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Zagreb u ratu, otporu, stvaralaštvu i pamćenju. Vodič po Zagrebu u Drugom svjetskom ratu

Author(s): Tena Banjeglav,Kristina Dilica,Alice Straniero / Language(s): Croatian

Pred vama je vodič po Zagrebu kojim želimo olakšati upoznavanje nekih ključnih mjesta stradanja i otpora u Drugom svjetskom ratu. Sažeti opisi povezuju povijesna istraživanja, odabrane ulomke iz književnih djela, dnevnika i osobnih sjećanja. U trenutku kad polako odlazi generacija koja je preživjela vrijeme najgoreg terora u povijesti grada nastojali smo stvoriti što više prostora za riječi i zapise svjedoka vremena i protagoniste povijesnih događanja. Razvoj ove publikacije podržalo je Veleposlanstvo Sjedinjenih Američkih Država u Republici Hrvatskoj, u sklopu programa "Osporavana povijest: novi pristupi obrazovanju o holokaustu". Documenta se pitanjem prezentacije ključnih događaja 20. Stoljeća bavi od svog osnivanja, tražeći najbolje načine približavanja prošlosti novim generacijama. Neki dosadašnji poduhvati uključuju obilazak mjesta sjećanja, počevši od 2010. i dokumentarnog filma Documenta Memoriae – Zagreb, redateljice Dijane Mlađenović dostupnog online na ovoj poveznici. U sagledavanju mjesta sjećanja i otkrivanju novih mogućnosti komemoriranja žrtava, posebno nas je poticao Saša Šimpraga, autor koncepta Virtualnog muzeja Dotrščina, s kojim od 2012. Sudjelujemo u organiziranju godišnjih memorijalnih intervencija dostupnim na poveznici www.dotrscina.hr. Paralelno s događanjima u prostoru parka, u javnom prostoru Trga bana Jelačića u rujnu 2012. mogao se razgledati prvi postav Virtualnog muzeja Dotrščina na temu Pisci I publicisti ubijeni na Dotrščini čija je autorica bila Nataša Mataušić, muzejska savjetnica Hrvatskog povijesnog muzeja.

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IN SOCIALIST YUGOSLAVIA 1945-1990

Author(s): Zdenko Radelić / Language(s): English Publication Year: 0

The KPJ publicly advocated democracy, private property, a just solution to the social and national issues, and freedom and equality for all nations in Yugoslavia. Its leaders claimed that the goal of the partisan movement was liberation and popular democracy. However, contrary to the declared nationwide breadth of the People’s Liberation Movement, the KPJ held the army, the security apparatus, and the propaganda. The agreement between Josip Broz Tito and Ivan Šubašić that the citizens of Yugoslavia would be the ones to decide on the state system after the war was an important precondition for the international recognition of the Democratic Federal Yugoslavia (Demokratska Federalna Jugoslavija, DFJ) by the Allied powers. But the monopoly over the partisan movement enabled the Communists to create the preconditions for imposing their dictatorship. Thus, the KPJ used the struggle for the liberation of Yugoslavia – in Croatia and Bosnia and Herzegovina also for the overthrow of the NDH – and for resolving the national question to seize power and carry out the Communist revolution. It also meant abolishing all other parties and introducing a dictatorship. Part of the HSS leadership and its president Vladko Maček fled the country just before the partisans arrived in Zagreb in 1945. The HSS operated abroad under Maček’s leadership until his death in 1964 in the United States, when he was replaced by the party’s vice president, Juraj Krnjević. August Košutić, the party’s secretary, remained in the country, where after trying to cooperate with the Communists and join the partisans he was interned and completely marginalized by the new government. In addition to the HSS, there were individuals, parties, and organizations from the Ustasha movement who were politically active in exile, including Ante Pavelić, who died in 1959 in Spain of wounds obtained in an assassination attempt.

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„[…] a oto ginie marnie, pamięci nawet po sobie nie zostawując, na jaką zasłużył”

Author(s): Barbara Szargot / Language(s): Polish Publication Year: 0

The text is dedicated to the character of the king Sigismund II Augustus in Józef Ignacy Kraszewski’s novels: "Mistrz Twardowski" ("Mister Twardowski", 1840), "Zygmuntowskie czasy" ("Sigismund’s Times", 1846), "Dwie królowe" ("Two Queens", 1884) and "Infantka" ("Infant Princess", 1884). It also refers to the portrayal of this monarch in "Wizerunki książąt i królów polskich" ("Portrayals of Polish Princes and Kings", 1888), written by the same author. The writer’s vision, sometimes contradicting historic sources, consists of portraying the king as a sentimental-romantic lover type. The evolution of the author’s attitude towards the last ruler from the Jagiellonian dynasty is shown by his ceasing to accept this kind of character type and eventually beginning to criticize it as a threat to his “manliness”. According to the writer, the lack of the latter trait make it impossible for Sigismund II Augustus to be a good monarch, which is why his achievements are undervalued in Kraszewski’s novels.

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Zygmunt II August w twórczości Jana Matejki

Author(s): Marta Kłak-Ambrożkiewicz / Language(s): Polish Publication Year: 0

Jan Matejko (1838–1893) is the author of more than three hundred twenty oil paintings, several thousand drawing sketches, a couple of hundred projects of the polychrome, stained glass, altars, and statues. He was a collector. He was a titan, not only artistic. His paintings received the highest awards. Also, honorary memberships of the European artistic associations were bestowed on him. In 1873 Matejko became the director of Cracow Fine Arts School. The artist conducted an inventory of historical places, creating an extraordinary pictorial documentation of often no longer existing objects. He acquired artifacts related to historical figures for his own collection. His painting talent and historical passion developed in parallel. From the beginning of his artistic journey, he embarked on pilgrimages to churches, libraries, monasteries, and through the streets of cities. He filled the pages of the album "Skarbczyk". He copied, drew, documented. The important fact is that since 1856, Matejko had a permanent right to access the valuable manuscript collections of the Jagiellonian Library, and from 1864 he was a member of the Cracow Scientific Society. Matejko’ s private library proves his extensive interests. He read about art, philosophy, and history. His collection included: Marcin Bielski’ s "Polish Chronicle", works by Jan Długosz, "Historical annals", "Cracow annals", "The Templates of Medieval and Renaissance Art after the End of the Seventeenth Century in Old Poland" ("Wzory sztuki średniowiecznej i z epoki Odrodzenia po koniec wieku XVII w dawnej Polsce") by Edward Rastawiecki and Aleksander Przezdziecki, as well as many other works in the field of history, philosophy, ethnography, given to him by the authors. He actively took part in the work of the Department of Archaeology and Fine Arts of the Scientific Society. Matejko depicted events related to the figure of Sigismund II Augustus in his works, covering various periods of his life as the heir to the throne and later as the king. He created portrait sketches, compositional sketches for paintings, historical paintings, and immortalized him in the work "Polish Clothing 1200–1795" ("Ubiory w Polsce 1200–1795"). The artist collected artifacts related to the Jagiellonian era.

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Wokół źródeł i kontekstów Zygmunta Augusta Stanisława Wyspiańskiego

Author(s): Marta M. Kacprzak / Language(s): Polish Publication Year: 0

In the political and social circumstances of the partitions, when throughout the 19th century and until 1918, efforts were made to consolidate Polish national identity, interest in Old Polish literature and culture, and especially in the Sigismund times as the “golden age” of the Republic, did not wane. In the historiography, literature and art of the time, in numerous publications in books and periodicals, one can observe a focus on the person of King Sigismund II Augustus. A kind of summation of nineteenth-century knowledge and perceptions of him are the dramatic works, of which the king is the protagonist and which saw the light of day in print and on theatrical stages in the early twentieth century. The most outstanding of these is the unfinished, posthumously reconstructed work Zygmunt August by Stanisław Wyspiański, which seems to be an attempt to synthesize many images of the hero, taken from various sources (lover, husband, son, promoter of Renaissance culture, defender of the Polish language, ruler of the Republic). The text of the drama and the surviving documents confirm that Wyspiański made use of numerous 19th-century publications related to the Sigismund theme, which at the same time provided the context for the reception of his drama by his contemporaries: literary and visual art works, source editions, scientific and popular historical and cultural studies; some of Wyspiański’s reading can be guessed at from their time and place of publication and popularity in the era. In this article, Wyspianski’s history of Sigismund Augustus provides a starting point for observing the 19th-century reception of the figure of the last Jagiellonian, as revealed by the facts from the history of the publishing movement, which are certain or probable sources of Wyspiański’s erudition and artistic inspiration, as well as an appropriate context for analyzing and interpreting his work.

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Kino historyczne w międzywojennej Polsce

Author(s): Michał Pieńkowski / Language(s): Polish Publication Year: 0

In Polish film production of the interwar years, historical films were scarce. The main reason constituted very high cost of costumes and sets, which, with the notorious lack of funds in our film industry, was a great handicap. Despite these problems, several worthwhile historical films were created. All of them told the history of Poland or were set in Poland of the past eras. We did not produce films set in other parts of the world. The earliest era which our filmmakers reached was the reign of King Sigismund Augustus. The first of these films set in this era was "Pan Twardowski" (dir. Henryk Szaro, 1936) – a screen adaptation of the Polish legend about the Cracow sorcerer. One of the film’s scenes featured Sigismund Augustus. The second is "Barbara Radziwiłłówna" (dir. Józef Lejtes, 1936) – the story of a love affair and a secret wedding between the king and a Vilnius magnate lady. Both were shot with great panache, and both were praised by reviewers, although there was no shortage of criticism regarding the historical fidelity of certain elements, costumes as one example. Another cinematic era was the time of the Swedish invasion of Poland, the so-called Swedish Deluge between 1655–1660, and the heroic defense of the Jasna Góra monastery (Polish sacred place) shown in the film "Prior Kordecki – defender of Częstochowa” (dir. Edward Puchalski, 1934). Two films told the story of Tadeusz Kościuszko – the Polish hero and leader of the uprising in 1794. These were "Kościuszko’s First Love" (dir. Jerzy Orthon, 1929) and "Kościuszko at Racławice" (dir. Józef Lejtes, 1938). Unfortunately, both were not successful. Another six films were set in the 19th century. The output of historical cinema of the interwar years is not very numerous. Many of them were accused of being inconsistent with reality or lacked attention to detail, which, given the very difficult situation of our cinematographic industry and the specific requirements of the market, should not be surprising. Despite the adversity, several films of great value were made, and some of them, such as "Barbara Radziwiłłówna" by Józef Lejtes, have permanently entered the canon of the Polish cinema.

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Zygmunt August w eseistyce historycznej Pawła Jasienicy

Author(s): Jacek Głażewski / Language(s): Polish Publication Year: 0

Paweł Jasienica was one of the most significant personalities of Polish culture at the time when the foundations of the future institutional opposition were slowly beginning to form. His authority was established not only by his biography, but also by the popularity of his works, which aroused a lively reading response and fierce polemics among professional historians. Jasienica’s books, along with their methodological subsoil, became the subject of heated discussions, which did not prevent the recipients from assessing them at all. In general, even the greatest polemicists were able to admit that the writings of the author of "Polska Jagiellonów" ("Jagiellonian Poland") are characterized by an intellectual passion for which it would be difficult to find competition on the publishing market. Paweł Jasienica considered himself primarily a writer. Intellectual commitment to the recognition and understanding of the heritage of memory was the most important creative impulse for him. For this reason, it would be difficult to situate his essays in the domain of pure popularization. The author of "Rzeczpospolita Obojga Narodów" ("The Commonwealth of Both Nations") went far beyond the area of disseminating the results of scientific research, he saw mature discussion partners in his readers, he did not use erudite concessions. The essay is an analysis and interpretation of the portrait of Sigismund Augustus that emerges from Paweł Jasienica’s works. The king occupies a special place here. The future author of "Myśli o dawnej Polsce" ("Thoughts about Old Poland") did not deal with any other historical figure for so long – the king was the hero of Leon Lech Beynar’s scientific debut. The assessment formed at the beginning of his writing career, coupled with an excellent knowledge of historical sources, underwent only slight re-evaluations over the following years. In the historical considerations of Jasienica Sigismund Augustus gained the status of an exemplary figure of power.

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