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K ČESKO-NĚMECKÝM JAZYKOVÝM KONTAKTŮM V SOUČASNÉ ČESKÉ PRÓZE
The aim of this paper was to analyze the Czech and German language contacts in contemporary Czech prose. We focused on forms of multilingualism and how they are used in the texts. Analysis of the material ( R. Denemarková: Peníze od Hitlera; J. Vrak: Obyčejné věci a Dokonalost nože; M. Kozelka: Semeniště zmrdů a J. Rudiš: Pankáči na Baltu) showed that it is necessary to distinguish between the use of authentic German in the characterization and value function, German quotations and paraphrases with the function of ironic allusions and germanisms whose usage does not indicate national, but social affiliation. We noticed a shift from interlingual heterogeneity, in terms of the opposition between Czech and German, to introlingual heterogeneity, in terms of functional stratification of Czech, therefore the opposition of standard vs. substandard. We concluded that German cannot be identified German with „the foreign“ and the Czech with „the ours“ in language, because the border is permeable and flexible as a consequence of mutual contacts.
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The article concerns the problem of allegory in two Czech historical novels from the beginning and the end of the 60s of the twentieth century: {Kladivo na čarodějnice} by Václav Kaplický and {Tovaryšstvo ježišovo} by Jiři Šotola. Both novels are also considered to be important political ‘clearing accounts’ novels. Application of allegory as a method of reception allows us to answer the question about the participation of the reader in the setting up of allegory in the Czech prose of the twentieth century. Artykuł dotyczy problemu alegorii w dwu czeskich powieściach historycznych z początku i z końca lat 60. XX wieku: {Kladivo na čarodějnice}, Vaclava Kaplickiego i {Tovaryšstvo ježišovo} Jiřiego Sotoli. Obie powieści są uznawane także za ważne powieści rozrachunkowe. Zastosowanie alegorezy jako metody recepcji pozwala odpowiedzieć na pytanie o udział czytelnika w ustanawianiu alegorii w czeskiej prozie dwudziestowiecznej.
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Alena Fialová (ed.): V souřadnicích mnohosti. Česká literatura první dekády jednadvacátého století v souvislostech a interpretacích. Praha, Academia 2014. 817 stran.
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Aleš Haman — Dalibor Tureček et al.: Český a slovenský literární parnasismus. Synopticko-pulzační model kulturního jevu. Brno, Host 2015. 426 stran.
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Alex Goody: Technology, Literature and Culture. Cambridge, Polity Press 2011. 193 strany
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Alexander Kratochvil (ed.): Paměť a trauma pohledem humanitních věd. Komentovaná antologie. Praha, Ústav pro českou literaturu/Akropolis 2015. 341 strana.
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Alfréd A. Reisch: Horké knihy ve studené válce. Praha, Ústav pro studium totalitních režimů 2018. 456 stran.
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The main aim of the paper is to present the person of Alois Beer (1833-1897), a Czechnaive painter and writer. He was a craftsman who worked and lived in Dobruška in the northernBohemia in the second half of the 19th century. His literary and painting output contains 65notebooks with his memories and drawings describing his travels across Europe and everyday life in Dobruška. His work was discovered and recalled by Karel Michl in the 1930’s, but the important factor in its success and popularity was also the avant-garde interest in the outsider and naive art, which started in the 1920’s (in 1920 Josef Èapek published his famous essays Nejskromnìjší umìní devoted to the issue of the non-professional art). In the second half of the20th century, Alois Beer was also an inspiration for the literary character of Jára Cimrman. It isa significant fact which shows the important role of the historical and artistic exclusion in theCzech culture and Czech identity.
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Ann Komaromi: Uncensored. Samizdat Novels and the Quest for Autonomy in Soviet Dissidence. Evanston, Northwestern University Press 2015. 254 strany.
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Helena Kokešová (ed.): Politici, umělci a vědci ve veřejném prostoru na přelomu 19. a 20. století; Petr Roubal: Československé spartakiády; On Marxism from a revisionist standpoint; Deml between the (gymnastic) rings
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Vladimír Macura: Znamení zrodu a české sny (Martin Tomášek); Zuzana Zemanová: Písničky pro (ne)všední den. Písňové textyv české populární hudbě 60. let (Stefan Segi); Za Lubomírem Doleželem (Bohumil Fořt); Obhájené disertace (ed. Veronika Jáchimová); Informatorium (Iveta Mindeková)
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Jana Čeňková (ed.): Válečné dětství a mládí (1939–1945) v literatuře a publicistice (Jiří Poláček); Zemřela Jarmila Víšková (Michal Kosák — Jiří Flaišman); Informatorium (Iveta Mindeková)
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Article about conference „Soumrak tradiční společnosti. Český venkov a maloměsto na přelomu epoch“; Article about symposium „Česká literatura a kultura za protektorátu“; Article about Adolf Scherl
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Eva Štědroňová: Hledání nové modernosti. Studie o nové literatuře na počátku dvacátého století. Brno, Host 2016. 396 stran. ; The literature of Bohumil Hrabal in the historical twists and turns of the short twentieth century ; Czech Library series for schools and colleges ; Information
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Jiří Holý — Hana Nichtburgerová (edd.): Podoby Židů v literatuře doby romantismu v českých zemích. Komentovaná antologie textů. Praha, Filozofická fakulta Univerzity Karlovy 2016. 124 stran. ; Jeanette Fabian (ed.): Poetismus. Překlad Runka Žaludová. Praha, Nakladatelství Slovart 2017. 262 strany. ; Informatorium
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Marxist Contradictions in the Central European context; Györg Lukács: relevant to this day, Warsaw workshop on Marxism-related literary studies
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Fifth World Czech Literary Studies Congress; „Booked“ Zábrana: the first conference in Academe on Jan Zábrana
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We the enlighteners; Jakub Říha — Petra Hesová — Robert Kolár (edd.): Prozodické spisy raného obrození; Czech literary realism
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