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READ IN THE LATEST ISSUES OF „AZ-BUKI“ JOURNALS
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READ IN THE LATEST ISSUES OF AZ-BUKI JOURNALS
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We believe that at the echo level among practitioners and recipients of the rules of conduct (without preexisting significantly similar legal provisions), the "Copyright Directive" will give birth in the next two years (until the transposition deadline, June 2021 respectively) of debates, fears and scenarios regarding applicability and effects. Of course, if the action for annulment filed by the Government of the Polish Republic against the most sensitive provisions, respectively against those included in art. 17 para. 4 lit. b) and c) of the Directive, will not be admitted by the European Court of Justice. Voted in the European Parliament, while Romania held the rotating Presidency at the Council of the European Union, on March 26, 2019, after wide debates and a fairly close vote (348 votes in favor, 274 votes against and 24 abstentions), Directive (EU)) 2019/790 of the European Parliament and of the Council of 17 April 2019 on copyright and related rights in the digital single market and amending Directives 96/9/EC and 2001/29/EC is a normative challenge of copyright and of related rights.
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The following papers present final results of the research project founded by Croatian Science Foundation (2015-2019) and conducted at Croatian Institute of History (Zagreb) titled Cities of the Croatian Middle Ages: Urban Elite and Urban Space (URBES). At the centre of this project was the relationship between the space and the society (elites) in a medieval town, a relationship that in recent international historiography has been stressed as key to understanding of the urban history of the Middle Ages.
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Dvije ustanove, dvadeset osam izlagača okupljenih oko petnaest tema posvetili su stručni rad i istraživačku pozornost baštini Varaždina na znanstvenostručnom skupu »Očuvana baština grada Varaždina«, slijedeći doslovce program baroknih filologa sažet u motto: »Vodim u starinu [i] otkrivam zamračeno.« [»Antiqua reduco. Obsucra revelo.«]. Teme skupa obuhvaćaju istraživanje arheološke baštine, povijesne građevine, muzejske predmete iz Gradskoga muzeja Varaždin ili slike iz Galerije starih i novih majstora.
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This selection, with the total number of verses roughly the size of an average book of poems, was commissioned by Relations in a format that is on one side strictly fixed while on the other open to interpretation and authorial choice.
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In Bruno Schulz’s archive no aisle can be said in advance to be a dead end one. It is enough to take a step ahead and there it is. All of a sudden, the space opens up and we can see in the aisle Undula’s fleeting shadow, yet to see her one must first meticulously (and with hope) peruse the faded pages of the fortnightly Świt, a tribune of the oil industry officials from the town of Borysław. Lesya Khomych, a young scholar from Drogobych, has earned our profound respect. She discovered an unknown story by Bruno Schulz, titled „Undula,” published in 1922 under a mysterious penname „Marceli Weron,” and now we must modify many opinions about the writer’s debut which allegedly happened a decade later. So far, it has been believed that before the 1930s he was publishing his stories in the letters addressed to female friends and one male one. Undula casts her shadow on Schulz and the Schulzean field. Her unexpected appearance has put the author as a human being in her shadow. Under our eyes the writer lost a duel with a character that he himself created. For a while, Schulz as a prisoner of his body ceased to be important, particularly for several critics who wrote essays to be published in Schulz/Forum. As a result of the interest in Undula, one of the vexing questions of literary studies – the suspicious „and” that connects the author with his or her work – has been suspended for some time. But even suspended, the problem does not disappear or solve itself. Facing it, Ferrari and Nancy have formulated their answer with impressive bravado: “The author is … deduced from the work. … There is nothing in him or her that cannot be found in the work and the other way round. … It is not that the author produces the work, but on the contrary: the work produces the author.” What author do they mean? Certainly not the one that has been imprisoned in his or her body and not the one who will sooner or later die. Ferrari and Nancy have in mind the author “who cannot be present elsewhere but in the work,” which means that he or she is immortal. But one must not get confused. The field of terms must not be abandoned without struggle – a hasty surrender is out of the question. After all, the author has a body, a biological one, even if he or she persistently hides it from the world (i.e. from the readers). The absent and inaccessible author is replaced by his or her images rooted not just in the work, as Ferrari and Nancy want it, but also, and above all, in the body. But the author’s iconography exists also as a counter-discourse: in descriptions offered by the witnesses of his or her life, in memories, in general in all the written documents which shed some counter-light on the author’s work (and the author in the work). Consequently, as usual the word (of the work) stands opposite the word (of the biographical testimony).
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Einer der Ausgangspunkte dieses Themenbandes ist die Fragestellung, ob eine europäische Wissenschaft, die sich erfolgreich global vernetzen und Forschungsergebnisse weltweit austauschen will, angesichts der dominanten Stellung von Englisch in fast allen Bereichen der internationalen Kommunikation noch einer mehrsprachigen wissenschaftlichen Publikationspraxis und Forschung bedarf. Zahlreiche Forschende aus wissenschaftlichen Disziplinen wie den Naturwissenschaften, den technischen Wissenschaften, der Ökonomie und der Medizin, die ihre Publikationspraxis inzwischen fast zu 100% auf Englisch umgestellt haben, werden diese Frage mit Nein beantworten; ebenso Hochschulverwaltungen, die Universitäten auf einem internationalen Wissenschafts- und Bildungsmarkt platzieren und hier gegen andere Universitäten und Forschungsinstitutionen um Marktanteile, Ressourcen, Drittmittel, Forschende und Studierende konkurrieren.
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This short article provides useful information about the past and the present status of the theological journal Glasul Bisericii. Continuously published since 1942, beginning with the present issue (1-3/2019) the journal improves its graphic and editorial concept. The editorial text mentions several new establishments: academic board, website, peer-reviewing, English translation of the titles, abstracts and keywords of the published articles.
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