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Review of: Dan Alexe, Babel. La început a fost Cuvântul, Humanitas, 2022.
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Review of: Adriana Babeți (coordonator), Dicționarul romanului central-european din secolul XX. Ediție îngrijită de Oana Fotache, Iași, Polirom, 2022.
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Review of: Gabriel Chifu, Marea carte a uitării, Editura „Cartea Românească”, 2022.
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Review of: Ioan Stanomir, Mama. Un jurnal al dragostei si al despartirii, Humanitas, 2022.
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Review of: Mircea Anghelescu, Literatura între două lumi. Cronici, eseuri, dialoguri. Editura Spandugino, București, 2022, 621 p.
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Review of: Robert Șerban, Învederatul. Poeme alese 1994-20221, Editura Cartier, Chișinău, 2022, 255 p. Sonia Elvireanu, Însoriri în sâmburele liniștii, Editura Ars Longa, Iași, 2022, 162 p.
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Review of: Ioan Chirilă (ed.), Enciclopedia imaginariilor din România. IV: Imaginar religios/ The Encyclopaedia of the Imaginary from Romanian Space. IV: Religious Imaginary. Iași: Polirom, 2020
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IN ADDITION TO THE ATTRACTION FOR THE NATURAL SETTING, THE ARTISTIC EXPRESSIVENESS, THE STRONG AND DETAILED VISION OF THINGS THAT STRIKES AT FIRST SIGHT, ARE SOME OF THE MOST IMPORTANT AND PERSONAL ACCENTS OF GALA GALACTION’S WRITINGS. ADMIRABLE NARRATOR OF MOUNTAIN LANDS, LOVER OF PURE AND WILD NATURE, GALA GALACTION, MANAGE TO TRANSPOSE US INTO A NON-ANTHROPIC SETTING WITH TASTY RUSTIC CONDITIONS. THE ACTUAL CHAIN OF EVENTS IN HISTORY, OR BETTER SAID, THE UNFOLDING OF HISTORY ITSELF, SERVED AS INSPIRATION FOR THE WRITINGS IN OUR LITERATURE, GALA GALACTION BEING ONE OF THE AUTHORS WHO CAPTURE IN THEIR WRITINGS, EPISODES FROM THE HISTORY OF OUR COUNTRY
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The first chapter of a memoriaiistic book, intitled ”The Nostalgia of Moldavia” by Romanian writer, Gabriela Adameșteanu.
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Three texts, from three novels in work, written by Angela Martin, Lidia Vianu și Călin Vlasie.
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Review of: Gabriela Adameșteanu, Voci la distanță, Polirom, 2022.
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This section of the issue contains several texts about the personality and critical work of Eugen Negrici.
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Poems by: Arcadie Suceveanu: "O viziune pe Podul Mirabeau", "Pipa lui Franz Josef (Alte viziuni la Cernăuți)", "Fotograme Amintirii lui Nicolae Răileanu", "Zeu transparent, zeu de aer". Eugen Bunaru - "Epistolă, În amintirea poetului Ioan Crăciun", "Instantanee (lumi paralele)". Mihai Ignat - "Poeme noi".
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Re-reading of the poem from de beginning of the issue, in the vision of Lucian Perța.
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Ever since its first representation on stage, Ionesco's play Rhinoceros became a mirror to the anxieties haunting the societies that it was held up to. Back in the 1960s, it would symbolize (Neo-)Fascism and Far-Right dangers in the Western countries, while subversively pointing at Communism and Far-Left ideologies in the Central-East European cultures. The text's versatility was highly praised by the literary and theatrical criticism, and allowed for its re-enactment in shows and films produced over the globe, in the most diverse social-political contexts. This study aims to revisit some of the first play stagings from the current perspective of post-theatre, pointing out how the early post-War productions are contributing to rewriting of the performative code in the language of posthumanism and post-drama.
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