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Materia, ciało, wizualność czyli jak lepiej zrozumieć pisanie
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Materia, ciało, wizualność czyli jak lepiej zrozumieć pisanie

Author(s): Marta Rakoczy / Language(s): Polish Issue: 4/2015

Rakoczy questions the definition of writing as a sort of linguistic symbolism related to the idea of ‘expressing thoughts’ and ‘communication’ through words. Based on Western calligraphic practices, her analysis suggests that the bodily, material and visual aspects of writing also shape its cultural significance. Their role often remains implicit, which determines the functioning of writing and its cultural specificity.

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Męka kopisty i rozkosz kaligrafa. Przyczynek do problemu psychodynamiki pisma w europejskim średniowieczu
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Męka kopisty i rozkosz kaligrafa. Przyczynek do problemu psychodynamiki pisma w europejskim średniowieczu

Author(s): Paweł Majewski / Language(s): Polish Issue: 4/2015

Focusing on the early Middle Ages, Majewski compares the literacy practices of European scribes with those of East Asian calligraphers. His analysis is based on the principles of the psychodynamics of handwriting, both alphabetic and ideographic. Majewski attempts to find the same principles in sources that discuss the psycho-physiological states related to the discussed literacy practices.

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Kolce Grünewalda. „Róża” i Ołtarz z Isenheim
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Kolce Grünewalda. „Róża” i Ołtarz z Isenheim

Author(s): Katarzyna Szewczyk-Haake / Language(s): Polish Issue: 4/2015

In this article Szewczyk-Haake contextualizes Tadeusz Różewicz’s poem “Róża” [“Rose”], from his collected poems [Poezje zebrane] of 1971, with the German Renaissance painter Matthias Grünewald’s Isenheim Altarpiece. The retable in Różewicz’s poem is read in two ways. On the one hand, being characteristic of German art, the poem is interpreted in a broadly German context. On the other hand, Różewicz’s return in “Róża” to the “German thread” – a major theme in his oeuvre – does not cancel out the existential significance of his confrontation with the medieval masterpiece. Szewczyk-Haake consequently suggests that Różewicz juxtaposes two ways of understanding the relationship between the work of art and its audience. According to the first, interpretation hinges on a range of key reception experiences; according to the second, interpretation is based on aesthetic experience, beyond time.

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Emancypacyjna obietnica posthumanizmu

Emancypacyjna obietnica posthumanizmu

Author(s): Joanna Bednarek / Language(s): Polish Issue: 14/2014

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Experiment with Digital Technology in Arts and Culture, the Case of Latvia

Experiment with Digital Technology in Arts and Culture, the Case of Latvia

Author(s): Gita Senka / Language(s): English Issue: VI/2016

Accessibility of Latvian cultural heritage to the public via digital environment is a major challenge for the cultural sector, where the priorities are effective digital stock management and long-term preservation of the cultural content, ensuring widespread online availability. Current situation with availability of Latvian cultural content and services in the digital environment does not contribute to the appropriate cultural institutions’ activities within information society conditions. In order to solve the situation, there are several successful projects, which can be taken as a basis and best practice tools for further digitization process, where the main challenges are copyright issues, technological follow-up and development of user-attractive digital products for all audiences, particularly educational and science sector.

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Visőes De Além-Mar: A compreensăo das identidades culturais latino-american e brasileira pela literatura e pelo teatro

Visőes De Além-Mar: A compreensăo das identidades culturais latino-american e brasileira pela literatura e pelo teatro

Author(s): Elizabete Sanches Rocha / Language(s): Portuguese Issue: 1/2016

In order to fully understand the complexity of the paths of Latin American (post-Columbian) identity formation—a process born out of the first violent encounter with the European Other—it is indispensable to resort to mythologized narratives of origin, most of which are linked to the mysterious, enchanting sea. Such myths have always been the source of inspiration: they would feed the imaginations of those who, well aware of the hazards, would still choose to face the challenge of the sea in order to conquer new lands in search of new treasures. Literature evokes an important reflection about the Latin American identity. Among others, it reveals the importance—and persistence—of the discourse of the ‘subaltern’. Fostered throughout centuries, the ‘subaltern’s’ perseverance manifests itself even today in the unequal relations between the countries of the North and those of the South. Calabar, a drama by Chico Buarque and Ruy Guerra.s, is an example of an aesthetic enterprise to photograph Brazil through the lense of the new conquests: the dictatorship of the Civil-Military Regime of 1964 in Brazil and of the cultural and political dominance of the US over Latin America. The text of the play reveals historical entanglements dating back to the colonial origins of the dominant paradigm of exploitation and thereto related political and cultural scripts. This article attempts to examine the contribution of literary fiction to the process of reflection over the confrontation between the Self and the Other with the ocean as the in-between-space of cultural encounters and dis-counters.

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Fenomenologia ucha
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Fenomenologia ucha

Author(s): Jakub Momro / Language(s): Polish Issue: 5/2015

This article offers an introduction to cultural aspects of listening and hearing, voice, as well as the modern and contemporary soundscape. As an alternative to the visual paradigm, Momro outlines a cognitive paradigm based on the voice and sound. He also foregrounds these aspects in theoretical writings that focus on the soundscape of human experience.

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Malowniczość pejzażu dźwiękowego. O pewnym aspekcie estetycznego doświadczenia audiosfery
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Malowniczość pejzażu dźwiękowego. O pewnym aspekcie estetycznego doświadczenia audiosfery

Author(s): Robert Losiak / Language(s): Polish Issue: 5/2015

In this article Losiak juxtaposes the reception of the soundscape with the aesthetic category of the picturesque. He outlines the concept of the soundscape, emphasizing its rootedness in the tradition of R. Murray Schafer’s acoustic ecology. He also relates the problem of the soundscape to the category of landscape and its interpretation in cultural studies. He points to the meaning of the aesthetic experience in relation to the soundscape, referring to the question of sensual perception as well as to aesthetic values. The neglected category of picturesqueness, Losiak concludes, is particularly useful in the aesthetic analysis of the soundscape, as it allows us to interpret our experience of a landscape within as well as outside of aesthetic contexts.

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Głośna poezja. Uważne słuchanie w badaniach literackich
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Głośna poezja. Uważne słuchanie w badaniach literackich

Author(s): Aleksandra Kremer / Language(s): Polish Issue: 5/2015

Kremer raises the problem of voice in poetry. Engaging with research on the poet’s voice as it is encoded in texts, she discusses traditional studies of recitation, treated as an art that is separate from poetry. She also presents more recent scholarship on performance poetry and analyses well-known recordings of twentieth-century poetry performed by its authors. Drawing on instances of phonetic, sound, and performance poetry together with poetry readings, Kremer points to hitherto overlooked spoken versions of Polish poems. Finally, she examines the category of voice as an object of research and proposes a method of close listening.

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Ziarno głosu
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Ziarno głosu

Author(s): Roland Barthes / Language(s): Polish Issue: 5/2015

This essay deals with the relationship between language and the voice in contemporary theory and musical performance practice. Building on Julia Kristeva’s work, Barthes makes a distinction between the phenotext and the genotext. The first denotes the dominant scheme of performing and listening to music, while the second, postulated by Barthes, covers all those elements of both musical and broadly acoustic experiences – elements that are not subject to the laws of representation but to those of jouissance. In order to conceptualise this experience, the author introduces the notion of the ‘grain of the voice’: it allows us to describe the subjective experience of aural perception.

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Odwrót bohaterów. Śmierć syjonistycznego mitu Masady w filmie Twierdza Beaufort Josepha Cedara

Odwrót bohaterów. Śmierć syjonistycznego mitu Masady w filmie Twierdza Beaufort Josepha Cedara

Author(s): Maciej Pietrzak / Language(s): Polish Issue: 26/2015

Masada is an ancient fortress, which during The First Jewish–Roman War (66–73 CE) served as a refuge for the last bastion of Jewish resistance. In the first half of the twentieth century, the history of the Masada’s defenders was absorbed by the Zionist movement and transformed into a vital national myth, which became an important element of the identity and culture of future Israelis. The main purpose of this article is to show the deconstruction of the Masada mythical narrative made by Israeli director Joseph Cedar in his movie Beaufort.

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On sexuality, carnality and desire: philosophical reflections on the film The Monk

On sexuality, carnality and desire: philosophical reflections on the film The Monk

Author(s): Natalia Anna Michna,Dominika Czakon,Paulina Tendera / Language(s): English Issue: 2/2015

The eighteenth‑century English writer matthew Gregory Lewis wrote one of the most dramatic Gothic novels, The Monk; over 200 years later, a film of the same name appeared, based on the novel and directed by dominik Moll. The film, a free adaptation of the book, presenting the story of the moral downfall of the monk Ambrosio, has inspired us to philosophical re‑flections on sexuality, carnality and physical desire. In the context of these issues we have attempted to analyse and interpret this cinematic work of art. The method we have adopted is based on a thorough discussion on the topics developed in the film and related issues. This method, while not pre‑tending to scientific objectivity, enables us to outline an interesting field of research as well as to identify a number of theoretical problems and ques‑tions which remain open.The formula we have adopted is to quote lines from the film The Monk which permit the analysis of selected issues related to sexuality, carnality and physical desire. Moreover, these quotes serve to order the text and en‑able the precise identification of interpretive trains of thought.

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XVI–XVIII a. religiniai paminklai LDK: dokumentų liudijimai, paminklų funkcijos ir paplitimas

XVI–XVIII a. religiniai paminklai LDK: dokumentų liudijimai, paminklų funkcijos ir paplitimas

Author(s): Gabija Surdokaitė / Language(s): Lithuanian Issue: 1/2015

The phenomenon of building crosses in the Grand Duchy of Lithuania in the 16th–18th centuries was characteristic of the entire Catholic world. One can assert that already in the 16th century, crosses were built at waysides and homesteads in the entire territory of Lithuania. They were important landmarks of local topography and were used to mark the land boundaries.In the 16th century, the majority of crosses were mentioned as the landmarks of domains. In the 16th–17th centuries, the boundary between crosses as landmarks in towns and crosses at waysides were very delicate. Therefore, strict differentiation of functions and typology of crosses is not possible, except where crosses were built on piles of ground as landmarks in fields. Detailed descriptions of churches of the 16th century have not survived (or have not been found yet). Therefore, final conclusions cannot be drawn about erection or not erection of crosses in the cemeteries and churchyards which belong exclusively to the activity field of the parson of the parish church.In the first half of the 17th century, the spread of crosses in the landscape of the Grand Duchy of Lithuania was related with the teaching of the Post-Trent Church. In that period, crosses began to be erected in large numbers at churchyards, cemeteries, homesteads, waysides as tokens of memory and on other occasions. In the second half of the 17th century, a cross became a customary attribute in a place of residence or on a trip. Today, we can already speak about the piety to the redemptive suffering of Christ that was established in the religious consciousness of all believers (Catholics). Like in the entire Catholic world, in the Grand Duchy of Lithuania crosses at cemeteries, homesteads, and waysides as well as commemorative, plague, and mission crosses began to be erected in the 16th–18th centuries.Sparse schematic markings of crosses on the maps of land domains and more extensive descriptions allow us to state that sacral monuments of different forms existed already in the 17th–18th century. Roofed pillar-type crosses (stogastulpiai), roofed crosses, shrines on the pillars, columns with statues of saints, and small wayside shrines (koplytėlės) in trees, etc. were built, but there are no data about the spread and distribution of concrete types of religious monuments. In the 18th century, crosses with sculptures of the Crucified with attached shrines containing figures of other holy persons were built in the Grand Duchy of Lithuania. According to the 18th century descriptions from the Grand Duchy of Lithuania, there was a widespread custom to build wayside shrines on the ground.A description of Samogitian crosses published by Aubrey de la Motraye in 1732 allows us to draw a conclusion about a deep-rooted folk piety. According to analogies of the 19th century, small wayside shrines and statues of saints mentioned by this Frenchman could be attributed to the sacral folk sculpture, about the existence of which we do not have any more reliable and comprehensive sources. The majority of the traditions related to the building, functions, and intentions of crosses formed and took root in the 17th century. The role and meaning of the custom of keeping crosses and images of holy persons in the daily living environment, recorded by ethnographers, ethnologists and researchers of folk art in the first half of the 20th century and even in the early 21st century, formed as early as in the 17th century and hardly changed in later times. From the first half of the 17th century, sculptures in churches of the Grand Duchy of Lithuania started to be dressed with fabric clothes. In the first half of the 18th century, this tradition took deep root in the folk culture. In the 18th century, a tradition characteristic of the catholic world to decorate the crosses with flowers and other plants became widely spread in the Grand Duchy of Lithuania.

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Modernaus būsto idėja tarpukario Lietuvoje: tarp funkcionalizmo ir tautinio romantizmo

Modernaus būsto idėja tarpukario Lietuvoje: tarp funkcionalizmo ir tautinio romantizmo

Author(s): Lijana Šatavičiūtė / Language(s): Lithuanian Issue: 4/2011

In the current article, the living interiors of interwar Lithuania are discussed from the aspect of the relation between modern and conservative tendencies. The author seeks to reveal the discourse of the modernistic thought and find out how the new aesthetics was put into practice in a living space. Modernist propaganda in interior furnishing began to manifest itself in the 1920s and gained momentum in the 1930s, with the acceleration of the processes of the society’s modernization, the growth of cities, and the merging of traditional lifestyle with new forms of daily life. Modern culture in Lithuania was associated with progress and renewal. It was directed not only to introducing innovatory aesthetics, but also to overcoming backwardness. Lithuanian citizens were acquainted with the main features of modern architecture on the popular level. The authors of the articles ( Juozas Valentukonis, Mikalojus Vorobjovas, Halina Kairiūkštytė-Jacinienė) that appeared at that time were advanced specialists in their fields, well aware of the importance of the culture of daily life in forming a conscious society. However, the publications lacked deeper theoretical insights, and methodical advice based on practical logic – how to build and furnish a house in a more economical, simple and sanitary way – prevailed. With the aim to consolidate the professionalism of craftsmen, schools and courses of fine crafts were established. One of the important centres of training was the Evening Courses for Decorators established by the Ministry of Education in Kaunas in 1932, in which the creative abilities of apartment decorators were trained, their interests were expanded, and their taste was developed. An innovatory environment took root in Lithuania under the impact of local needs and traditions. Although the tendencies of functionalism and rationalism were reflected in interior furnishing, the conservativeness of the citizens, the limited financial possibilities of the state and individuals, the restrained attitude to the new aesthetics, and possibly the ideal of a cosy home became a hindrance to the radical development of innovations. The understanding of contemporariness did not clash with the traditional aesthetic norms and national features, which were adapted in the conditions of a new era.

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Обновяване на традиционния тамбурджийски стил в индивидуалното изпълнителство
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Обновяване на традиционния тамбурджийски стил в индивидуалното изпълнителство

Author(s): Petyo Krastev / Language(s): Bulgarian Issue: 2/2016

The traditional tamboura performance style is part of the folk culture in Southwestern Bulgaria, as well as in the region of Velingrad. Its being is deeply connected with the characteristics of the musical dialects of the region. Preserved to the present days, its existence is overwhelmingly based on the interaction with modern mandolin and relies on the combining of traditional techniques with new instrumental tools. The article traces the changes and novelties of the traditional style as well as its basic parameters: bourdon playing, specifics in breaking note durations, rhythmic patterns, ornaments, sound lines, morphology and functions of the instrument as accompanying mostly male solo singing. The complex relationships and routines are followed on the basis of the individual way of playing of the musician.

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Ekslibrisas kaip kultūros paveldas ir jo sklaida Šiauliuose: nuo Mokytojų seminarijos iki Šiaulių universiteto (1924- 2014)

Author(s): Vaidotas Janulis,Jonas Nekrašius / Language(s): Lithuanian Issue: 22/2015

The article discusses the notion of ex libris and their dissemination in Šiauliai and Šiauliai University, the first ex libris in Lithuania, the activity of their collectors and the first creators in Šiauliai, Artist Gerardas Bagdonavičius, a creator, promoter of ex libris and a pedagogue, artists’ exhibitions, competitions, awards.

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Tėvų požiūris į ankstyvąjį vaikų muzikinį ugdymą

Author(s): Angelė Kavaliauskienė,Audra Petkutė-Savickienė / Language(s): Lithuanian Issue: 23/2015

The article deals with the characteristics of music education of early age children , music education programmes as well as pedagogue's and parents' roles in music education of early age children. Also, the influence of early music education on children's behaviour is described , changes in children's abilities underwent during music classes, the influence of sensing musical rhythm and focusing of attention on early age children's behaviour are presented.Research results on parents' attitudes towards music education of early age children, its impact on infants' behaviour and further developement are introduced.

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Предмети на културата (музикални инструменти) и музиката в Библията. Към въпроса за музикалността на поетическото слово, за химнографията и лириката на Николай Лилиев

Предмети на културата (музикални инструменти) и музиката в Библията. Към въпроса за музикалността на поетическото слово, за химнографията и лириката на Николай Лилиев

Author(s): Galia Simeonova-Konach / Language(s): Bulgarian Issue: 16/2016

The present paper is dedicated to the symbols of musical culture in semiotic and cultural discourse, as reflected by the category “cultural artefacts” (musical instruments) in the Bible. At the same time, it is as an attempt to demonstrate the literary critical and musicological potential of the problem. The category “musical instruments” in biblical texts has been discussed in a historical perspective. Another issue analysed in the paper are the rhythmic and metric structures of Byzantine and Bulgarian hymnography. Both these questions are viewed from the perspective of musical and poetical homology in Bulgarian symbolist poetry, specifically in the lyric poetry of Nikolay Liliev, and of the connections of Orthodox hymnography with broadly understood musicality of poetry.

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Organizacja i działalność merytoryczna innowacji edukacyjnych wprowadzanych w szkolnictwie wyższym na przykładzie Big-bandu UAM WPA w Kaliszu

Organizacja i działalność merytoryczna innowacji edukacyjnych wprowadzanych w szkolnictwie wyższym na przykładzie Big-bandu UAM WPA w Kaliszu

Author(s): Mirosław Kordowski / Language(s): Polish Issue: 17/2015

The present publication consists of a number of sections presenting challenges in the field of educational innovations regarding the context, continuity and changes in academic education as evidenced by the example of UAM WPA (Adam Mickiewicz University, the Faculty of teaching and Art) Big-band in Kalisz. The first section of this publication presents big-bands as a form of musical ensemble with instruments in use. In accordance with the preliminary assumptions, modelled on the history of establishing big-bands, the subsequent section deals with the creation of UAM WPA Big-band in Kalisz. The final section of this publication presents students’ opinion on the activities of the band. It is a favourable opinion supported, for example, by the fact that students from other departments of the faculty are willing to join the band. Finally, the publication presents a number of conclusions prepared by the author.

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КОММУНАЛЬНАЯ КВАРТИРА В СОВЕТСКИХ КИНОФИЛЬМАХ И АНЕКДОТАХ: ПОПЫТКА ОБЪЕМНОГО ПОРТРЕТА

КОММУНАЛЬНАЯ КВАРТИРА В СОВЕТСКИХ КИНОФИЛЬМАХ И АНЕКДОТАХ: ПОПЫТКА ОБЪЕМНОГО ПОРТРЕТА

Author(s): M.V. Vorobyova / Language(s): Russian Issue: 2/2015

Correlation of communal apartment images in Soviet films and anecdotes is considered as a basis for categorization of communal everyday life, interpersonal relations of neighbours and communal psychology. An integrated image is developed on the basis of the analysis of similarities and differences of images from different sources.

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