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Авторите на трите оригинални български ерминии Дичо Зограф, Захарий Петрович и Върбан Коларов като наставници във вярата и учители по родолюбие

Author(s): Mariyana Shabarkova-Petrova / Language(s): Bulgarian Publication Year: 0

The study is based on the personal observations and archive of the author from a twenty-year study of the Bulgarian frescoes and of the author's research as a compiler and publisher of the three original Bulgarian Hermeneias by Dicho Zograf, Zachari Petrovich and Varban Kolarov (Sofia, 2016, 2017, 2017). All three Hermeneias quoted, but especially those of Zachariy Petrovich, testify to the enviable iconostasis of the icon-painters. They have documented their in-depth knowledge not only of traditional local dyes but also of West European dyes and technologies, as well as of a Table of Symbols of the German Alchemist and Doctor Johann Joachim Becker, 1689, symbols whose names we meet in the Hermeneia of Zachari Petrovich. The following aspects of the subject are considered, supported by quotes by Didron, Uspensky, Dicho Zograf, Zachari Petrovich and Varban Kolarov:Guardians of the secret book of the icon - the Bulgarian monks in Mount Athos, Saints-icon-painters and icon-painters-saints, The specifics of the Holy Craft, Herminists as mentors in the faith, Herminists as patriotic teachers.

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The nay-powered personality: Ion Creangă

Author(s): Cătălina A. Pîrvu,Ioan Florin Diaconu,Narcis Aprodu,Cristina Ruxandra Livescu,Ionela Stătescu,Mihaela Sîrghie,Florentina Gavril,Lenuș Gurguță,Bogdan C.S. Pîrvu / Language(s): English Publication Year: 0

Saith the first sorcerer: ―The good news, dear Smaranda, is that your firstborn will be nurturing and protective of others – he will consequently be a good organizer. The bad news, however, is that this firstborn son of yours will be uncooperative, highly anxious, highly critical of others and unconsciously hostile; he will be driven by exaggerated feelings of power and he will fight for acceptance – he must always be ‗right,‘ whereas others are always ‗wrong.‘‖

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The lead-flowered personality: George Bacovia

Author(s): Laura Murgu,Anca Rafiroiu,Florin Tecuceanu,Diana Corjan,Adrian Brunello,Bogdan C. Archip,Nicoleta Luțuc,Ștefania Vlad,Bogdan C.S. Pîrvu / Language(s): English Publication Year: 0

Says the good doctor: ―The bad news, dear Zoe, is that your newly-born son can be anything, but a poet. A poet needs his hypomania (another name for the intensive creative episode) and, I chance to know that much from a highly competent source, the poetic process is out of the question in the absence of such trances, the more the better for the poet qua poet but, unfortunately so, the more they come the worse for the poetʼs mental health.

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The price for flying too high

Author(s): Bogdan C.S. Pîrvu / Language(s): English Publication Year: 0

The Ballad of Master Manole (edited by Zoe Dumitrescu-Buşulenga, translated by Dan Duţescu and designed by Emil Chendea – in 1976; exquisitely analysed and contextualized by Petru Ursache in 1998, 2013, 2014, 2015, 2016, 2019) goes that the Prince, ―with nine masons all, nine worthy craftsmen, with Manole ten, the highest in fame,‖ happed to see ―somewhere down the lea an old wall all rotten, unfinished, forgotten, on a green slope lush, near a hazel brush.‖ And quoth the Prince, ―Here‘s my wall! Here I choose that ye build for me a shrine, a cloister divine.‖

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DRAWINGS CONCERNING ARTISTIC TECHNIQUES IN THE DIDEROT’S AND D’ALEMBERT’S ENCYCLOPAEDIA

Author(s): Emanuela Chiavoni / Language(s): English Publication Year: 0

The objective of this paper is to analyse some drawings relating to the artistic techniques in the first volume of the Diderot’s Encyclopaedia (1751). The Encyclopaedia is still now considered the laic bible of the century of the lights. It has been selected some of the most significant pictures concerning to drawing,painting, mosaic, sculpture and engraving, showing the rich interconnections between these different kinds of art and the drawing, from whom all of them was born.

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THE TECHNIQUES AND METHODS OF ITALIAN ARCHITECTURAL DRAWINGS OF THE EARLY 20TH CENTURY

Author(s): Antonella Salucci / Language(s): English Publication Year: 0

This paper shows the results of a research experience carried out on a significant body of original architectural competition drawings, with the aim to highlight a number of interesting aspects of architectural education and the communication of architectural ideas within history of sciences. This graphic evidence, connoted by its twofold nature of didactic experimentation and professional practice, anticipates the characteristics of the drawings produced by the protagonists of the so–called Roman School: multifaceted figures active as Professors, Designers and Masters.

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Transformări în raportul artă – învățare școlară

Author(s): Marina Morari / Language(s): Romanian Publication Year: 0

Art education is a fundamental component of the curriculum, because it is closely linked to the intellectual, social, cultural and emotional development of the student. The status of the arts in the education system is configured from two perspectives: art as a school subject, art as an artistic activity. The article characterizes and describes the opportunities to learn the arts in the context of the pandemic situation.

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Göç Temasının Afiş Tasarımlarına Yansıması

Author(s): Sevtap Kanat / Language(s): Turkish Publication Year: 0

İnsanlık tarihine baktığımızda savaşlar, doğal afetler, salgın hastalıklar, göç vb. birçok olaylar insanların hayatlarını derinden etkilemiştir ve etkilemeye de devam etmektedir. Bu olgulardan biri olan göç, insanlık tarihi kadar eskidir. İlk insanlar hayatlarını sürdürebilmek için yer değiştirmek zorunda kalmışlardır. Daha sonraları göçün değişik örnekleri yaşanmaya başlandı. Bunlar; insanların yaşadıkları yerlerden zorla koparılıp köle olarak uzak kıtalara çalıştırılmak üzere götürülmesi, uzak kıtaların sunduğu zenginlikler, savaşlar veya başka bir yerde yaşama isteği gibi sıralanabilir (Erkiner, 2016: 155). Özellikle 21. yüzyılda göç olgusunun arttığı görülmektedir. Göç kavramı, Türk Dil Kurumu Türkçe Sözlüğü’nde; “ekonomik, toplumsal, siyasi sebeplerle bireylerin veya toplulukların bir ülkeden başka bir ülkeye, bir yerleşim yerinden başka bir yerleşim yerine gitme işi, taşınma (TDK, Güncel Türkçe Sözlük) olarak tanımlanmıştır. Göç, coğrafi olarak bir mekân değiştirme nüfus hareketi olarak görülse de nedenleri ve sonuçları bakımından, bireylerin ve toplumların yaşamında Sosyo-kültürel, politik, ekonomik gibi geniş etkiler yaratan bir olgudur (Seyitvan,2017; Aktaş,2016; Akkaya, 1979).

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EFFICIENCY OF ARTISTIC EDUCATION: PRAXIOLOGICAL ISSUES

Author(s): Tatiana Bularga / Language(s): English Publication Year: 0

In the field of personality formation through art, we notice that the practice does not meet the specific technological need for the processes of receptionunderstanding-creation of works of art. In this educational field, the approach for optimizing the theory - practice relationship obtains additional instructive-formative and artistic development values, due to the principles of creation / recreationreception of artistic products, which stipulate that the work of art exists as such only in the process of its interpretation-visualization-hearing - a process that integrates the mental action of the author of creation, considered conventionally as a theoretical one, with the action of reception and, at the same time, being considered as a practical one. The process of artistic reception within the instructive-formative actions is identified with the educational action itself. In this process, a considerable weight belongs to the participatory state of the pupil / student in the action of design, development and evaluation / self-evaluation (by prescribing individual behavioral maps, anticipating practical actions, varying operations, accomplishing tasks by choosing variants for the optimal solving) and the dynamics of the teacher's professional competence to gradually achieve the process of design (theoretical) and action (practice), by identifying educational content and value actions, diagnosing individual resources, planning, hypothesis formation, sequential and final evaluation.

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Przełożenie metod badania sztuk wizualnych na sztukę audialną – metoda krytyczna Edmunda Feldmana w badaniu artystycznego dzieła radiowego

Author(s): Natalia Kowalska-Elkader / Language(s): Polish Publication Year: 0

The main aim of this chapter is to describe Feldman's critical method and then to adapt it into artistic radio genres. The four-stage method is described in the first part of the text, and in the second part it is adapted to the radio field in the context of research into sound and radio art, as well as in relation to radio criticism.

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Technika analizy i sposób opisu artystycznych gatunków radiowych

Author(s): Joanna Bachura-Wojtasik,Kinga Sygizman / Language(s): Polish Publication Year: 0

The chapter discusses a research technique that allows to define in narrative audio forms the relationship between "truth" and "fabrication", the style of the pieces, the rhetoric of editing, and the composition of the audio works. It presents the division - the determinant of which has been editing – that take into account the creative processing of facts and the use of content of different origin and status in a radio documentary and radio play.

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Dokument(alność) a kreacyjność artystycznych audycji radiowych autorstwa Katarzyny Michalak i Marty Rebzdy

Author(s): Joanna Bachura-Wojtasik,Kinga Sygizman / Language(s): Polish Publication Year: 0

The chapter analyzes audio narratives: radio plays, documentaries, features by Katarzyna Michalak and Marta Rebzdy, based on the category of artistic processing of facts and classification of editing. It answers the question about the authors' attitude to facts and indicates the relations in which documentary and fictional elements remain. The creative organization of the audio material may take various forms, determined by the content of the story and the author's idiostyle.

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Łódzkie Spotkania Baletowe – prestiż i edukacja

Author(s): Martyna Kołodziejczak / Language(s): Polish Publication Year: 0

The article discusses the specificity and history of the Lodz Ballet Festival. LBF is the oldest international dance art festival established in Poland; the first biennial took place in 1968 at the Lodz Grand Theater. The festival quickly became the largest and most prestigious ballet event in Poland and one of the best events devoted to the art of dance in Europe. The article presents and analyzes the artistic program of ŁSB, which allowed the Łódź/Polish audience to have direct contact with the most outstanding dancers, dance groups and choreographers from around the world, and thus became a unique forum for confrontation and a school of what is most valuable today: in ballet, in contemporary dance theater and in the art of expression through movement.

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Nowa Perspektywa

Author(s): Ewa Otomańska / Language(s): Polish Publication Year: 0

In the article Nowa Perspektywa, the author describes the unique nature of one of the Łódź festivals – Retroperspektywy, organized by the Chorea Theater Association from Łódź. The text discusses the international editions of the festival, from its first edition in 2010, to the creation of a new national initiative called “Perspektywy.” In addition to analyzing the programs and ideas that guided the organization of each edition of the festival, the text also includes interviews with the organizers of the event, from the volunteer to the festival director. Thanks to such a broad study of the subject, both from the organizational and purely artistic side, it is easier to imagine the atmosphere of the festival, where the guest often becomes not only the recipient but also a co-creator of the entire event.

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Gdzie dotykać teatru?

Author(s): Katarzyna Mańko / Language(s): Polish Publication Year: 0

Author took up the issue of the action Dotknij Teatru, which has been taking place in Łódź since 2010. In her article, she meticulously traced the history of the festival, using the archives and interviewing the main DT coordinator – Anna Ciszowska. Katarzyna Mańko confronts the original assumptions of the festival with its effects so far. He boldly asks questions about the condition of the campaign, its future, the way it is organized, as well as the target audience. It cites the most interesting events, often using personal experiences as a participant, observer, and also an active artist taking part in the events signed by Dotknij Teatru.

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„Duzi ludzie mają bardzo duże buty” — szkic o łódzkich festiwalach teatralnych dla dzieci i młodzieży

Author(s): Nena Stańczuk / Language(s): Polish Publication Year: 0

The aim of the article is to list the festivals for children and youth on the Lodz festival map. Due to the pioneering nature of the monograph, this article is only a general outline of the issues of festivals for children and youth. It also indicates the most important festivals dedicated to minors, focuses on individual elements that characterize and differentiate these festivals. In her analysis, the author included both festivals dedicated to children and youth, as well as those co-created by them. These were: The Carousel International Theater Festival, DZIATWA National Festival of Children’s Theaters, CENTRUM Youth Theater Confrontations, Confrontations of Children’s Theaters KONFRONTACJE and the Henryk Ryl Pre-School Theaters Festival. In the discussion of individual theater festivals, the author deliberately refrained from indicating examples of projects in order to avoid comparing these projects in terms of artistic quality, guided by the principle that in the case of underage audiences and creators it is an extremely controversial issue that cannot be measured in terms of qualitative or quantitative research. The article deals with the need to create and improve festivals for children and youth, and the need for additional animation and educational activities to support festivals.

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The Role of Biomimicry on Visual Design Education

Author(s): Ugur Bakan,Ufuk Bakan / Language(s): English Publication Year: 0

The change and increasing diversity in communication tools with globalization have ensured the universal presentation of visual elements shaped by local cultural patterns. Today, design products have turned into a strategic tool for many countries in order to reach higher competitive power. As the visual design industry contributes as an important visual communication and marketing tool for different industries within and outside the creative sector, its role in ensuring sustainability becomes even more important. Graphic design is much more effective, direct, and fast than other means of information in order to develop environmental awareness and motivate desired behaviors. The biomimetic graphic is a design process and style that has been spread and passed along throughout today’s culture and society via various channels and networks of communication. In today's world, where globalization and associated social and environmental problems are increasing, design education plays an important role in the development of sustainable design products. In design education, the students should be taught the concepts of ecological material selection, environmentally friendly energy use, recycling, reconsideration, and reuse. In this study, the role of biomimicry in visual design education will be examined with sample applications. In addition to new skills and knowledge in design education, sustainability will emerge as an important feature sought in designers soon.

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Signs and Emotions as the Experience of the Urban Explorer

Author(s): Mihaela Moțăianu,Cornelia Moțăianu / Language(s): English Publication Year: 0

Although we have the impression that we understand the urban texture in which we live, the city still holds surprises in the way it communicates everyday aspects, situations, and cultural history.The experience of the urban explorer, that flâneur/stroller mentioned by Guy Debord (1955) and the Situationist school, was until recently only a literary experience. The emotion of discovering the unusual in the urban daily life was communicated only in the form of textual narratives (Sinclair, 1997). Recently the psychogeographical approach to the city has become again a topic of interest. Although contemporary design transposed the behavioral codes of urban life into signs, it did not propose emoticons for the phenomenological experience of one who experiences the city.The original purpose of this paper is to translate the phenomenological experience of the urban explorer into infographics (which translates complex concepts into signs with condensed meaning) and to quantify and communicate emotionally and visually, the experience of the "invisible" [out of sight] cultural details to the hurried passerby.This paper will discuss the phenomenological (psychogeographical) experience of the city transferred into visual signs will be presented. The authors insist on the communicative value of infographics in making visible the hidden beauty of the city, the historical and esthetical details that are not seen by the passersby on the street, proposing a new urban visual language accompanied by visual design theory and cultural history explanations.

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Pintar con palabras en el Barroco Español

Author(s): Isabel Dans Álvarez de Sotomayor / Language(s): Spanish Publication Year: 0

The object of this work is the study of a poetic procedure with greco-latin influence in the poetry of the Golden Age: the ékprahsis in the broad sense. Various examples of descriptions classified by genres from Lope de Vega, Gabriel Bocángel, Francisco de Quevedo and Francisco de Rioja are provided for this purpose. We should appreciate the relation between the arts and the richness of the ecphrasis at this time, maybe for the extension of the silva.

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Пасторалните светове в културата на Сребърния век

Author(s): Diyana Nikolova / Language(s): Bulgarian Publication Year: 0

This essay offers an analysis of the uses of the pastoral in the art of the Silver Age. The emphasis falls on the most pronounced tendency in the European culture of the period – art synthesis. The expressions of the synthesis are sought along the lines of the uses of the pastoral code in literature, painting, and theatre, as well as in works that mark the beginnings of ballet modernism.

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