" ال سرَّ وأخْفَى" المعنى والدلالة دراسة تفسيريَّةٌ تحليلية
In our paper, the meanings of the words "secret and hafa" in the 7th verse of Surat al-Taha in Qur’an. These words in our study are discussed in terms of faith and flow.
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In our paper, the meanings of the words "secret and hafa" in the 7th verse of Surat al-Taha in Qur’an. These words in our study are discussed in terms of faith and flow.
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This paper provides a comparative analysis of verbal synesthetic metaphors with the basic taste adjectives in Polish and English: słodki/sweet, gorzki/bitter, kwaśny/sour, słony/salty. Since taste seems to be an ideal candidate for a universal, biologically determined source of metaphors, the authors seek to verify the hypothesis of metaphor embodiment. The corpus-based analysis of nominal phrases with basic Polish and English taste adjectives indicates that cultural influences on the metaphorical mapping, as well as the importance of the target conceptual domains, must be taken into account.
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Epistemic properties of a man constitute the base for change. So far little attention has been paid to those properties in semantics. Questions of epistemic factors, which influence the formation of specialised neologisms, have not been posed. The keynote of this article is the attempt to answer this question. To achieve this goal, I attempt to explain such expressions as ‚neo’, ‚epistemic’ and ‚specialised neologism’. Then I proceed with the presentation of the results of the analysis of an interview. The subject of the interview is the Polish neologism ‚auleta’, created by Maciej Kaziński during his work an the translation of John Landes’ Music in Ancient Greece and Rome.Epistemic properties of a man constitute the base for change. So far little attention has been paid to those properties in semantics. Questions of epistemic factors, which influence the formation of specialised neologisms, have not been posed. The keynote of this article is the attempt to answer this question. To achieve this goal, I attempt to explain such expressions as ‚neo’, ‚epistemic’ and ‚specialised neologism’. Then I proceed with the presentation of the results of the analysis of an interview. The subject of the interview is the Polish neologism ‚auleta’, created by Maciej Kaziński during his work an the translation of John Landes’ Music in Ancient Greece and Rome.
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The first part of the article explains the difference between two expressions: "I am dressed up in Šokac costume" (spremila sam se u šokačko) and "I wear Šokac costume" (nosim se šokački). The first expression means that a person is dressed in the national costume characteristic for Šokci (Croats native to the eastern part of Croatia, around the cities of Slavonski Brod, Vinkovci, Županja, Našice, Đakovo), while the second expression means that a person wears the national costume daily, although modified to include some degree of city clothing. The article is based on field interviews in 1993/94 in villages near Županja (Bošnjaci, Cerna, Drenovci, Račinovci, Vrbanja, Štitar), which sought to learn more about the Šokac national costume in that region. Many authors have written about the Šokci, in particular about the etymology of the word or about the origin of the group, using mostly historical and linguistic sources (Sršan, Stjepan 199). In this region, where Šokci live intermixed with other Croats as well as with some minority groups, the term Šokac at the beginning of the 20th century always referred to Croats who were both Catholic and peasants and whose families had long been settled in the region (starosjedioci). The results of the current research point to the two meanings of the above-mentioned expressions, and shows that the phrase nosim se šokački, that is, I wear Šokac costume, is an outer sign of the wearer's identity, even up to the present day, to differentiate the wearer from others who also wear the costume. In the 1950s alongside the first meaning, another, new meaning gradually came into use, expressed as spremila sam se u šokačko, that is, / dressed up in Šokac costume. This latter expression means that the person only sometimes wears the local costume. She may or may not be a part of the Šokac community. Those women who are Šokice may or may not still be employed in agriculture, and in fact can live in either rural or urban areas. The second part of the article gives the preliminary results of research of women's Šokac costumes of Županja region. The terminology of basic parts of the costume, of clothing and head arrangements are indicated in the tables. The terminology differs between the area west of Županja on the one hand and that east of Županja on the other. This field research will be continued, the tables will be completed with other data and will be expanded to include the remaining places so that we may acquire a regional picture of Šokac costume.
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This paper attempts to explicate the meanings of expressions representing a specific type of genitive metaphor — binding two notions by the rule of conventional, surface sameness. This article aims to prove that the genitive function that appears in this kind of expression is part of a general pattern modelling the semantic roles of this case. This pattern presents the genitive as a lingual indicator of the relation between a “smaller range” object and a “larger range” object and explains the essence of the semantic function appearing not only in this particular type of genitive metaphor, but also in structures such as genetivus definitivus.
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This article deals with the classical text cycle ofTibetan religious practice "The Profaund Dharma of the Natural Liberation through Contemplating the Peaceful and Wrathful Deities"that was written down in the 14th centuary, explaining phenomena of the death moment, as well as the period of existence after the death. The title of the text is a topical problem, because in Western society, already starting with the first translations, this book is known with a completely different name ( "Tibetan Book of Living and Dyingj, thus creating quite another perception and approach than in Tibetan culture. Alongside with the analyses of the title of the text,the article also traces back to the historical emergence of dying rituals and afterlife theory in ancient India and Tibet.
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In this essay/article, after introducing briefly the ideas expressed by various linguists on the matter in question, the author throws into discussion two issues: the origine of the patronymic Buzuku, as well as the origine of the name of Gjon’s father (Bdek), giving thus his contribution. He thinks that the two names, Buzuk and Buzuq, are nominal compounds. There is no doubt that the first part of these compounds is the noun buz/ë/(lip/s), but with the meaning ‘brink, border, bank’. It seems that with this meaning, are especially linked the toponyms and micro-toponyms, numerous throughout all the toponomastic nomenclature in our country, which come out since early times in various medieval documents to our days. The second part of Buzuk/Buzuq is the name Ujk (wolf), which appears since early in documents as personal name. It seems, then, that in Buzuk as well as in Buzuq, we have a compounding or a juxtaposition of two nouns, which originally named a place, buzë ‘brink’, where there were wolves, this perhaps in connection to some occurrence, now petrified in the micro-toponym Bazulk (respectively Buzuk). Later the noun must have been used as a patronym; over time it may have passed also to the naming of the village according to the name of the kin holding it. We are then within that circle which E. Çabej calls ‘the system of Albanian anthroponomy’.
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A case study of public political monologues
This paper aims to examine the role of (im)politeness and alignment in public monologues. Linguistic politeness theory has predominantly focused on the interpersonal aspect of (im)politeness, and we know relatively little about forms of (im)politeness that do not serve a direct interpersonal function but rather aim to form a sense of alignment with an indefinite group of recipients. We define such form of pragmatic behaviour as ‘alignment’, to distinguish it from politeness as an interpersonal form of interaction. Forms of alignment may operate in a duality with interpersonal (im)politeness, and they represent the default mode of relational involvement in public discourses – in particular, in public monologues. We argue that forms of alignment cannot be ignored in politeness research due to their prevalence in certain genres/modes of communication, and also because their operation can be intriguingly complex from a politeness theoretical point of view, considering their dual relationship with (im)politeness. We use data drawn from Chinese political discourse as a case study to illustrate this dual relationship.
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This paper represents comparative analysis of verbal transitivity in English and Croatian, which points out to syntactic-semantic characteristics that are crucial for the identification of object. It also discusses classification of verbs in English and Croatian grammar books. Transitivity is somewhat differently defined in linguistic literature and grammar books, which can cause disagreement related to verb classification. In Croatian grammar books verbal transitivity is related to direct object so this paper examines the possibility of a verb ''transiting'' action to an indirect object as well.
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The aim of this article is to observe how semantic peculiarities travel across languages and cultures. The original book, The Big Fat Giant, by Roald Dahl lends itself perfectly to such a comparative study due to its linguistic and semantic features that need to be explored in order to understand how they were brought to the Albanian language and culture. Classifications of several levels at which mismatches occur are mentioned, such as mismatches at the level of syntax, semantics and phonetics. Examples are given to illustrate each level. The discussion is enriched with observations and examples from the intertextual level. The paper concludes with findings which refer to this tale in particular and recommendations for further research.
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This paper deals with the three types of modality – epistemic, deontic and dynamic. It examines the relation between the synchronic uses of the modal auxiliary must and the semi-modals have to and have got to as well as their Lithuanian translation correspondences (TCs) found in a bidirectional translation corpus. The study exploits quantitative and qualitative methods of research. The purpose is to find out which type of modality is most common in the use of must, have to and have got to; to establish their equivalents in Lithuanian in terms of congruent or non-congruent correspondence (Johansson 2007); and to determine how Lithuanian TCs (verbs or adverbials) correlate with different types of modality expressed. The analysis has shown that must is mostly used to convey epistemic nuances, while have to and have got to feature in non-epistemic environments. The findings show that must can boast of a great diversity of TCs. Some of them may serve as epistemic markers; others appear in deontic domains only. Have (got) to, on the other hand, is usually rendered by the modal verbs reikėti ‘need’ and turėti ‘must/have to’, which usually encode deontic modality.
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The character of the relations between linguistic and not strictly linguistic elements of awareness is discussed upon the example of existing notions. The vocabulary material reflecting both historical and contemporary interpretations is quoted. These interpretations consider the etymology of words. The purposes of this analysis is to discover the motives which change in time, features and semantic analogies. These three elements are then consolidated in the notions of the mental and linguistic culture. Subsequently the character of relations is established (by placing the character in the artificially created space) between the state of an animal and a human. The human resembles the animal and the latter is a representative of a community in captivity and the human observing the animals becomes an element of the collective display. The information and interpretations which were collected (compared to the data from the dictionary of dreams via their semantic and mental features) make it possible to ask a question on the semantics of the mental and semantic features of the vivid experiences which are in perceptual and mental existence. These experiences shape the notions for the representatives of a specific mental culture. The notions in question are of regulating, approximate and not always realized character. These notions, especially the ones which condition the organization of the world in linguistic and non-linguistic awareness, eventually influence the semantic evolution of a language as well as the mentality of its users.
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The article depicts the linguistic and stylistic means used by Stefania Trochanowska in her Polish-language volumes of poetry Potem, teraz, przedtem, Motyle and Nie pozwól uschnąć kwiatom in order to create the leading emotion of love. The analysed material is presented according to the suggestion made by Iwona Nowakowska-Kempna. The research has revealed that the Lemko poetess describes two types of love – as a feeling and as an erotic phenomenon – using the necessary number of words in a succinct way. She treats love as a universal feeling, typical of every human being, irrespective of their nationality.
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Хотя мы уже говорили, что знаком, «словом» в искусстве является все произведение в целом, это не снимает того, что отдельные элементы целого обладают разной степенью самостоятельности. Можно сформулировать некое общее положение: чем крупнее, чем к более высокому уровню относится элемент структуры, тем большей относительной самостоятельностью в ней он отличается.
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Проблема композиции в стихотворении (вопроса композиции в других жанрах мы в этой работе не рассматриваем, поскольку он, скорее, относится к общей стилистике, а не к теории стиха) складывается из двух составных: композиции стихов в строфе и композиции строф в художественном целом. Если мы имеем дело со стихотворением, не разбитым на строфы, то текст его можно рассматривать как одну строфу, с разной степенью внутренней упорядоченности.
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In this paper is analyzed from a contrastive approach the expression of motion in Spanish and Slovak putting emphasis on Spanish motion verbs ir, venir and llegar that cause great difficulties both to teachers and students of Spanish as to translators and interpreters. In this paper we mention the reasons why errors in using these three verbs occur and we explain the origin of them.
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The purpose of this article is to underline the main particularities of pronunciation in case of the children with dyslalia, sigmatism. Thus, in this article is presented a case study, which emphasizes both the assessment process and the intervention approach focused on the pronunciation of S and Z sounds (Romanian S-Z sounds)during the sentences level. Results demonstrated that an adequate assessment and intervention can ensure functional development of S and Z pronunciation. Also, the exercises practiced during intervention are useful not only for speech and language therapists, but also for parents of children with sigmatism.
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Nakon brojnih godina, pa i desetljeća, valja nešto reći načelno o poetici Sonje Manojlović, i to na primjeru posljednje zbirke Gledajući odgovore (2018.), koja donosi neku poetičku novinu. Moderni hermetizam strategija je zadnjih zbirki, a spoj je to (još davnih i početnih) egzistencijalističkih naslaga, osobne enigmatičnosti same autorice iz područja ljudske (često nespretne i neuspješne) komunikacije, te dobrodošao lirizam bajkovitog tipa, kao i povremena nadrealistička rješenja u stihu.
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Kad se raskol između značenja i referencije pravilno uzme, problemi koji se široko nazivaju semantikom razdvajaju se u dva područja tako fundamentalno različita da ne zaslužuju uopšte zajednički naziv. Ona se mogu nazvati teorijom značenja i teorijom referencije. ʻSemantikaʼ bi bilo dobro ime za teoriju značenja, da nije činjenice da neka od najboljih djela u tzv. semantici, osobito djela Tarskog, pripadaju teoriji referencije. Glavni pojmovi u teoriji značenja, osim samog značenja, su sinonimija (ili istovjetnost značenja), signifikacija (ili posjedovanje značenja) i analitičnost (ili istina na temelju značenja). Drugi je implikacija ili analitičnost uvjetovanog. Glavni pojmovi u teoriji referencije su imenovanje, istina, denotacija (ili istina-za) i ekstenzija. Drugi je pojam vrijednosti varijabli
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Particles are known to be typical characteristics of spontaneous speech. Their function is to modify the content of the statement, to structure the sentence and to ensure contact with the listener. Both chápeš and rozumíš belong to this group: their form suggests a request for attention or reaction. An analysis of the spoken corpus ORAL2013 shows a rather sporadic verbal response by the listener. Their position in the text is not random, they typically occur at sentence-borders or in front of the word that should be stressed.
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