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Аргументи относно подбора на музикални теми за груповите кардио-тренировки в часовете по спорт в Нов български университет

Author(s): Violeta Glogova / Language(s): English,Bulgarian Issue: 17/2023

The study was carried out in the period 2017-2022 among the first-year students attending the Aerobics discipline at New Bulgarian University (NBU). A quantitative evaluation (based on visual measurements) was carried out by the teacher during the classes according to the following criteria: changes in the quality (purity) of the performed exercises, changes in the volume of repetitions, changes in motivation in different musical schemes where the tempo is decisive. The main arguments for the selection of musical themes for cardio training in physical education classes at NBU are: selection of a playlist with an optimal overall tempo for the whole class (moderate – medium moderate – fast – medium moderate – slow), emphasis on more melodic songs; selection of current hits with a preference for the „Latin“ style, selection of songs and melodies with a strong associative context, i.e. works related to the personal experience of the participant.

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Детският фолклор и мястото му в календарните празници на българите

Author(s): Margarita Krusteva-Stoichevska / Language(s): English,Bulgarian Issue: 17/2023

In recent years, various folklore formats have been organized in all regions of the country. A large percentage of the study. Here I will focus on how the concept of age is defined in the Bulgarian folklore tradition. Customs in which children take an active part and what this entails will be examined. Knowledge of the tradition is extremely important in order for children to gain a real insight into the past and what their role is in the traditional folklore calendar. I will also point out some short rules that may be useful when gathering information from the leaders of the different groups.

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Marea Psaltire a Mitropolitului Anastasie Crimca (nr. 109) de la Moscova

Author(s): George V. Palade / Language(s): Romanian Issue: 2/2022

This study continues the description of Metropolitan Anastasie Crimca’s already-published 17th-century Slavic-Romanian manuscripts. The presentation of these manuscripts – now kept at the State Library of the Moscow Historical Museum – help us better understand the richness of this bishop’s scholarly activity and the activity of the Moldavian Scriptorium at the beginning of the 17th century. Created for Dragomirna Monastery, this liturgical book is described and analyzed in all its details.

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Правда факта или правда искусства? О некоторых речевых средствах современного российского кинематографа

Author(s): Natalie Rajnochová / Language(s): Russian Issue: 2/2024

The article analyzes Russian etiquette expressions (greetings, invitations, consents, apologies, thanks, etc.) used in Russian television series of recent decades. For the first time the factual material of three films is considered in detail: “Liquidation” (2007), “Alexander Garden” (2005) and “Black Wolves” (2017). It is shown that screenwriters and directors allow the use of modern (latest) lexical units in films showing the history of the Soviet Union in the 1920s–1950s. These are expressions like Проехали! and idioms like Интересное кино! Such an anachronism is explained, in particular, by the genre properties of films: they combine the features of action films, detective stories and melodramas. Although these facts are a violation of historical reality, they can be justified by the desire to bring the situations of recent history closer to the modern viewer.

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Радмила Стојановић, Озренка Бјелобрк Бабић (2023): Универзитетски уџбеник вокално-инструменталне наставе/музике.

Author(s): Alma H. Trtovac Dedeić / Language(s): Serbian Issue: 1/2024

Review of: Радмила Стојановић, Озренка Бјелобрк Бабић (2023): Универзитетски уџбеник вокално-инструменталне наставе/музике. Бања Лука: Филозофски факултет Универзитета у Бањој Луци и Арт Сцена д. о. о., стр. 194.

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За вербалната интерпретация на музикалните творби

Author(s): Stefan P. Ruskov,Yanna P. Ruskova / Language(s): Bulgarian Issue: 1/2023

The article reveals meaningful forms of work for verbal interpretation when working with musical works - for students, for children and schoolchildren.

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Топосът време в романите „Супергерои“ и „Първият ден от моя живот“ и техните филмови адаптации

Author(s): Orieta Antova / Language(s): Bulgarian Issue: 31/2023

The development looks at time as an element of Paolo Genovese’s stylistics in the books “Super Heroes” and “The First Day of My Life” and their film adaptations. A parallel is drawn between its fictional and cinematic representation.

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Траур и меланхолия по ирландски във филма „Баншите от Инишерин“ на Мартин Макдона

Author(s): Dimitar Radev / Language(s): Bulgarian Issue: 31/2023

Adhering to Roland Barthes’ thesis that watching a film is an entirely projective activity and a key to the darkest forces in the viewer, I decided to put together the puzzle of melancholy and mourning in the film “The Banshees of Inisherin” by the director and screenwriter Martin McDonough. This surreal picture that emerged is a collection of pieces from the Irish filmmaker’s previous four films, as well as an update of his own dramaturgical canon, which shape his specific language and culture of communication.

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„Режисьорът се нуждае, ние пишем“ (Реконструкции на тема Тарковски и Братя Стругацки)

Author(s): Galina Georgieva / Language(s): Bulgarian Issue: 31/2023

The text traces the difficult process of creating the film “Stalker” from the point of view of the creative searches of its director Andrei Tarkovsky and the transformations that he and the screenwriters of the film, the Strugatsky brothers, went through. This process is interesting, as through it one can trace the attitude of Tarkovsky and the change of the material from the story “Picnic by the road”. The present text starts from the differences between the main characters in the story and the film, from the different points of departure on which they lean, to defend the thesis that the image of the Stalker from the film is contained in the image of Redrir Schuhart from the novel and can be spoken of evolutionary development of one image into another. The end of the text offers a commentary on the story in the context of today’s political situation in the territory of the former Soviet Union.

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„Зов за завръщане“ към „Спомени на едро“: Употреби на паметта при Филип К. Дик, Пол Верховен и Лен Уайзман

Author(s): Nikolay Genov / Language(s): Bulgarian Issue: 31/2023

The current article aims to extend Alison Landsberg’s analysis of the movie “Total Recall” by confronting her position with the arguments made by its literary source while extending her observation to Len Wiseman’s remake of the same name. The comparative reading of the three works of fiction should shed further light on the role of synthetic memory and its actual relation to authenticity.

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Белият шум на културата

Author(s): Kristina Yordanova / Language(s): Bulgarian Issue: 31/2023

The text draws a comparison between Don DeLillo’s novel “White Noise” and Noah Baumbach’s film of the same name. The analysis places an emphasis on the divergence of temporal structures in the film and in the novel, on the different interpretations of cultural signs in them and on the unequal communication of the two works with non-fictional reality. If Don DeLillo’s novel “White Noise” is read as a critique of culture and has a dystopian perspective, Baumbach’s film is focused on the subject’s experience and increasingly looks like a mirror of today’s reality.

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„Заспиването е събуждане“. Анализ на романа „Спящият човек“ на Жорж Перек и едноименния филм – адаптация

Author(s): Vladimir Davchev / Language(s): Bulgarian Issue: 31/2023

The novel „The Sleeping Man” is a novel about a person, about a new world in the world. A story that reveals a life while hiding it. A series of emotionless emotions that confuse, soothe, sometimes tense, then smile and sadden all at the same time. An endless spiral that leads backwards, forwards, nowhere and everywhere at the same time. Yes, the Sleeping man is awake.

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Маскулинността в постколониална перспектива (Върху филма “Beau travail” на Клер Дени)

Author(s): Andrey Ivanov / Language(s): Bulgarian Issue: 31/2023

The article focuses on the representations of masculinity in the film “Beau travail” (France, 1999), directed by Claire Denis, with a special attention to the male body as a pivotal element of the film’s imagery. The analysis aims to explore masculinity, taking into account the postcolonial condition, which implies a substantial reconfiguration of gender roles within a new geopolitical and axiological paradigm.

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Употребата на технически образи в книгите на Ани Ерно

Author(s): Stefan Goncharov / Language(s): Bulgarian Issue: 31/2023

This article analyzes Nobel laureate Annie Ernaux’s oeuvre in light of her “novelistic” film essay – “The super 8 years” (directed together with her son, David Ernaux-Briot). Following a close reading of the movie’s structure and themes the text tries to demonstrate how certain cinematic techniques (like montage) shape Ernaux’s approach to literature. Through dissecting the author’s “flat writing” style in terms of technical images, the article tries to define the contemporary aesthetic of literary works which exist on the boundary between literature and cinema. The aim is to offer a productive way of defining how the two mediums can complement each other – how images can enable the use of language and how language can make sense of images.

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Епос по сталински. Екранизацията на „Под игото“ от 1952 г.

Author(s): Boyko Penchev / Language(s): Bulgarian Issue: 31/2023

The article examines the adaptation of the novel “Under the Yoke” from 1952 as a paradigmatic example of the transformation of the literary source, subjected to the ideological dictates of the era of Bulgarian Stalinism. It traces the application of the Theses of the Screenplay Commission from 1949 by the creators of the film, paying attention to the main points where Vazov’s novel had to be “straightened,” i.e., altered at the level of the plot and dialogue: the class origin of the characters, the presentation of the revolutionary organization, and the attitude towards Russia. Special attention is given to the elimination of the comic-carnival layer in the novel and the foregrounding of the “rural” through the character of Borimechkata. The article also explores the analogies between the “straightening” of Vazov’s novel in the era of Stalinism and the criticisms of the novel by authors such as Vasil Baldzhiev and Iliya Milarov at the end of the 19th century.

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Мелодия за (кози) рог и (балкански) оркестър

Author(s): Lyudmil Dimitrov / Language(s): Bulgarian Issue: 31/2023

The article examines the South Slavic reception of two Bulgarian films made before and after the fall of the Berlin Wall, respectively. We are referring to the emblematic film for Bulgarian cinema “The Goat’s Horn” by the director Metodi Andonov (1972) and the quasi-documentary “Whose is this song?” by the director Adela Peeva (2003). Through a survey among Slovenian students, it is understood what the thinking is about the Bulgarian identity, stereotypes (negative and positive), the male-female worldview. Is the integration of the Balkan peoples possible, although not – what prevents us from getting to know each other better and more closely? What is causing the peninsula’s existential crises?

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Жени на екрана: филмовата адаптация като идея и идеология

Author(s): Polina Penkova / Language(s): Bulgarian Issue: 31/2023

The text examines the phenomenon of film adaptation of a literary text as a recontextualization and readaptation of idea concepts that transforms the original piece of work. The adaptation is analyzed by its property to change the existing dominant ideas, thus becoming a tool for reconceptualization and even ideological redaction. This property is depicted by examining adaptations of literary works that challenge the perceptions of women: “Eva on the third floor” (1982) by Darina Gerova and “Seven Angry Women” (1999) by Mariya Stankova. The analyses of the films demonstrates the changes that apply after the bending of a text in favor of some kind of concept or ideology is done.

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Автофикцията в литературата и киното като терапия

Author(s): Viktoria Viktorova / Language(s): Bulgarian Issue: 31/2023

In recent years autofiction is a concept that has become increasingly popular in literary texts and documentaries. The article examines the interrelationships and interdependence between fact and fiction in the two arts through the desire to search and find the truth in Milena Makarius’ novel “Dossier: Janna” and the film “I See Red People” directed by Bozhina Panayotova, who is the writer’s daughter. Through personal discourse, personal, family and collective crises are revealed, but unconscious psychotraumas are also treated.

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Мотивацията – посока или път

Author(s): Mariya Stoimenova / Language(s): Bulgarian Issue: 1/2023

The article gives a vision to motivation for being music teacher in time of variable work, social and living environment.

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Приложението на италианския метод на вокализация при изпълнение на китайски песни

Author(s): Ming Xin Zhang / Language(s): Bulgarian Issue: 1/2023

Thanks to my many years of practice, as well as extensive research, analysis, induction and comparison, I have come to the conclusion that Pinyin is the bridge between Chinese and Italian. As the two languages have many similarities, we can use the Italian scientific method of singing to sing in Chinese as well, using pinyin according to the melody. This article discusses the origins of consonants in the Chinese Pinyin and Italian alphabets, and many of the consonant pronunciation positions, pronunciation methods, and production sounds that are often the same or similar.

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