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Osonó Színházműhely: Ahogyan a víz tükrözi az arcot
review of 'As the water reflects the face' performing by Osonó Theatre
More...Hatalmi visszaélés és válságtünetek a német színházi struktúrában
Abuse of power and crisis symptoms in the German theater structure
More...Az évad szörnyei
Dancers about nudity on stage. Participants: Réka Oberfrank, Emese Cuhorka, Bea Egyed, Lili Raubinek dancers and Orsolya Bálint dance critic
More...Két szemszögből az Affér Színház Ráolvasás című előadásáról
Kónya Klára: Ráolvasás. Stúdió K. Boros Ádám, Boznánszky Anna, Dömök Edina, Kazári András, Kőszegi Judit, Lovas Dániel / Az író munkatársai: Sipos Judit, Winkler Zsuzsanna / Dramaturg: Rezek Bori / Társulatvezető: Vucsics Virág / Rendező: Kónya Klára
More...Nemzetiségi színházak kollokviuma - Gyergyószentmiklós
Colloquium of National Theatres in Gheorgheni
More...Hodworks–Unusual Symptoms: Coexist – Trafó
Hodworks – unusual Symptoms: Coexist. Trafó. Gabrio Gabrielli, Horváth Nóra, Alexandra Llorens, Molnár Csaba, Nora Ronge, Aaron Samuel Davis, Rusu Andor, Jessica Simet, Young-Won Song, Antonio Stella / Kreatív partner: Molnár Csaba / Jelmez: Anna Lena Grote / Zene: Gryllus Ábris / Dramaturg: Gregor Runge / Asszisztens: Andy Zondag / Művészeti konzulens: Szabó-Székely Ármin / Koreográfus: Hód Adrienn
More...(Test)deformációk a Hodworks-koreográfiákban
Hodworks – unusual Symptoms: Coexist. Trafó. Gabrio Gabrielli, Horváth Nóra, Alexandra Llorens, Molnár Csaba, Nora Ronge, Aaron Samuel Davis, Rusu Andor, Jessica Simet, Young-Won Song, Antonio Stella / Kreatív partner: Molnár Csaba / Jelmez: Anna Lena Grote / Zene: Gryllus Ábris / Dramaturg: Gregor Runge / Asszisztens: Andy Zondag / Művészeti konzulens: Szabó-Székely Ármin / Koreográfus: Hód Adrienn
More...Az Európai Színházi Unió 18. fesztiváljáról Kolozsváron Adorjáni Panna és Bogdán Zenkő beszélgetett
18th Festival of the European Theater Union in Cluj
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The article seeks to address the question of functionality of poetics in understanding the organization of cultural space such as a museum or art gallery. The author asserts that reading museum space can correspond with reading a continuous narrative which includes all art collection, or that it can be read as anthology of individual and varied pieces of art. The comprehension of a museum should also involve the understanding of its contextual elements such as the symbolism of its architectural design or location. The author analyzes two situations: when the building is designed to function as a museum and when the museum building has been adapted for this purpose. This latter function may pose a challenge as in this case its past will remain present and will interfere with the new narrative.
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The Transylvanian Travelling Theatre has been presenting its performances to smaller rural, not necessarily “theatrically-trained” audiences. Emőke Kovács writes about their Bükkfaszéki Márika (Little Mary of Beech County).
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Tamás Lovassy Cseh writes about Bulgakov’s The Cabal of Hypocrites at the Miercurea-Ciuc Theatre. The Miercurea-Ciuc Theatre devotes a special program to the promotion of young directors. Dorka Porogi staged the play with the cooperation of Cluj based actor Zsolt Bogdán and the Miercurea-Ciuc company.
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Radu Afrim’s strongly visual perspective has already placed the dramas of several Hungarian authors in unusual contexts. This time Afrim directed Péter Kárpáti’s Everyman at the Tamási Áron Theatre in Sf. Gheorghe. Enikő Nagy is the author of the review.
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Réka Szabó analyses the most recent premiere of the Harag György Theatre in Satu- Mare. Relatives (Rokonok), an adaption of Móricz’s novel, based on both the novel and the stage version was directed by László Babarczy.
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Viktor Bodó and his company reacted to the situation of Hungarian cultural financing with creative participation in an international project, attracting also the Hungarian Theatre of Cluj into this movable-travelling initiative that involves several European theatres. Yvette Jankó Szép raises a multitude of questions related to Social Error.
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Réka Biró writes about Black Milk at the Tomcsa Sándor Theatre in Odorheiu-Secuiesc. Vaszilij Szigariev’s drama was staged by company member and actor Árpád Barabás.
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