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El caso de un poeta convenientemente asesinado: La imagen mediática de Federico García Lorca en la prensa checa comunista

El caso de un poeta convenientemente asesinado: La imagen mediática de Federico García Lorca en la prensa checa comunista

Author(s): Jiří Chalupa,Eva Reichwalderová / Language(s): Spanish Issue: 2/2020

This paper presents the partial results of a project focused on analysing the evolution of the media image of certain prominent figures in Spanish culture in the Czechoslovak media throughout the 20th century. The objective of the research is to analyse how the prevailing ideological and political environment can influence or manipulate the image of a foreign element presented by the press to the public of the host country. The present text is based on a critical analysis of some 80 articles about Federico García Lorca, his work, and his ideological legacy, after, in total, more than 300 articles related to this subject had been found. The chosen method of analysis – a critical discourse analysis based on the principles established by van Dijk – was applied to a detailed examination of the historical, ideological, and political context of the corresponding period, since the primary intention was to answer this research question: to what extent, why, and how is the political-ideological motivation of a non-democratic regime capable of influencing mass media images, even of issues that are not overtly political or extremely sensitive from an ideological point of view and whose protagonists come from a milieu which is not considered a vital part of the propaganda battlefield with “the Enemy”? In several cases, the authors’ analysis verifies that the propagandists of the Communist regime did not hesitate to intervene, in a quite intense manner, in the creation of a very specific image of García Lorca, always in accordance with the ideological needs of the particular historical moment.

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Täiendust XVII sajandi Eesti luulele

Täiendust XVII sajandi Eesti luulele

Author(s): Jaak Urmet,Kristi Viiding / Language(s): Estonian Issue: 10/2021

The article introduces four 17th-century poems belonging to Estonian literary history, which were discovered at the beginning of 2021 by literary researcher Jaak Urmet in the course of a systematic study of the hitherto digitized prints and manuscripts in the libraries and archives of Germany, Latvia, Denmark and some other nearby countries. Two of the four are authored by Reiner Brockmann: a nuptial poem in Latin, published in Germany in 1632, and a congratulatory poem in German, published in 1654 as dedicated to Georg Mancelius, who is remembered, inter alia, by his contribution to the development of literary Latvian. In addition, there was an Estonian couplet by Joachim Salemann, published in the album amicorum of his fellow student Adolph Saubert in 1654, and an anonymous Estonian congratulatory poem for the Master’s promotion of Eberhard Eckholtz, published in 1682 and attributed to Johann Hornung by the present study. Apart from biographical and genre contextualization of the poems and a linguistic analysis of the Estonian poems, the German and Latin original poems are provided with Estonian verse translations, whilst Salemann’s Estonian verses are subjected to a modern transpoetization.

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Veel Joachim Salemanni eestikeelsest paarisvärsist

Veel Joachim Salemanni eestikeelsest paarisvärsist

Author(s): Enn Ernits / Language(s): Estonian Issue: 12/2021

Hiljuti avaldasid kirjandusteadlased Jaak Urmet ja Kristi Viiding huvipakkuva kirjutise XVII sajandi Eesti luule uutest leidudest. Artikkel põhineb esimesena mainitud autori süsteemsetel otsingutel välismaa arhiividest. Iga värsirea avastamine sellest perioodist on hindamatu väärtusega nii kirjandus- kui ka keeleteaduse jaoks. Muude põnevate leidude hulgas pakub tõsist huvi hilisema Oleviste kiriku pastori ja Eestimaa piiskopi Joachim Salemanni (1629-1701) põhjaeestikeelne paarisvärss aastast 1654. See avastati kreeka- ja ladinakeelse teksti hulgast ja oli kirjutatud kaasüliõpilase Adolf Sauberti (1635-1678) reisialbumisse. Paraku pole kirjutises paarisvärsi keeleline analüüs lõpuni veenev.

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Writing as Truth-Seeking According to Elizabeth Barrett Browning’s 𝐸𝑠𝑠𝑎𝑦 𝑜𝑛 𝑀𝑖𝑛𝑑 (1826)

Writing as Truth-Seeking According to Elizabeth Barrett Browning’s 𝐸𝑠𝑠𝑎𝑦 𝑜𝑛 𝑀𝑖𝑛𝑑 (1826)

Author(s): Yana Rowland / Language(s): English Issue: 1/2022

Whether devoted to family members (𝑇𝑜 𝑀𝑦 𝐹𝑎𝑡ℎ𝑒𝑟 𝑜𝑛 𝐻𝑖𝑠 𝐵𝑖𝑟𝑡ℎ-𝐷𝑎𝑦, 𝑉𝑒𝑟𝑠𝑒𝑠 𝑡𝑜 𝑀𝑦 𝐵𝑟𝑜𝑡ℎ𝑒𝑟), poets (Pope, Byron), or patriots and national heroes (Rigas Feraios, Rafael del Riego y Núñez), Elizabeth Barrett Browning’s occasional verses, companion poems, elegies and philosophical reflections in her earliest published collection, 𝐴𝑛 𝐸𝑠𝑠𝑎𝑦 𝑜𝑛 𝑀𝑖𝑛𝑑, 𝑤𝑖𝑡ℎ 𝑂𝑡ℎ𝑒𝑟 𝑃𝑜𝑒𝑚𝑠 (1826), represent a versatile dialogue with past which she pursued consistently to claim a voice and identity of her own. She conceptualized time, suggesting that the emergence of selfhood lay across a journey ‘to the grave“ (viz. supplementary analysis of 𝐵𝑜𝑜𝑘 𝐼, 𝐴𝑛 𝐸𝑠𝑠𝑎𝑦…). In this paper, I aim at revealing the ontological range of writing according to𝐴𝑛 𝐸𝑠𝑠𝑎𝑦 𝑜𝑛 𝑀𝑖𝑛𝑑. From a hermeneutic standpoint, I defend the writer’s faith in experiential knowledge as foundation for the creative process while I also explore her interest in learning as duty and in poetry as truth-seeking and truth-telling.

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Orijentalna i slavenska leksika u jeziku usmene lirike u Zbirci Ludvika Kube iz 1893. godine

Author(s): Sedina Brkić-Međedović / Language(s): Bosnian Issue: 1/2019

The songs and chants collection from Bosnia and Herzegovina (hereinafter as the Collection) represents the most extensive and most significant collection of folk lyric songs, which was recorded on the ground of Bosnia and Herzegovina in 1893 by the Czech musicologist Ludvik Kuba. Based on the lexical and semantic level, this collection is made distinctive by its Slavic-oriental lexical layer. That lexical layer is incorporated into the linguistic expression of the oral lyrics in the Ludvik Kuba’s collection, it strengthens it in a poetic, stylistic and aesthetic way, and thus becomes a kind of a linguistic manner. The paper discusses the use value of orientalisms in the language of the mentioned collection. Orientalisms are classified according to the method of linguistic affiliation types of folk lyric songs. The ways of functioning of the Oriental and Slavic lexicon, but also of the Balkan Pre-Slavenic one, are analyzed and possible conclusions are drawn.

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Kulturalni kontraprodor: sučelje mita i poezije

Kulturalni kontraprodor: sučelje mita i poezije

Author(s): Lamija Milišić / Language(s): Bosnian Issue: 15/2021

Review of: Amila Buturović, Kameni govornik: Stećci, prostor i identitet u poeziji Maka Dizdara, Kulturno društvo Bošnjaka Hrvatske ˝Preporod˝, Zagreb, 2018.

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Stilsko-formacijska vertikala novijeg bošnjačkog pjesništva

Stilsko-formacijska vertikala novijeg bošnjačkog pjesništva

Author(s): Ikbal Smajlović / Language(s): Bosnian Issue: 16/2021

Review of: Nehrudin Rebihić: Bošnjačka poezija 20. i 21. stoljeća, Zavod za kulturu sandžačkih Bošnjaka u Republici Srbiji, Novi Pazar, 2020.

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Flowers, Fruit, and Food: Symbolism in Bosnian and Macedonian Love Songs and Wedding Songs

Author(s): Masha Belyavski-Frank / Language(s): English Issue: 2/2019

This paper examines the comparative symbolism of specific flowers, herbs, fruit, and food in Bosnian sevdalinke, Macedonian love songs, as well as in wedding songs from Bosnia-Herzegovina and Macedonia. Various herbs, flowers, and fruits are used as gifts in courting, to symbolize masculinity or femininity, or as symbolic elements at a wedding, and thus function as powerful cultural elements in these folk songs from the Balkans.Likewise, certain types of food such as baklava, kajmak, honey, and sugar itself represent romantic love and/or passion, and are typical cultural elements of Bosnian and Macedonian folk literature.

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Audiozabawa – audiozagadka – audiobiografia. O poetyce dźwięku w twórczości Kurta Schwittersa i Mirona Białoszewskiego

Audiozabawa – audiozagadka – audiobiografia. O poetyce dźwięku w twórczości Kurta Schwittersa i Mirona Białoszewskiego

Author(s): Beata Śniecikowska / Language(s): Polish Issue: 2/2022

The article concerns poetics of sound of literary works of the two artists: a Dadaist Kurt Schwitters and a Polish poet, writer and performer of the 2nd half of the 20th century, Miron Białoszewski. The author analyses similarities in the use of certain devices of sound (i.a. paronomasia, glossolalia, alliteration), presenting wide range of texts and topics addressed in them. The article also tackles the problem of articulatory kinaesthesia in the works of dense sound texture.

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Jacek Idzi Przybylski i „młódź” poetycka
w „Nowym Parnasie” Franciszka Morawskiego

Jacek Idzi Przybylski i „młódź” poetycka w „Nowym Parnasie” Franciszka Morawskiego

Author(s): Artur Timofiejew / Language(s): Polish Issue: 1/2022

The aim of the article is to explain the fact that Jacek Idzi Przybylski (1756–1819), a translator of classical epic poems and an expert on antiquity, was included in the circle of pre-romantic “young” poets criticized in the satire Nowy Parnas (1818). Such an explanation can be provided by recreating the literary views of the author of the satire – Franciszek Morawski, who on the one hand suggested a new reading of Horace’s and Boileau’s poetics, which was fundamental for classicism, and, on the other, repeated the opinions about poetry expressed by Franciszek Ksawery Dmochowski in the 1780s. In the context of these views, the position of a poet-classicist for the “young” authors, occupied by Przybylski in Nowy Parnas, can be understood both as a perfect manifestation of corrupting good taste and purity of language (that is, the flaws of the poetry of the “young”) and as a perfect, in spite of its linguistic deficiencies, negation of mental and formal shallowness of the works of “the Polish youth”. Making Przybylski an ambivalently understood authority in the field of poetry justifies including his name in the criticism of the “young” writers, and at the same time, it does not allow for identifying him with them.

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İZZEDDİN HASANOĞLU’NUN “KİTAB-I SİRETÜ’N NEBİ” MESNEVİSİNDE HZ. ALİ CENKNAMELERİNİN İZLERİ

İZZEDDİN HASANOĞLU’NUN “KİTAB-I SİRETÜ’N NEBİ” MESNEVİSİNDE HZ. ALİ CENKNAMELERİNİN İZLERİ

Author(s): Seyfettin Altaylı / Language(s): Turkish Issue: 77/2023

Anatolian and Azerbaijani Turkishness went through a difficult period in the 13th century. The Anatolian Seljuk State faced the Babai Revolt then the Kösedağ War, only to become dependent on the Ilkhanid State and Mongolian occupation – subsequently it collapsed altogether. Mongol oppression, excessive taxation causing poverty, and the lack of a state or power to save the people led the public to turn to religion, and see God as the only door of hope. In such an atmosphere, wandering bards began telling Ali's cenkname to still the a sense of warrior prowess in people’s minds. A masnavi "Kitab-ı Siretü'n Nebi" by İzzeddin Hasanoğlu is widely believed to have formed the basis for Ali's cenknames – and hence is the subject of this particular study. We shall look at cenknames from various libraries across Turkey and compare/contrast them. Our preliminary findings all point to Hasanoglu’s book, and suggests that he played a pivotal role in the Turkish language and literature revival.

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Promethean Mnemotechnics: Memory, Forgetting, Episodic Future Thought and Nonviolent Revolution
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Promethean Mnemotechnics: Memory, Forgetting, Episodic Future Thought and Nonviolent Revolution

Author(s): Simona Beccone / Language(s): English Issue: 44/2023

In his Prometheus Unbound, Shelley reinterprets the Promethean mythologeme historicistically and psychodynamically as a response to his time’s political and ideological crisis. The Titan is resemiotised as the central figure of a metapsychological drama, in which the dialectic between the protagonist and his different chronoceptions, represented in the text as characters, takes the form of a complex multivocal negotiation between different types of memory and forgetting, synchronicistic contemplations of the present and protensive anticipations towards the future. These elements converge into a powerful strategy of mental action, or Promethean mnemotechnics, through which the protagonist first releases himself from the captivity of the tyrant Jupiter and then becomes a pragmatic model, to be followed in the reader’s extratextual dimension.

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Aladin Lukač, Poezija
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Aladin Lukač, Poezija

Author(s): Aladin Lukač / Language(s): Montenegrine Issue: 91-92/2023

Poetry by Aladin Lukač: “POGREŠNA STRANA”, “BILA JE LIJEPA”, “KATRAN U OKVIRIMA ZJENICA”, “SANJAO SAM”, “PJESNIK”.

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Salahudin Dino Burdžović, Poezija
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Salahudin Dino Burdžović, Poezija

Author(s): Saladin Dino Burdžović / Language(s): Montenegrine Issue: 91-92/2023

Poem by Salahudin Dino Burdžović: “EL FATIHA ZA LEGITIMNI VOJNI CILJ”.

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Faiz Softić, Poezija
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Faiz Softić, Poezija

Author(s): Faiz Softić / Language(s): Montenegrine Issue: 91-92/2023

Poetry by Faiz Softić: “UMRIJETI U SARAJEVU”, “MJESTO RANJAVANJA”, “PTICE U KUĆI”, “ORAČ”, “SPAVAJ, OGNJENE”, “U DOBA KORONE”, “BEZAZLENI JANJCI”.

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Rifat Prašović, Poezija
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Rifat Prašović, Poezija

Author(s): Rifat Prašović / Language(s): Montenegrine Issue: 91-92/2023

Poem by Rifat Prašović: “SAFETU SAJI ISOVIĆU U KASNE SATE”.

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Intercultural “Marriages” and Their Refractions in W. B. Yeats’s Work

Intercultural “Marriages” and Their Refractions in W. B. Yeats’s Work

Author(s): Yarmila Daskalova / Language(s): English Issue: 2/2022

The relationship between England and Ireland and the historical premises for their “familial” interaction at the beginning of the twentieth century were a major concern to the Irish poet William Butler Yeats. The fantasy of the intercultural “marriage” between “masculine” England and “feminine” Ireland, which had been part of a wide variety of nineteenth-century texts, was interpreted by the poet from an aesthetic perspective. Basing his aesthetic vision on Celtic mythology, Yeats employs a variety of strategies of representation in his work to construct a Celtic(ized) image of Ireland. By alluding to its mythical and epic stature in the past, he aims at re-awakening it for a new life in the present. This article attempts an exploration of Yeats’s strategies and practices of aestheticization and his mediation between past and present.

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Other People Do, in Fact, Exist: Richard Howard’s Epistolary Strategies

Other People Do, in Fact, Exist: Richard Howard’s Epistolary Strategies

Author(s): Nick Norwood / Language(s): English Issue: 2/2022

Esteemed American poet and translator Richard Howard (1929–2022) won the Pulitzer Prize for Poetry in 1970 for his groundbreaking book 𝑈𝑛𝑡𝑖𝑡𝑙𝑒𝑑 𝑆𝑢𝑏𝑗𝑒𝑐𝑡𝑠, a collection of dramatic mono¬logues with the epistolary mode at its center. Originally and most deeply indebted to the dramatic monologues of Robert Browning, Howard’s work is also heavily influenced by novels in the great European tradition, by his deep immersion in European history, and by European literary culture in general. Howard’s witty, learned, ingenious persona poems advance the art of the epistolary in significant ways. For one, they demonstrate that a writer can establish his own idiosyncratic voice by assuming the voices of others. Moreover, Howard’s concentration on personas constitutes a counterbalance to the predominance of the Confessional mode in American poetry, highlighting the significance of his achievement. 𝑈𝑛𝑡𝑖𝑡𝑙𝑒𝑑 𝑆𝑢𝑏𝑗𝑒𝑐𝑡𝑠, published in 1969, arrived precisely at the time when the Confessional rose to prominence. As the tide of Confessional poets swept across the American literary landscape–carrying along with it its often-frivolous devotion to the contem¬porary, especially American popular culture–Howard’s poems relentlessly explore the lives of important figures of the nineteenth century and are unapologetically enamored of European high culture. Richard Howard’s poetry constitutes a rebuttal of Confessionalism, to wit, that “other people do in fact exist.”

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Maple Leaf

Maple Leaf

Author(s): Nick Norwood / Language(s): English Issue: 2/2022

A poem

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Between ‘minjung’ and ‘literature’: Korean labor poetry and reportage literature in the 1980s

Between ‘minjung’ and ‘literature’: Korean labor poetry and reportage literature in the 1980s

Author(s): Nahyun Kim / Language(s): English Issue: 1/2022

This paper reviews three books which symbolically represent a new direction in ‘minjung literature’ in the 1980s. Labor poet Park No-hae (박노해)’s collection of poems, Dawn of Labor (노동의 새벽), was popular when it was published because it was literature in the form of poetry written by a real member of the minjung who kept his identity as a worker secret by becoming a faceless poet. Song Hyo-soon (송효순)’s memoir, Road to Seoul (서울로 가는 길) records the miserable reality of factories as the subaltern writing. Park Tae-soon (박태순)’s The Land and the Minjung (국토와 민중) was reportage (reporting) literature that records his travels around the country. He shows that the history of ‘minjung’ physically exists within the country and testifies that the land was owned by the ‘minjung’. These three books reflect how ‘minjung literature’ in the 1980s testified to the ‘minjung’. Concern about how to describe and represent the ‘minjung’ shows thoughts about both the ‘minjung’ and literature. The ‘minjung’ testimonies written in a variety of literary styles cause readers to ask themselves what literature is. ‘Minjung’ poetry poetry and reportage in the 1980s can help answer this question.

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