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«Чувство звёздного неба» и «налёт патины»: авторское заполнение языковых лакун в сфере внутреннего мира человека

«Чувство звёздного неба» и «налёт патины»: авторское заполнение языковых лакун в сфере внутреннего мира человека

Author(s): Yuliya Vladimirovna Golovnyova / Language(s): Russian Publication Year: 0

In national cultures rich in fiction, like the Russian and English cultures, there is a layer of literary descriptions of such mental phenomena as feelings, states of mind, different ways of thinking etc., for which a national language has no well-known brief (single-word or idiomatic) names. These descriptions of individual experience are open to a reader’s understanding and can be memorized due to their figurativeness and to the use of metaphor as a means of thinking, and if an author gives the described phenomena brief names, they may become part of the national lexicon as well; in this case an author’s individual concept can become national. Taking into account the present interest of linguoculturology in language lacunae and in words with no direct equivalents in other languages, we suggest an operational term ‘an individually felt language lacuna’ to denote the absence of a brief conventional name for a phenomenon of great personal value; filling of such lacunae is a well-known detail of a writer’s work. The article considers examples of representation of authors’ individual concepts from works by Osip Mandelstam, Vladimir Nabokov, Joseph Brodsky, John Fowles, Viktor Pelevin (the names are listed here in the chronological order of their works under study).

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Письма Андрея Платонова к Марии Кашинцевой как единый текст

Письма Андрея Платонова к Марии Кашинцевой как единый текст

Author(s): Elena Alekseevna Podshivalova / Language(s): Russian Publication Year: 0

Letters of A. Platonov could be regarded not only as a personal document or a biographical source to comment works of fiction. While integrated they make up a comprehensive inherently valued text with the main focus on the correspondence with the bride and later his wife Maria Kashintseva. The author’s intention to see in his feeling of love not only his personal psychological state but also revealed vibrations of the Universe, the wish to make his private life a common property and to represent it as a cultural pattern remind us of the much the same experience of N. G. Chernyshevsky and A. Blok. All of them regarded themselves as a “new individual” whose feelings were supposed to bring revelation to the world. Thus, they preserved their personal experience in different types of texts (both personal and literary texts). A. Platonov inherits his predecessors’ creative life strategy in a new historical environment; therefore he transforms established cultural patterns. His human nature combines rational features of N. G. Chernyshevsky and metaphysical background of A. Blok. In his letters to the bride A. Platonov uses the cultural code of A. Blok, while in the correspondence with his wife he applies to the cultural code introduced by N. G. Chernyshevsky. In his love experience A. Platonov combined two lines of Russian public opinion: social Utopia and mysticism. His destiny is a tool to measure the level of the humanistic self-sufficiency of the public opinions mentioned above.

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Spiel um Leben und Tod in georgischen Volksmärchen
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Spiel um Leben und Tod in georgischen Volksmärchen

Author(s): Elene Gogiashvili / Language(s): English,German Publication Year: 0

The article gives an account of Georgian folktales and traditional children’s games, representing the fight between light and darkness. An overview of folkloric material outlines the characteristics and transformations of some archaic motifs in magic tales, realistic tales and traditional games. This article shows how a mythological motif can be transformed in folk traditions and what correlation may folktales have with children’s games.

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„Wenn ich nur wüsste, wie es ist, wenn man ganz arm ist …“
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„Wenn ich nur wüsste, wie es ist, wenn man ganz arm ist …“

Author(s): Ewelina Michta / Language(s): English,German Publication Year: 0

The aim of this study was the analysis of a fairy tale from the cycle of sagas and fairy tales from Berlin entitled "Das Märchen von der Prinzessin, die das Hungern lernen wollte". The story concerns the reckless game of Princess Charlotte with her fate. An examination of the empirical material revealed that the protagonist was exposed to a learning process on her courageous journey, from which she learned an important lesson. The theme of the fairy tale can therefore have a meaning for the real life of the reader, which consists in the universal educational role.

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Märchen im Spiel? Spiel mit Märchen? Zum polnischen Opernschaffen in dem Großen Theater – der Nationaloper
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Märchen im Spiel? Spiel mit Märchen? Zum polnischen Opernschaffen in dem Großen Theater – der Nationaloper

Author(s): Małgorzata Kosacka / Language(s): English,German Publication Year: 0

The paper aims to present the results of studies on a fairy-tale drama based on the repertoire of the Teatr Wielki – Polish National Opera in Warsaw. The author tries to describe the development of the genre and the typology of its forms, and to compare its structural features in order to present the tradition of the poetics of a fairy-tale drama at the Polish National Opera.

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Die Welt als Bühne und Darstellung
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Die Welt als Bühne und Darstellung

Author(s): Andrey Kotin / Language(s): English,German Publication Year: 0

The article focuses on the metamorphosis of the fairy tale "Puss in Boots", both in Perrault’s and Grimm Brothers’ versions, transformed into a theatrical performance by Ludwig Tieck, a legendary German Romanticist. The most important topics to be discussed in this context include those of literature and other art forms dealing with the play-like nature of reality and the multifunctional, interactive triad “Player–Spectator–Author.”

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Märchenhafte Elemente und kulturkritische Aspekte in Heinrich Federers Kurzprosatexten "Wie Bruder Klaus lesen lehrt" und "Vater und Sohn im Examen"
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Märchenhafte Elemente und kulturkritische Aspekte in Heinrich Federers Kurzprosatexten "Wie Bruder Klaus lesen lehrt" und "Vater und Sohn im Examen"

Author(s): Marzena Górecka / Language(s): English,German Publication Year: 0

Heinrich Federer was a Swiss writer whose short stories were bestsellers. The sociocritical aspect of his short prose is discussed in the article, drawing upon two of his stories. The analysis is intended to show that in his social criticism Federer uses means of expression and categories typical of the fairy-tale genre, such as contradictions or dreams. In the first text the author sketches the idyllically situated hermitage of the uneducated title protagonist, standing in opposition to the outside world.

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"Little Allies": Hermynia Zur Mühlens Märchen als phantasievolle Lernspiele
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"Little Allies": Hermynia Zur Mühlens Märchen als phantasievolle Lernspiele

Author(s): Christiane Baumann / Language(s): English,German Publication Year: 0

Zur Mühlen is known as the most important German-speaking author of proletarian fairy tales. This essay examines the concept of propaganda and the meaning of play in her writing style, which not only set the theme for her fairy tales throughout the 1920s, but also for her last fairy-tale collection, Littles Allies, which was neglected by researchers. This article debunks the widespread theory that Zur Mühlen gave up her leftist beliefs and returned to her Catholic roots while in exile.

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„Waldsterben als letztes Märchen“
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„Waldsterben als letztes Märchen“

Author(s): Mirosław Ossowski / Language(s): English,German Publication Year: 0

This article is about the influence of the fairy tales of Jacob and Wilhelm Grimm on the literary work of Günter Grass, especially on the novel "The Rat". The play with fairy-tale motifs in dealing with the problem of the dying forests of Germany is analysed. The subject of the study is a film draft in the novel with fairy-tale characters and the Brothers Grimm.

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Märchen im Dienst der Kriminalprävention
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Märchen im Dienst der Kriminalprävention

Author(s): Ewelina Kamińska-Ossowska / Language(s): English,German Publication Year: 0

The article examines texts from the brochure "Es war einmal … das Internet. 5 moderne Märchen über 5 moderne Problembereiche" (2015), published by the Swiss Crime Prevention SKP. This essay attempts to show the specifics of these texts, their connection with traditional fairy tales and with the processes of social modernisation, their intended function, and how they can influence and warn children of modern dangers.

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In Memory of Granny Weatherwax
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In Memory of Granny Weatherwax

Author(s): Bartłomiej Błaszkiewicz / Language(s): English,German Publication Year: 0

The article concerns the evolution of the character of Granny Weatherwax, one of the central creations of the Discworld comic fantasy series by the British author Terry Pratchett. The argument attempts to trace the progressive development of the character against the ever more complex narrative techniques adopted by Pratchett in the successive novels, and also in the context of the author’s growing sophistication in tackling major existential themes in his fiction.

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Kunstprügelei, Grimm-Inspiration und Märchenspiele à la Eulenspiegel
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Kunstprügelei, Grimm-Inspiration und Märchenspiele à la Eulenspiegel

Author(s): Maciej Jędrzejewski / Language(s): English,German Publication Year: 0

This essay shows the literary references to fairy-tale motifs in the work of the Austrian writer Clemens Setz. The references reflect the programmatic aspects of the author. That is, among other things, the portrayal of the inhumanity of society and the literary concept of portraying the abnormal as normal. Setz also makes a reference to the Hansel and Gretel fairy tale, which is analysed in the article.

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Wie der Abgestoßene zum Auserwählten und der Isolierte zum Allverbundenen wird
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Wie der Abgestoßene zum Auserwählten und der Isolierte zum Allverbundenen wird

Author(s): Katarzyna Grzywka-Kolago / Language(s): English,German Publication Year: 0

According to the theory of the Swiss folktale scholar Max Lüthi, the genre is characterised by the so-called abstract style. Its central features include ‘isolation’ and ‘extreme contrasts.’ The purpose of the paper is to prove the hypothesis that the abstract style is an important narrative facet of Hanns-Josef Ortheil’s novel "Das Kind, das nicht fragte" (2012). This is most apparent in the composition of principal and secondary characters, but also in the creation of space.

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Héphaïstos l’africain

Héphaïstos l’africain

Author(s): Bessem Aloui / Language(s): French Publication Year: 0

For Labou Tansi, literature is a process that takes form necessarily through laughter. Unlike the Nietzschean laughter which proposes the annihilation of all things, it is a creative laughter that calls into being the experience of reconstruction. Laughter does not only draw on the comic, but it digs into the tragic and weaves affinities with the demonic in a complicity that desacralizes the universe and establishes a joyful story of horror announcing an apocalyptic vision which haunts the fictional universe of this Congolese writer. We laugh because the violence associated with this laughter exceeds our consent. Laughing, for Labou Tansi, is a duty of / against violence. By its brilliance, it rejects the norms, meets the forbidden and wants to be excess and delirium. It is colorful, ambivalent and acts on a reader who, in front of this show of opposites, is always torn between crying and laughing.

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Jacques le Fataliste et son aventure littéraire

Jacques le Fataliste et son aventure littéraire

Author(s): Cristina Poede / Language(s): French Publication Year: 0

Jacques le Fataliste by Diderot represents an original reply to Laurence Sterne's novel, The Life and Opinions of Tristram Shandy. The author resorts to a multiplicity of points of view, to the narrative solution of the interior stories and of the puzzle, while illustrating his remarks on the abstract game of destiny and free will. Throughout his (anti) novel, Diderot implements new strategies of irony destined to the reader (mechanisms of destabilization and misguidance, narrative leaps, exasperating digressions), to the conventions of the genre (revelation and disqualification of sentimental novel clichés) and to social conventions (criticism of bigotry and fatalism). An ironic pact of reading is thus established; these ingenious procedures of rewriting will seduce the Moderns, from Unamuno to Kundera. In Romanian literature, I.L. Caragiale practiced dialogical writing and the game of narrative virtualities. In the end, the reader has to rethink the literary space and to establish surprising intra-narrative complicities. The legacy of Diderot will include this biting irony of the author who, while attacking literary clichés, cultivates parody, counter-fiction and metadiscourse.

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Métamorphoses de l’ironie féerique dans la pièce de théâtre Cendrillon de Joël Pommerat

Métamorphoses de l’ironie féerique dans la pièce de théâtre Cendrillon de Joël Pommerat

Author(s): Simona Locic / Language(s): French Publication Year: 0

During the XXIth century, many writers show an important interest in rewriting the fairy tales. One of them is Joël Pommerat, a French contemporary stage director and playwright who, in 2011, reinvents on stage the very famous fairy tale of Cinderella. The paper below analyses the irony’s metamorphoses, important aspect of the traditional fairy tale’s scheme. Our main inspiration source is the study of Muguraș Constantinescu. She analyses the irony in Charles Perrault fairy tales and describes it as a “playfulness” writing way. Our purpose is to show how and why the irony identified by Muguraș Constantinescu transforms in the contemporary play of Joël Pommerat, Cendrillon. This new irony pick on the contemporary individual and contemporary reality but also the text’s lector.

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I am Mad, Therefore I think

I am Mad, Therefore I think

Author(s): Rumyana Cholakova / Language(s): English Publication Year: 0

This paper analyzes the first modern Chinese short story, Lu Xun’s “Diary of a Madman” with the help of some ideas from modern psychology and literary theory. My theoretical frame of reference is Foucault’s idea that madness is a particular lack of language (voice). Both Foucault and the American psychiatrist Thomas Szasz see psychiatry as a discipline for the scientific protection of society and an instrument of oppression. In Lu Xun’s short story “madness” is also related to the castigation of society, not to health and reason. Descartes divides reason and madness, Foucault tries to restore the voice of madness and its right to speak. Lu Xun, however, goes a step further than Foucault. He equates thinking with “madness.”

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Winterův román ůistr Kampanus a některé jeho významové souvislosti

Winterův román ůistr Kampanus a některé jeho významové souvislosti

Author(s): Jiří Kudrnáč / Language(s): Czech Publication Year: 0

The paper is devoted to the historical novel Master Kampanus (publ. in book form in 1909) by the Czech writer and historian Zikmund Winter (1846–1912), and to its comparison with some similar Czech and foreign books, namely, Darkness by Alois Jirásek, Salammbô by Gustave Flaubert, The Egyptian by Mika Waltari and some recent Czech historical novels. Master Kampanus is one of the books of fiction that belong to the debates on the sense of Czech history. It is characterized by a close relation between the protagonist and his milieu, thematization of the conflict between the great and small history, tragicomism, and the rich use of irony.

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Lyrické drama Františka Hrubína

Lyrické drama Františka Hrubína

Author(s): David Kroča / Language(s): Czech Publication Year: 0

The study deals with an interpretation of a play by František Hrubín, Křišťálová noc. The year 2021 will mark sixty years since its premiere on the stage of the National Theatre in Prague. The present work discusses the public reception of the drama right after the release and its standing in the context of contemporary theatre with a special account of the response after the ambitious Prague staging in Švando vo divadlo in 2011. The significance of this almost forgotten play by Hrubín lies mainly in presenting non-idyllic characters along with the theme of the revolting youth and provocative daily ordinariness introduced to the Czech theatre by Hrubín at the beginning of the 1960s.

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SENSURI POETICE ALE CROMONIMULUI NEGRU ÎN OPERA POETICĂ A LUI BOGDAN GHIU

SENSURI POETICE ALE CROMONIMULUI NEGRU ÎN OPERA POETICĂ A LUI BOGDAN GHIU

Author(s): Lilia Răciula / Language(s): Romanian Publication Year: 0

The present research deals with he poetic works of Bogdn Ghiu from the perspective of examining the chromatic symbolism of ‚black’. The poet’s imaginary images become elements-concepts of his writing: the page, the period, the letter, etc., all these being attributed a chromatic scale. ‘White’ and ‘black’ are two essential colours used by the poet to construct images in his poetry. The black colour by symmetry postulates the existence of white and vice versa; thus, a poetic image is being created in the colours of the chess game – black and white. This chromatic opposition may serve as inference to the coal drawing or engravings, or even to the arts of graffiti. As a veritable artist, the poet uses basic signs, such as the dash and the dot to obtain complex images, and harnesses the plain and economical sign – the dot (white and black) – to express profound imageries. From the point of view of semiotics, white and black constitute a system in the poet’s chromatic code, where the white period stands for the creation of the divine world while the black one – the poet’s creation.

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