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Battal Gazi Romanında Güreş Kültürü Üzerine İlişkisel Bir Çalışma

Battal Gazi Romanında Güreş Kültürü Üzerine İlişkisel Bir Çalışma

Author(s): Muhtar Kutlu,M. Aytül Kasapoğlu / Language(s): Turkish Issue: 111/2022

One of the most important tools when trying to establish a link between the past and the present is the study of historical novels. As Norbert Elias stated in his relational sociological work, The Civilization Process, written in 1939, civilization is actually a process of democratization and learning to tolerate polyphony in social relations – including sports – without the need for violence. However, his predictions about the development of democracy in proportion to the transfer of the monopoly of violence from the society to the state, unfortunately, could not be realized. As intolerance increased, people continued to show their reactions in different ways, whether physical or not, both in the public and private spheres. The main problem of the research presented here, in this context, is the gradual decline of tolerance as well as the polarization of human relations in various forms and ways in society. In this study, wrestling culture was interpreted as relational sociologically, especially from the legendary hero of Battalname Epic from Anatolian folk culture, Battal Gazi, using Elias and his figurative sociology. While examining the novel Battal Gazi, written by Ziya Şakir (2007), as a historical narrative analysis, in this qualitative research, duality and essentialism were rejected, while ambiguities, especially "liminality" and differences were emphasized. In the study, it has been found that historical events are reconstructed by both the author and the readers, and even inevitably by the researchers, self-reflectively. In the study, the characteristics of Battal Gazi as a historical hero who skillfully uses wrestling as a combat sport have been tried to be shown based on the novel.

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Kosova ve Kuzey Makedonya’da Türkçe Yayımlanan Çocuk Dergilerinde Anlatı Türleri: Hikâye, Masal, Efsane, Destan

Kosova ve Kuzey Makedonya’da Türkçe Yayımlanan Çocuk Dergilerinde Anlatı Türleri: Hikâye, Masal, Efsane, Destan

Author(s): Salih Okumuş / Language(s): Turkish Issue: 112/2022

Balkans which was under the rule of Ottoman for a period of approximately five hundred years played an immense role in the Turkish history. After Ottoman rule, new nation-states were established in Balkans which also went under rule of different nationalities. Facing various pressures Turkish communities started trying to find the way out. After II. Great War, particularly Turks living the territory of the former Yugoslavia succeeded to publish and teach in Turkish based on the right given by the former Yugoslav Constitution. In this context, Varlık publications in Skopje and Tan publications in Pristina were founded. Several newspapers and magazines have been published, the books have been printed. Turkish Radio and Television channels were established. On one hand, all these activities provide a significant contribution to Turkish communities’ presence and on the other hand, help us to take traces of the past. Our aim with this study is to focus on narrative types (stories, tales, legends and epics) published in Turkish newspapers children's magazines published in Kosovo.

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Heritage, Patrimony or Legacy? Baltic German and Estonian Cultural Dialectic in Facing the Local Past

Heritage, Patrimony or Legacy? Baltic German and Estonian Cultural Dialectic in Facing the Local Past

Author(s): Kristina Jõekalda / Language(s): English Issue: 37/2018

This article is concerned with the popular opinions of the Estonian community about the Baltic German cultural heritage, particularly architectural monuments. The topic is approached by examining widely read newspaper and journal articles from the turn of the 19th–20th centuries until the interwar era. In the dominant discourse of 700 years of suffering, not many Estonians were devoted to researching the foreign culture of the Baltic Germans in the 19th century – instead, it was seen as an obstacle in building one’s “own” culture. The different cultural backgrounds were evident, but the Estonians nonetheless set the relationship with the (Baltic) German culture as their point of departure. By the second half of the century the Baltic German national sentiment was increasingly contested by the local ethnic communities’ rising nationalism. The ten years after 1905 (when the local peasants burned down many Baltic German manor houses), witnessed intensive identity and heritage construction both among the Baltic German and Estonian communities, albeit from different perspectives. For Estonians this meant concentrating on ethnographic items and archaeological sites rather than the Baltic German “high” art and architecture. Considering that the “national project” became the number one goal during the 1920s, it does seem astonishing that there were plenty of enthusiastic supporters of the previous colonisers’ heritage. The reasons behind this reached beyond the “national” question. With the independence this material culture became the property and thus duty of the state. There were also economic reasons – the new state needed festive buildings, even if those at hand represented the former rulers. These were materialistic attitudes, looking at the monuments simply as an inherited legacy, whereas “heritage” as a more abstract construction connotes something of value, and “patrimony” as something that has been attributed national importance. The authors cited above had to operate with all those categories, yet these concepts were often intermingled. The dominating argument in the heritage debates with which to reconcile Estonians with their turbulent past, however, was becoming a respectable Kulturnation among European nations. Indeed, art historical research would have been impossible without the “alien” high culture.

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Investigation and Reflections on Gender Differences in Vocal Music Education

Investigation and Reflections on Gender Differences in Vocal Music Education

Author(s): Ming Jiang,Chao-Jung Wu / Language(s): English Issue: 79/2022

The purpose of this study is to explore the teaching methods and related theoretical studies of gender differences in bel canto. Focusing on four aspects: breathing, vocalization, resonance, and emotional expression, this study implements vocal music through gender-differentiated teaching methods and strategies. By carrying out a case study, the author summarizes the application and effectiveness of these teaching methods in the teaching of bel canto, and draws the following conclusions based on the research results: first, teaching methods tailored for gender differences enable students to make rapid progress in singing, breathing, vocalization, resonance, and emotional expression; their goals of learning vocal music are clearer. Second, the gender- dependent teaching methods promote the amelioration of vocal music teaching, break through the difficulties in practical teaching, and improve the teaching level and ability of instructors. Finally, this article puts forward teaching and research suggestions for vocal teachers and vocal education.

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School-Wide Positive Behaviour Support as Preventive Framework to Reduce Disruptive Behaviours: A Cross-Sectional Study

School-Wide Positive Behaviour Support as Preventive Framework to Reduce Disruptive Behaviours: A Cross-Sectional Study

Author(s): Cristina Tabacaru Dumitru,Georgeta Chirleşan,Valentina Stîngă,Maria Constantinescu / Language(s): English Issue: 79/2022

Disruptive behaviours negatively interfere with learning outcomes, forcing schools to identify effective preventive and intervention strategies in order to improve behavioural school climate. An extensive body of research promotes School-Wide Positive Behaviour Support (SWPBS) as an effective preventive framework to foster prosocial behaviours and simultaneously reduce disruptive behaviours. This paper presents the findings from a study that aimed at investigating problematic behaviours during primary education among typically developing children and to examine subgroup differences in the effectiveness of the SWPBS framework in Romania. Participants in our study were a sample of 973 teachers teaching in 30 schools from the Arges county schools. A descriptive statistical analysis was undertaken (a) to identify the type and intensity of disruptive behaviours, (b) to analyse the characteristics of schools with a high frequency of problematic behaviours and (c) to test if school-related variables (such as school size and location) can be linked with students’ disruptive behaviours. Results indicated that higher rates of disruptive behaviours identified by teachers from our research sample were noisiness while entering the school, running in hallways. Problematic behaviours are more likely to be identified and defined by more experienced teachers, although the correlation proved to be small. Problematic behaviours correlated positively with school size and location. The bigger the school, the more disruptive behaviours were present. The current study adds to the evidence that schools are unique organizations and a school-wide prevention model should be developed considering the school characteristics and their specific context. Research limitations and implications for policies are also discussed in this paper.

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ИДЕОЛОШКА РАСЛОЈАВАЊА И КОНСТРУКЦИЈЕ ПОЛУИСТИНА У "ЛАГУМУ" СВЕТЛАНЕ ВЕЛМАР­ ЈАНКОВИЋ

ИДЕОЛОШКА РАСЛОЈАВАЊА И КОНСТРУКЦИЈЕ ПОЛУИСТИНА У "ЛАГУМУ" СВЕТЛАНЕ ВЕЛМАР­ ЈАНКОВИЋ

Author(s): Miljana Pešić / Language(s): Serbian Issue: 78/2022

The subject of this paper is a new historicism reading of the novel Lagum by Svetlana Velmar-Janković. The chronotope of post-war Belgrade and the desti- nies of characters of various profiles in the communist environment are suitable for analyzing the dynamic model of culture and ideological traces in the narrative. The paper deals with the dominant ideologies of the literary template, narrative instances as important elements of the ideology of the text, as well as the problem of the relationship between literary material and its artistic transposition. Narrator Milica Pavlović writes memoirs in her old age, offering a personal view of the past, aware that she cannot present it objectively, which makes her view of the Truth as an unattainable ideology unusually close to the understanding of new historicism. Lagum is a work in which ideological inscriptions can be said to be inconsistent to the extent already announced by its motto, and the notion of the authentic past is revised during the complex processes of writing and reception. The search for a great History, as an objective Truth about the past, remains at the intersection of small, personal histories and their semi-truths.

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MEVLÂNÂ CELÂLEDDÎN-İ RÛMÎ’NİN EZOTERİZMİ BAĞLAMINDA SİMYACI

MEVLÂNÂ CELÂLEDDÎN-İ RÛMÎ’NİN EZOTERİZMİ BAĞLAMINDA SİMYACI

Author(s): Ersin Çetinkaya / Language(s): Turkish Issue: 77/2022

Since human beings are in a structure that questions the purpose of their existence in the world since the day they exist, they resort to various ways in order to realize themselves. As a result of his efforts, he proceeds by finding his source in an esoteric context from ancient times. Mevlânâ Celaleddin-i Rumi, one of the most competent names of Anatolian Sufism, goes on his inner journey in this context and creates his Islamic-based teaching. Mevlânâ, who appears as an important component of our culture and is one of the most important people who ensured the understanding of Islam in the Anatolian geography, deeply affects the world in this context. Mevlânâ, who went on this journey to find himself, continues his action until the last moment of his life, trying to reach the level of a perfect human being. Esotericism, whether it is western or Islamic-based, is essentially a long and arduous road/journey that the individual takes to realize himself. Since the paths passed in the two esoteric contexts are similar to each other, the individual depicted by Mevlânâ and the Santiago character of Paulo Coelho are similar. Since literary works place the human and the factors surrounding him in the center, the works created with this mentality contain more or less esotericism. The works that construct their message in the image of the person who is on the way and moving take the point of finding the purpose of life as its principle. A person's "personal legend" is the only thing that guides him on this path. Paulo Coelho, who creates works that usually contain esoteric features by describing the inner world of man, also acts in the desire to reveal the richness in the west by considering the esoteric thought system with the understanding of "alchemy". In this context, it is the author's originality to see the characters that he takes on a journey with the characteristics that exist in every monotheistic religion. The aim of our study is to deal with "The Alchemist", one of the most competent works of Western esotericism written in literary form, in the context of Mevlânâ's thought system / Sufism.

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Mindfulness jako nowy ethos korporacji

Mindfulness jako nowy ethos korporacji

Author(s): Jan Biedziak / Language(s): Polish Issue: 22/2022

From therapeutic centres, mindfulness has infiltrated society and is now one of the most popular self-help methods, with a brilliant career in the past few years. Over the decades, mindfulness has been adapted to the Western world and has dominated not only health-related academic discourse but has increasingly begun to appear in discussions about management and the future of education. In the first part of the article, I introduce the idea of mindfulness. I point out its modern individualised and secular nature. To this end, I cite the work of Jon Kabat-Zinn, who developed the modern version of mindfulness and launched the mindfulness revolution. In the second part, I present mindfulness as a lifestyle. Through conscientious performance of practices, mindfulness becomes, so to speak, a modern version of asceticism, which is supposed to lead to well-being in general and evokes associations with the principles of Protestant asceticism and the ethos of capitalism described by Max Weber. Particularly noteworthy is the model of introducing mindfulness practice into companies, as discussed in the third part of the article. In the context of the neoliberal system, such a practice fits into the current of personal development and provides practical solutions for employees. It also produces its own ethics, which fits into the current of individualism. The last section is devoted to the issue of McMindfulness, or criticism of the introduction of mindfulness into companies. In this section, I cite arguments that point to the use of this technique to increase company profits and pacify employees. The above elements reveal mindfulness as a practice which is adapted to neoliberal conditions, and which adopts and modifies specific principles derived from Protestant asceticism. Consequently, the practice of meditation is slowly ceasing to be merely a method of therapy and is becoming a generally accepted norm in the pursuit of mental well-being. It may become the ethos of modern corporations.

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RASPJEVANI I OPJEVANI MOSTAR

RASPJEVANI I OPJEVANI MOSTAR

Author(s): Elbisa Ustamujić / Language(s): Bosnian Issue: 5/2022

The paper connects two distant periods of poetry creation in Mostar. In the 16th and 17th centuries, dozens of poets sang in Turkish and Persian in the Oriental cultural circle, among whom the most important are Hasan Zijaija, Derviš-paša Bajezidagić and Fevzi Mostarac. he second period refers to the revival of the literature, the end of the 19th century, modernization in the 20th century according to European literature ends – impressionism and symbolism, expressionism and avant-garde, existentialist modernism. he representatives are: M. Ć. Ćatić, Hamza Humo and Skender Kulenović. At the same time, the merging of concepts and motifs and networking of the Oriental poetic tradition into a contemporary literary expression is signiicant for understanding the poetic and cultural complexityof contemporary Bosnian literature.

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RUKOPISNA VERZIJA BOSNEVIJSKIH (ALHAMIJADO) PJESAMA MUHAMEDA RUŽDIJA U MEDŽMUI (R 31) MUZEJA HERCEGOVINE U MOSTARU (S POSEBNIM OSVRTOM NA PJESMU OGLAN NASIHATI)

RUKOPISNA VERZIJA BOSNEVIJSKIH (ALHAMIJADO) PJESAMA MUHAMEDA RUŽDIJA U MEDŽMUI (R 31) MUZEJA HERCEGOVINE U MOSTARU (S POSEBNIM OSVRTOM NA PJESMU OGLAN NASIHATI)

Author(s): Alen Kalajdžija / Language(s): Bosnian Issue: 5/2022

he article will provide basic historiographical data on the Bosnian aljamijado poet from the end of the 19th and the beginning of the 20th century – Muharrem Dizdarević, better known under the pseudonym Muhamed Rušdi (Muhamad Rushdi), and available bibliographic data on his work. In addition, basic information will be given on the manuscript of the Museum of Herzegovina in Mostar (R 31), which contains Bosnian Arabic texts containing 12 Rushdi’s poems and three other poems by various Bosnian authors. Since the most extensive monograph on Rushdie, prepared by Abdurahman Nametak (1981), does not include the poem Oglan nasihat, this short poetic form will be transcribed and basic philological data will be given.

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DOSJETLJIVOST I MUDROST U MOSTARSKIM ROMANSAMA U RUKOPISNOJ ZBIRCI „HERCEGOVAČKI BISER“ OSMANA ĐIKIĆA

DOSJETLJIVOST I MUDROST U MOSTARSKIM ROMANSAMA U RUKOPISNOJ ZBIRCI „HERCEGOVAČKI BISER“ OSMANA ĐIKIĆA

Author(s): Nusret Omerika / Language(s): Bosnian Issue: 5/2022

he manuscript collection „he pearl of Herzegovina“ written by Osman Đikić, which is kept at Serbian Academy of Science and Arts, has never been published although it contains 60 extremely valuable lyrical poems that had been collected in Herzegovina in the period between 1896 and 1898. Among these 60 poems, there are 20 which were collected in Mostar, romance mostly. his work focusses on the poems noted in Mostar because, as Jovan Vuković cited: „the muslim people of Mostar cherished lyrical poems , as well as romance, which sang several interesting boys and girls from Mostar and its close environment.“

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PRIČANJA O ŽIVOTU U RUKOPISNOJ ZBIRCI HUSEINA RIZVIĆA

PRIČANJA O ŽIVOTU U RUKOPISNOJ ZBIRCI HUSEINA RIZVIĆA

Author(s): Amira Dervišević / Language(s): Bosnian Issue: 5/2022

Manuscript collection of Husein Rizvić stands out from other manuscript and printed collections of Bosniak oral prose due to his greater foundation in everyday life. Little has been written about the collection and it has not been the subject of more thorough researches. he aims of the paper are the analysis and interpretation of selected oral stories which, according to their poetic features, correspond to narrations about life. After analysis and interpretation, using comparative and textual methods, it is concluded that the selected narrations have poetic features of talking about life, but that the writer most likely changed the text and stylized it. he relections in this paper aim to contribute to a better insight into the manuscript material of this collection.

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SEVDAH O MOSTARU U PRIPOVIJETKAMA HAMZE HUME

SEVDAH O MOSTARU U PRIPOVIJETKAMA HAMZE HUME

Author(s): Almedina Čengić / Language(s): Bosnian Issue: 5/2022

Hamza Humo’s literary oeuvre is determined by speciic stylistic forms that represent his work within the framework of Bosnia and Herzegovina’s artistic heritage. “Sevdah” and “sevdisanje”, love longing and ecstasy, which in their ultimate meaning are primarily “basic substances that according to the teachings of the ancient Arabs, that is, Greek doctors, are found in the human body”, Humo is not characterized at the level of relationships between human beings, speciic love is addressed to his hometown - Mostar. He sighs over the landscape of his existence and in the ecstasy of the artistic experience of memorized images, scenes and associative moments, tells the story of his native Mostar. “As a poet of life’s joy and a narrator of sad destinies”, Humo writes his poems, novels, poems and inds inspiration in descriptions of nature and emphasizing its connection with the destiny of man. he aim of this paper is to prove how the writer (H. Humo) emotionally experiences the locational and temporal determinants of a recognizable environment with speciic stylistic means and artistic variables, creating distinctive visions within his own literary prose.

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SLIKA HERCEGOVINE U BOSANSKOHERCEGOVAČKIM PUTOPISIMA

SLIKA HERCEGOVINE U BOSANSKOHERCEGOVAČKIM PUTOPISIMA

Author(s): Ena Begović-Sokolija / Language(s): Bosnian Issue: 5/2022

The paper based on the example of the travelogues of ten Bosnian authors (I. F. Jukić, G. Martić, I. Andrić, H. Humo, Z. Džumhur, J. Beran, A. Isaković, I. Kajan, R. Mahmutćehajić, and A. Žetica) analyses the impressions and ideas about Herzegovina with the view of basic imagological assumptions. In order not to fall into an analytical dead end, it is irst necessary to place the authors in the Bosnian-Herzegovinian context and determine his literary-historical era, focusing on each individual text, keeping in mind precisely his genre (travelogue) and thematic region (Herzegovina). Travelogues as a privileged type of text for understanding of the “writing of the Other” or “writing about the Other” are a useful and thematically rich material, wherein the construction of images of Herzegovina is followed, without dealing with its veracity, but rather with its efectiveness in the cultural and communicational domain. he analysis shows that the problem of travelogue as a literary-historical phenomenon is still relevant, while the ofered imagological analysis could be one of the key prerequisites for the literary-historical approach. he chosen geographic area as the theme of the travelogues proved to be an interesting material for the study of the characteristics of national self-understanding. In this regard, the term he Travelogue Herzegovina was coined as a genre and regional concept.

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PUTOPISNI PROSTORI ZUKE DŽUMHURA

PUTOPISNI PROSTORI ZUKE DŽUMHURA

Author(s): Mirzana Pašić Kodrić / Language(s): Bosnian Issue: 5/2022

To understand Džumhur’s travelogue space, that is, the way in which Džumhur’s travelogues grow into a story and go beyond classical travel prose, it is inevitable to understand the spaces of his travelogues. he end of the 19th and the beginning of the 20th century brought great shifts and fundamental changes in all genres of literature. he traditional understanding of literature as “beautiful literature” which insisted on a triadic system of literary genres divided into epics, lyrics and drama slowly began to lose its meaning just giving way to hybrid genre transformations and also in the novel and literature in general, not just in travel writing. hus, when it comes to travel writing, travel literature has proclaimed the so-called. the era of the “end of mere travel” and the traditional notion of what may once have been a travelogue, and began the era of travel as an escape into the space of text, the space of storytelling, far from the alienation and anxiety of the real world. Precisely in the endless genre intertwining, it is almost impossible to deine the poetics of travelogues.

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IMAGOLOŠKI ASPEKTI PUTOPISA MOSTAR (1909) ROBERTA MICHELA

IMAGOLOŠKI ASPEKTI PUTOPISA MOSTAR (1909) ROBERTA MICHELA

Author(s): Elmir Spahić / Language(s): Bosnian Issue: 5/2022

he paper will present Robert Michel’s travelogue Mostar (1909) in the context of an imagological reading, precisely, on the analysis of the heterocity (ideas about foreign peoples and places) and self-ideas (ideas about one›s own people and space), where both paradigms have an integrative or subversive function, interpreting literary text as an interaction of Oriental-Islamic and Western-European cultural models, which is an important manifesto in articulating and memorizing national opinions and stereotypes.

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SLOVO O MOSTARU KAO DRUGOM U PUTOPISU CRNO JAGNJE I SIVI SOKO REBECCE WEST

SLOVO O MOSTARU KAO DRUGOM U PUTOPISU CRNO JAGNJE I SIVI SOKO REBECCE WEST

Author(s): Adisa Ahmetspahić / Language(s): Bosnian Issue: 5/2022

The symbiosis of European and Oriental climate in the Balkans, especially in the area of Bosnia and Herzegovina, has always been a source of curiosity for Western cultures. his is evidenced by a number of literary publications, among which, according to the popularity and strength of the views and stereotypes expressed, the travelogue of Rebecca West stands out. Various works deal with the concept of balkanism (Western stereotypes of the Balkans) in West’s travelogue but hardly any of these pay attention to the balkanist representation of Herzegovina in the above-mentioned travelogue. he chapter about Herzegovina contains a subchapter about Mostar and its surroundings in which the authoress describes architecture, religion, fashion, and the behavior of men and women with a special on emphasis on the Muslim population. he aim of this paper is to present some examples of the balkanist discourse (racial, ethnic, gender, and religious) in Black Lamb and Grey Falcon, as well as the discursive modalities which West uses to construct Mostar and its surroundings as the Other. he paper also questions the impact of West’s travelogue on the political turmoil in B&H by the end of the 20th century, i.e. its status of a literary political discourse that has great echoes today in the socio-political context of the Balkans and beyond.

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„LIJEPI LI SU MOSTARSKI DUĆANI“ – O LINGVISTIČKOME KRAJOLIKU MOSTARA: TEORIJA I PRAKSA MOSTARSKE URBANONIMIJE

„LIJEPI LI SU MOSTARSKI DUĆANI“ – O LINGVISTIČKOME KRAJOLIKU MOSTARA: TEORIJA I PRAKSA MOSTARSKE URBANONIMIJE

Author(s): Indira Šabić / Language(s): Bosnian Issue: 5/2022

he article deals with the urbanonymy of the capital town in Herzegovina – Mostar, as one of the most important indicators of national and territorial identity. he accent is on the names of city facilities: restaurants, shops and similar buildings (empronyms),bridges (gephyronyms),street and square names (hodonyms and agronyms), temples, churches, monasteries and convents (ecclesionyms),which constitute the core of the ubranonymic terminology and the linguistic picture of Mostar. he paper analyzes the motivation and functions (identiication, commemorative and connotative functionof urbanonyms). he paper discusses the Mostar urbanonyms that have a speciic formation/structure or inappropriate semantics. he author raise the question of how urbanonyms relect the cultural, ethnic and religious preferences of the society.

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ONOMASTIČKA ANALIZA KARABEGA

ONOMASTIČKA ANALIZA KARABEGA

Author(s): Nihada Ibrišimović / Language(s): Bosnian Issue: 5/2022

In the context of the onomastic reading of Ibrišimović’s entire literary oeuvre, in which the name occupies a special place as a multilayered linguistic sign, the historical onomastic space is revealed in the novel Karabeg. The onomastic layer in the novel is conditioned by multiple historical determinants, temporal (change of Ottoman and Austro-Hungarian rule in Bosnia and Herzegovina), spatial (Mostar), cultural (Ottoman cultural circle) and religious (Islam). Karabeg’s onomastic analysis also includes a contrastive analysis of names in Hifzija Hasandedić’s monograph entitled Mustafa-Sidki ef. Karabeg (1944), which served Ibrišimović as a template and impetus for literary formation. In addition to the semantic and structural aspects of the recorded noun categories in the novel Karabeg, the names are analyzed in terms of their authenticity, realism or ictitiousness, trying to point out the multiple pragmatic value and functionality of names in the novel.

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TRI LITERARIZIRANE SLIKE SUŽIVOTA JEVREJA I MUSLIMANA U OSMANSKOJ BOSNI

TRI LITERARIZIRANE SLIKE SUŽIVOTA JEVREJA I MUSLIMANA U OSMANSKOJ BOSNI

Author(s): Nehrudin Rebihić / Language(s): Bosnian Issue: 21/2022

The paper presents three literary images of the coexistence of Jews and Muslims in Ottoman Bosnia. The pictures chronologically represent a hodogram of coexistence from the 16th to the beginning of the 20th century. The first picture is Sušić's short story Šta učini Don Daniel Rodriga, in which the author first shows the early relationship between Bosnian Muslims and Jews in trade between the Ottoman Empire and the Venetian Republic, and then the social controversies that accompanied that process. The second picture is based on Bašeski's Ljetopis and presents a picture of coexistence in the daily life of Sarajevo in the 18th century, where it does not only include the beautiful and positive, but also the negative representations. However, this picture shows the dynamic connections between Muslims and Jews at the national level, but also the differences and tensions conditioned by the social, religious, and political context. The third picture represents the positive relationship between Muslims and Jews in the example of literary representations of Sarajevo’s Purim. Here we analyze the different interpretations of this event, as well as how much they, regardless of evident contradictions, together influenced the shaping of the discourse about this holiday of Sarajevo’s Jews

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