significance of the community as both a character in the story and the narratee of the fairy tale seems to be a major clue in the present investigation.

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From Chronicle to Fairy Tale: On the Transformation of the Story of the Harrenhal Tourney in George R.R. Martin’s "A Song of Ice and Fire"

Author(s): Bartłomiej Błaszkiewicz / Language(s): English Publication Year: 0

This paper is concerned with the role and significance of the fairy-tale narrative in the feudal heroic society depicted in George R.R. Martin’s heroic fantasy saga – "A Song of Ice and Fire". Specifically, the analysis traces the process of the evolution of the historical account concerning the momentous events which take place during the fabled tournament at Harrenhal in 281 AC and which determine the subsequent history of Martin’s fantasy world. The paper compares the historical narrative included in the chronicle The World of Ice and Fire, which reappears in the form of scattered personal reminiscences of various eyewitness characters who recall the events throughout the saga, to Meera Reed’s fairy-tale version of the story told to Bran Stark during their strenuous journey north. The aim of the argument is to illustrate the process by which the transformation of historical events into a fairy tale is presented in Martin’s fantasy narrative and to define the social context of this literary evolution.

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Märchenträume der Gesellschaft. Jakob Arjounis "Idioten. Fünf Märchen"

Author(s): Maciej Jędrzejewski / Language(s): German Publication Year: 0

This article examines Jakob Arjouni’s short-story collection "Idioten. Fünf Märchen" in the context of its socio-critical orientation and the fairy-tale elements it contains. "Idioten. Fünf Märchen" is not a fairy tale in the typical sense of the genre, but it does have fairy-tale elements. The work criticises society and has a didactic orientation.

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Märchenhelden in moderner Gesellschaft – "Grrrimm" von Karen Duve

Author(s): Ewelina Kamińska-Ossowska / Language(s): German Publication Year: 0

Karen Duve’s book "Grrrimm" (published in 2012) comprises five fairy tales based on texts of the Brothers Grimm. An attempt is made to examine the specificity of these postmodern texts, such as the influence of the Grimms’ original, their “representation,” that is, their connection with the processes of social modernisation. Among the social problems mentioned are: atypical family relationships, sexuality and bizarre ideas of love.

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„[...] und wenn sie nicht gestorben sind, dann leben sie noch heute“. Parodie in "Prinzessin Rosenblüte" von Kirsten Boie

Author(s): Małgorzata Filipowicz / Language(s): German Publication Year: 0

In this article, the aim of the analysis is to examine parody as a comic technique in "Prinzessin Rosenblüte" by Kirsten Boie. The characters of folk tales are analysed: a princess, a fairy, a king and a prince in their new parody in a contemporary fairy tale for children by Kirsten Boie. Parody concerns not only the stereotypical incarnations of the characters of folk tales, but also other motifs, forms and narrative structures of fairy tales, which in Boie’s contemporary fairy tale are shown in a caricatured light. Although the fairy-tale convention has been parodied, it is a buffer construction, thanks to which the young reader’s confrontation with the social, cultural and political dilemmas of the modern world is easily perceptible to his or her psyche.

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Märchen als Adaptionen in Fan-Fiction. Eine kulturwissenschaftliche Annäherung

Author(s): Malte Völk / Language(s): German Publication Year: 0

This paper aims to analyse transformative works of derivative nature – fan fiction – which are based on fairy tales. They are examined in the context of popular culture studies, with a focus on critical theory and Siegfried Kracauer’s concept of Märchenvernunft – the juxtaposition of reason and fairy tales. An outline of the historical roots of fan fiction in the 18th century lays the foundation for the theoretical findings and the analyses of some contemporary fan-fiction tales.

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Als sich Covid-19 in die Märchenwelt einschlich… Zur Rezeption der Grimmschen Motive in "Corona-Märchen" von Izabella Czarnecka

Author(s): Dorota Sadowska / Language(s): German Publication Year: 0

In this article I analyse Koronabajki [Coronatales], juxtaposing them with their prototypes from the fairy-tale collection of the Brothers Grimm. I try to answer the questions of what elements of fairy-tale plot patterns the author kept in her works, which ones she omitted, and, in connection with this, what functions attributed to classical fairy tales – therapeutic, ludic, etc. – can be attributed to these short literary forms and what significance this has for readers.

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Zum Bild der Deutschen und des Deutschen in polnischen Volksmärchen aus der Sammlung von Oskar Kolberg

Author(s): Katarzyna Grzywka-Kolago / Language(s): German Publication Year: 0

The purpose of this paper is to reconstruct the image of Germans and of folk-tale characters’ German attributes from the perspective of comparative imagology via the analysis of folk tales collected by Oskar Kolberg. Building on the theoretical framework proposed by Holger M. Klein, this study discusses the historical and cultural background of Kolberg’s collection, examines the significance of the Kolberg family’s German roots, wonders about the intended addressee of the ethnographer’s publications, and investigates the contents of folk tales which feature the motif of the German and German attributes of folk-tale characters.

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„Edle Räuber“ in georgischer Volksdichtung und Literatur

Author(s): Elene Gogiashvili / Language(s): German Publication Year: 0

In the European and Caucasian traditional folk narratives, there are different types of romanticised bandits. This phenomenon occurs in many societies and is described in various forms in oral tradition: epics, songs, folk tales, and anecdotes. The images of the robbers are part of a mythology of heroic lawlessness. Historical and fictional figures of robbers have been heroised and established as “social bandits” and repeatedly referred to with the term “noble robber.” In Georgian folk tales, realistic tales and anecdotes, the theme of robbers has been interpreted differently. The international fairy-tale motifs in Georgian folklore joined the national repertoire. There is a difference between fictional and non-fictional robbers in Georgian folklore. In folk tales, fairy tales and realistic tales, the fictional image of the robber is antagonistic in nature. In contrast to the folk tales, the historical robbers appear in other genres of folk narratives as outlaws whom the state regards as criminals, but in peasant society, they are considered heroes, avengers and fighters for justice and even leaders of liberation.

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Kanonska književnost i prikazi nasilja nad ženama: Čitanja s otporom lektira za gimnazije i srednje škole u Bosni i Hercegovini

Author(s): Ajla Demiragić / Language(s): Bosnian Publication Year: 0

Nasilje nad ženama složeni je transhistorijski i transkulturni fenomen prisutan u različitim oblicima patrijarhalnih kultura, odnosno patrijarhata kao društvenog poretka koji se kontinuirano razvijao u skoro svim povijesnim epohama. U agonalnom patrijarhalnom društvu nasilje nad ženama bilo je (a u mnogim društvima još je uvijek) transparentno i široko rasprostranjeno, duboko ukorijenjeno u kolektivnoj svijesti i normalizirano unutar rodnih odnosa. Stoga je ovaj vid nasilja, kao strukturalni i politički fenomen, uvjetovan kako ekonomskim tako i kulturnim faktorima.

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