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Mádlová, Claire, Píša, Petr a Wögerbauer, Michael. Buchwesen in Böhmen 1749-1848: kommentiertes Verzeichnis der Drucker, Buchhändler, Buchbinder, Kupfer- und Steindrucker. Wiesbaden: Harrassowitz, 2019. xxiv, 508 stran. Buchforschung: Beiträge zum Buchwesen in Österreich, Band 11. ISBN 978-3-447-11297-0.
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Ripellino, Angelo Maria. Dějiny současné české poezie. Vydání první. Praha: Filozofická fakulta Univerzity Karlovy, 2019. 233 stran. Mnemosyne; 20. svazek. ISBN 978-80-7308-890-3.
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Urbanová, Svatava. S holokaustem za zády: téma holokaustu v české a překladové literatuře pro děti a mládež vydávané po roce 1989. Vydání první. Ostrava: Ostravská univerzita, 2018. 323 stran. ISBN 978-80-7464-992-9.
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Bažant, Vojtěch, ed. a Šorm, Martin, ed. Hranice smíchu: komika a vážnost ve středověké Evropě. Vydání první. Praha: NLN, s.r.o., 2019. 449 stran. ISBN 978-80-7422-716-5.
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Mádlová, Claire, Wögerbauer, Michael a Píša, Petr. Na cestě k "výborně zřízenému knihkupectví": protagonisté, podniky a sítě knižního trhu v Čechách (1749-1848). Vydání první. Praha: Academia, 2019. 383 stran. Knižní kultura; svazek 1. ISBN 978-80-200-3054-2.
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In the history of the European avant-garde, zone compositions have appeared along the seams between entities. Likewise Czech avant-gardists saw Apollinaire’s Zone as a poem of transition, and it is essential to identify whence and whither, and to subsequently correct the established explanation of the Czech historical avantgarde’s attitude towards memory and the past. The early Czech avant-garde saw itself as a movement without a history, emerging from point zero, but zone compositions are substantially oriented towards the past. Memory, past and myth form an integral part of zone compositions — the forms of the modern-age epic. Within the context of the long compositions of European modernism, this study analyses Czech zone compositions as a special form of the epic, as an alternative pole of the Czech historical avant-garde.
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Hrdlička, Josef. Poezie v exilu: čeští básníci za studené války a západní básnická tradice. Praha: Univerzita Karlova, nakladatelství Karolinum, 2020. 288 stran. Studia poetica. ISBN 978-80-246-4671-8.
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Jan Malura — Jakub Ivánek: Horo krásná, spanilá! Poutní písně na Moravě (1600–1850). Brno, Host 2019. 655 stran.
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Veselá, Gabriela. Česko-německá literární křižovatka: kapitoly k dějinám literatury a překladu. Vydání první. Praha: Univerzita Karlova, nakladatelství Karolinum, 2020. 647 stran. ISBN 978-80-246-4129-4.
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The aim of this text is to create the preconditions for systematic research into the progress of autonomization of art within Czech culture. Specialist literature for the most part reflects the results of this process, which were striking during the time that modern trends were emerging in the 1890s, but the actual course of the autonomization process particularly from the 1860s to the 1880s has not yet been examined in any detail. After defining the concept of the autonomization of art, the author of the article refers to sociological and literary history research into this issue in the French milieu (Pierre Bourdieu and Michael Einfalt), and in this connection he focuses attention on criticism as a source that is obviously of key importance in acquiring a knowledge of the historical course of the autonomization of Czech literature.
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This paper contains the book review of: Petrbok, Václav, ed. et al. Jak psát transkulturní literární dějiny?. Vydání první. Praha: Ústav pro českou literaturu AV ČR, v.v.i. ve spolupráci s nakladatelstvím Filip Tomáš - Akropolis, 2019. 286 stran. ISBN 978-80-88069-92-8.
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This aper contains following book review: Heller, Jan M. Obraz druhého v českém cestopise 19. století. Vydání: 1. Praha: Fakulta humanitních studií Univerzity Karlovy, 2020. 262 stran. ISBN 978-80-7571-048-2.
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This paper contains following book review: Pleskač, Karel J. Život na Měsíci: fantastický obraz. Praha: Univerzita Karlova, Filozofická fakulta, 2019. 187 stran. Limbus; 1. svazek. ISBN 978-80-7308-934-4.
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The aim of the study is to cast doubt on the exposition of the second quarter of the seventeenth century as a time when emigration deprived the Czech lands of readers with higher literary requirements. Proof of this thesis includes the artistic and literary activities of the Prague Monastery of the Barefoot Augustinians at Zderaz, especially a book about St. Wenceslas, published in Czech (1643), German (1643), and Latin (1644). Addressing the question of the adequate narrative representation of the past, the book adopts an even-handed position on the visual and textual components. Moreover, every part of the three-part structured chapters calls for different modes of reception. A more proficient reading literacy is also required.
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This paper aims to show how two contemporary Czech postmodern writers deal with the fictional renarration of the Libuše myth. Pole a palisáda (The Field and the Palisade, 2006) by Miloš Urban brings forth a traditional conception of the story of the princess who found herself a husband; however, the novella also uses some present-day writing techniques. Vilma Kadlečková wrote her story O snovačce a přemyslovi (The Weaver and the Premeditator, 2007 and 2015) as an answer to Urban’s adaptation and offers a completely different approach, setting the story in the near future and reversing many of its elements. Whereas Urban’s text is essentialist in nature, using ideas such as the rigid positions of the genders and an anthropocentric view of nature as its cornerstones, Kadlečková presents a work of fiction rooted in the postmodern and poststructuralist notion of social constructivism — her novella works with the idea of reality being shaped by what society believes in.
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The aim of this study is to set out a relevant contextual framework for interpreting poetry published on (Czech) Instagram. The author looks at the material under study from a number of perspectives, including generational, economic and especially media perspectives, ultimately finding adequate contextualization outside the framework of literary discourse and actually within the aesthetics and communication practice of Instagram, while drawing key methodological inspiration from the reflections of new media theorist Lev Manovich. In conclusion, Instapoetry is characterized as a paraliterary phenomenon situated on the margins of the literary system, combining elements of literary and Instagram aesthetics and guided by hybrid economics principles.
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