" ال سرَّ وأخْفَى" المعنى والدلالة دراسة تفسيريَّةٌ تحليلية
In our paper, the meanings of the words "secret and hafa" in the 7th verse of Surat al-Taha in Qur’an. These words in our study are discussed in terms of faith and flow.
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In our paper, the meanings of the words "secret and hafa" in the 7th verse of Surat al-Taha in Qur’an. These words in our study are discussed in terms of faith and flow.
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This paper provides a comparative analysis of verbal synesthetic metaphors with the basic taste adjectives in Polish and English: słodki/sweet, gorzki/bitter, kwaśny/sour, słony/salty. Since taste seems to be an ideal candidate for a universal, biologically determined source of metaphors, the authors seek to verify the hypothesis of metaphor embodiment. The corpus-based analysis of nominal phrases with basic Polish and English taste adjectives indicates that cultural influences on the metaphorical mapping, as well as the importance of the target conceptual domains, must be taken into account.
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Epistemic properties of a man constitute the base for change. So far little attention has been paid to those properties in semantics. Questions of epistemic factors, which influence the formation of specialised neologisms, have not been posed. The keynote of this article is the attempt to answer this question. To achieve this goal, I attempt to explain such expressions as ‚neo’, ‚epistemic’ and ‚specialised neologism’. Then I proceed with the presentation of the results of the analysis of an interview. The subject of the interview is the Polish neologism ‚auleta’, created by Maciej Kaziński during his work an the translation of John Landes’ Music in Ancient Greece and Rome.Epistemic properties of a man constitute the base for change. So far little attention has been paid to those properties in semantics. Questions of epistemic factors, which influence the formation of specialised neologisms, have not been posed. The keynote of this article is the attempt to answer this question. To achieve this goal, I attempt to explain such expressions as ‚neo’, ‚epistemic’ and ‚specialised neologism’. Then I proceed with the presentation of the results of the analysis of an interview. The subject of the interview is the Polish neologism ‚auleta’, created by Maciej Kaziński during his work an the translation of John Landes’ Music in Ancient Greece and Rome.
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The word "dellek" can mean barber, circumcisionist, and dentist, and can even refer to male servants who would wash and massage male customers in Turkish bath houses. Delleks would draw blood, cut for jaundice, and cut palates, as well as treat grapes and warts. The word comes to us from an earlier form, "tellak", carrying the same set of meanings. One might infer that delleks treated and beautified the human body, and were masters in their own right. Their female counterparts were referred to as "natır." Like delleks, natırs engaged in a wide range of activities, including scrubbing, massaging, make-up, eyebrow trimming, waxing, manicuring, pedicuring, tattooing, piercing, preparing nose and earrings, and assembling bridal head gear for weddings. Both terms not only are commonplace throughout many aspects of society, but they also refer to a collection of occupations whose lexical roots are self-explanatory. This study will look at their usage in the context of the Azerbaijani language, with a particular focus on their various meanings.
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The first part of the article explains the difference between two expressions: "I am dressed up in Šokac costume" (spremila sam se u šokačko) and "I wear Šokac costume" (nosim se šokački). The first expression means that a person is dressed in the national costume characteristic for Šokci (Croats native to the eastern part of Croatia, around the cities of Slavonski Brod, Vinkovci, Županja, Našice, Đakovo), while the second expression means that a person wears the national costume daily, although modified to include some degree of city clothing. The article is based on field interviews in 1993/94 in villages near Županja (Bošnjaci, Cerna, Drenovci, Račinovci, Vrbanja, Štitar), which sought to learn more about the Šokac national costume in that region. Many authors have written about the Šokci, in particular about the etymology of the word or about the origin of the group, using mostly historical and linguistic sources (Sršan, Stjepan 199). In this region, where Šokci live intermixed with other Croats as well as with some minority groups, the term Šokac at the beginning of the 20th century always referred to Croats who were both Catholic and peasants and whose families had long been settled in the region (starosjedioci). The results of the current research point to the two meanings of the above-mentioned expressions, and shows that the phrase nosim se šokački, that is, I wear Šokac costume, is an outer sign of the wearer's identity, even up to the present day, to differentiate the wearer from others who also wear the costume. In the 1950s alongside the first meaning, another, new meaning gradually came into use, expressed as spremila sam se u šokačko, that is, / dressed up in Šokac costume. This latter expression means that the person only sometimes wears the local costume. She may or may not be a part of the Šokac community. Those women who are Šokice may or may not still be employed in agriculture, and in fact can live in either rural or urban areas. The second part of the article gives the preliminary results of research of women's Šokac costumes of Županja region. The terminology of basic parts of the costume, of clothing and head arrangements are indicated in the tables. The terminology differs between the area west of Županja on the one hand and that east of Županja on the other. This field research will be continued, the tables will be completed with other data and will be expanded to include the remaining places so that we may acquire a regional picture of Šokac costume.
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This paper attempts to explicate the meanings of expressions representing a specific type of genitive metaphor — binding two notions by the rule of conventional, surface sameness. This article aims to prove that the genitive function that appears in this kind of expression is part of a general pattern modelling the semantic roles of this case. This pattern presents the genitive as a lingual indicator of the relation between a “smaller range” object and a “larger range” object and explains the essence of the semantic function appearing not only in this particular type of genitive metaphor, but also in structures such as genetivus definitivus.
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This article deals with the classical text cycle ofTibetan religious practice "The Profaund Dharma of the Natural Liberation through Contemplating the Peaceful and Wrathful Deities"that was written down in the 14th centuary, explaining phenomena of the death moment, as well as the period of existence after the death. The title of the text is a topical problem, because in Western society, already starting with the first translations, this book is known with a completely different name ( "Tibetan Book of Living and Dyingj, thus creating quite another perception and approach than in Tibetan culture. Alongside with the analyses of the title of the text,the article also traces back to the historical emergence of dying rituals and afterlife theory in ancient India and Tibet.
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In this essay/article, after introducing briefly the ideas expressed by various linguists on the matter in question, the author throws into discussion two issues: the origine of the patronymic Buzuku, as well as the origine of the name of Gjon’s father (Bdek), giving thus his contribution. He thinks that the two names, Buzuk and Buzuq, are nominal compounds. There is no doubt that the first part of these compounds is the noun buz/ë/(lip/s), but with the meaning ‘brink, border, bank’. It seems that with this meaning, are especially linked the toponyms and micro-toponyms, numerous throughout all the toponomastic nomenclature in our country, which come out since early times in various medieval documents to our days. The second part of Buzuk/Buzuq is the name Ujk (wolf), which appears since early in documents as personal name. It seems, then, that in Buzuk as well as in Buzuq, we have a compounding or a juxtaposition of two nouns, which originally named a place, buzë ‘brink’, where there were wolves, this perhaps in connection to some occurrence, now petrified in the micro-toponym Bazulk (respectively Buzuk). Later the noun must have been used as a patronym; over time it may have passed also to the naming of the village according to the name of the kin holding it. We are then within that circle which E. Çabej calls ‘the system of Albanian anthroponomy’.
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This study deals with the notion of leadership, envisaged broadly as the quality of a head of state to lead his people towards a common goal while conveying the image of a role-model by both his actions and statements. During his presidential term, a head of state is confronted with many institutionalised contexts where he is expected to issue an official speech. From the numerous official speeches that a president is likely to deliver, I have chosen to dwell on one of the most ritualised discursive sequences, namely the presidential greetings on New Year’s Eve, in order to highlight how the presidential ethos is built through discursive and extra-discursive elements. In this context, I have taken into account the greetings of the Romanian ex-President, Traian Băsescu, from the period 2004-2013 (he was elected twice) with a view to analysing both the purely discursive devices (speech acts, appellatives, semantic content emphasized) and the extra-linguistic elements (place where the discourse is delivered, communication channel). The analysis aims at answering the following questions: Can we consider the presidential greetings and the choices made within and outside the discourse itself as indirect evidence of the diminution of the public support that the president had benefited from? Do the greetings emphasize the president’s effort to adapt to his audience while maintaining the tradition of a well-established ritual?
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The article depicts the linguistic and stylistic means used by Stefania Trochanowska in her Polish-language volumes of poetry Potem, teraz, przedtem, Motyle and Nie pozwól uschnąć kwiatom in order to create the leading emotion of love. The analysed material is presented according to the suggestion made by Iwona Nowakowska-Kempna. The research has revealed that the Lemko poetess describes two types of love – as a feeling and as an erotic phenomenon – using the necessary number of words in a succinct way. She treats love as a universal feeling, typical of every human being, irrespective of their nationality.
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The aim of the research was to investigate how native speakers of Russian, which is a highly complex inflectional language, cope with the acquisition of the similar by structure and complexity Lithuanian language. The subjects were adults of different age and education who learned Lithuanian in Belarus. I analyse errors related to the acquisition of noun case. The errors are divided into formal (acquisition of endings) and conceptual ones (choice of the appropriate case). I shortly compare my results with the results of similar research conducted in Lithuania where the subjects were native speakers of different languages. The results of the study show that similar errors are typical for native speakers of different languages irrespective of their morphological complexity. A complex inflectional system of a native language is not necessarily beneficial, but it seems to give some advantages for the acquisition of semantic (not syntactic) cases.
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The academic journal ANADISS is a biannual publication which comes out at Suceava University Press. On the initiative of the members of the "Discourse Analysis" Research Centre founded in 2005 within the Faculty of Letters and Communication Sciences from "Stefan cel Mare" University, Suceava, the articles and their abstracts are written in French, English, German, Spanish or Italian.
One of the fundamental components of the human existence's dimension is the linguistic one. Language defines the human presence as intensely as the human becoming stabilizes and affirms the language. In the contemporary world, this equilibrium is often fragile.
The present publication proposes the presentation of such contributions, which can sustain the aggrandizement and the establishment of the human-language relation. To this end, our journal's preoccupations gravitate around themes such as: political discourse, text and discursiveness, discourse and didacticism, inter-text - inter-discourse, discourse and society, linguistic imaginary and language dynamics, production and capture of specialty discourses, discursive perspectives and various cultural contexts, knowledge and discourse: discursive and non-discursive practices, inter-text and inter-speech, discourse and society, linguistic imaginary and language dynamics, discourse and identity. We illustrate through these the Saussurian principal according to which "la langue n'est faite qu'en vue du discours", without ignoring its materialization within the text.
Journal Policy: ANADISS is an international journal that accepts for publication reviewed original papers, short communications, reviews and conference proceedings on a broad range of topics of interest for Discourse Analysis, particularly, for Linguistics in general. There are no article processing charges (APC) or article submission charge.
Author's Ownership and Rights: The journal allows the author(s) to hold the copyright and to retain publishing rights on their materials.
Open Access Policy: ANADISS Journal offers „open access” to published literature. ANADISS Journal assures has free availability on the public internet, permitting any users to read, download, copy, distribute, print, search, or link to the full texts of these articles, crawl them for indexing, pass them as data to software, or use them for any other lawful purpose, without financial, legal, or technical barriers other than those inseparable from gaining access to the internet itself. ANADISS Journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Open access enables authors to reach a much broader audience, which has the potential to increase the impact of their research. The ANADISS issues are available online for free, without any charge to download or print each article.
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Annals of “Dunărea de Jos” University of Galati, Fascicle XXIV General Lexicon / Specialized Lexicon is a refereed academic journal of humanities, focused on linguistics, language history, vocabulary and culture, language studies, philology, translation studies, communication studies, cultural history, cultural anthropology, terminology and didactics. The first issue of the journal was published in 2008 by the Faculty of Letters, “Dunărea de Jos” University of Galati. The journal also publishes the scientific papers which are communicated at the international conference Lexic comun / lexic specializat. General Lexicon / Specialized Lexicon. Lexique commun / Lexique spécialisé which has been hosted by the Faculty of Letters, “Dunărea de Jos” University of Galati ever since 2008. Even if we are a Romanian journal of linguistics, the editorial board has a wide perspective towards the lexical level of any language, the interest in the movement of ideas in the field of lexicology and lexicography, as well the in the international promotion of the Romanian contributions. For this purpose the paper publication languages should mainly be Romanian, English, French, but contributions in Spanish, German or Italian are also accepted.
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In this paper is analyzed from a contrastive approach the expression of motion in Spanish and Slovak putting emphasis on Spanish motion verbs ir, venir and llegar that cause great difficulties both to teachers and students of Spanish as to translators and interpreters. In this paper we mention the reasons why errors in using these three verbs occur and we explain the origin of them.
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This paper tries to explore possible relations and differences between three kinds of contemporary theories about cognition and language: the approaches supporting the idea that there is a mental logic, the mental models theory, and the frameworks based upon probability logic. That exploration is made here by means of the analytic sentences and the revision of the way each of those types of theories can deal with them. The conclusions seem to show that the three kinds of theories address such sentences in a similar manner, which can mean that there can be more links between them than thought. Thus, it is argued, as a possibility, that the three theories can be accepted at the same time, and that it can be assumed that their differences refer just to the fact that they deal with dif¬ferent aspects of language and cognition. From other points of view, this has already been raised in the literature with regard to the three mentioned theories (especially, with regard to the approaches supporting a mental logic and the mental models theory). However, the point here is double: on the one hand, the link between these theories is now presented from another perspective (the one of the analytic sentences). On the other hand, the paper provides relations between the three frameworks at once from that very perspective and in a systematic way.
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The paper studies the language of anger in common people’s passages on the internet site www.searchquotes.com/search/Anger. It investigates which anger metonymies and metaphors listed in Kövecses (1990, 2000) are exemplified in the corpus and finds that they occur in a relatively small number. However, it identifies several metonymies and metaphors that have not been identified before and constitute non-prototypical scenarios of anger.
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This paper reports on an investigation of the functions of the English causal discourse markers ‘because’ and ‘so’ and their Lithuanian counterparts and analyses the Lithuanian translation equivalents of these discourse markers using the multilingual open translation project TED Talks as a data resource. The results revealed that the discourse marker ‘because’ and its Lithuanian counterparts express ideational cause, followed by its rhetorical equivalent. However, the discourse marker ‘so’ and its Lithuanian counterparts express rhetorical consequences, followed by the rhetorical specification.
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In 2012, Orenes and Johnson-Laird found interesting results from the cognitive point of view but problematic if analyzed under methods such as the semantic one of extension and intension presented by Carnap. The main difficulty in this way is that Orenes and Johnson-Laird showed that people tend to accept, in the case of certain inferences, conclusions that, by themselves, are, according to the aforementioned semantic method, false in absolutely all of the state-descriptions that can be imagined. However, in this paper, a way to overcome that difficulty is proposed. That way is based upon the idea that the real logical forms of the conclusions accepted by the participants in Orenes and Johnson-Laird’s experiments were not the apparent ones, but they corresponded to other very different structures that can be true in some state-descriptions.
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The purpose of this article is to underline the main particularities of pronunciation in case of the children with dyslalia, sigmatism. Thus, in this article is presented a case study, which emphasizes both the assessment process and the intervention approach focused on the pronunciation of S and Z sounds (Romanian S-Z sounds)during the sentences level. Results demonstrated that an adequate assessment and intervention can ensure functional development of S and Z pronunciation. Also, the exercises practiced during intervention are useful not only for speech and language therapists, but also for parents of children with sigmatism.
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Nakon brojnih godina, pa i desetljeća, valja nešto reći načelno o poetici Sonje Manojlović, i to na primjeru posljednje zbirke Gledajući odgovore (2018.), koja donosi neku poetičku novinu. Moderni hermetizam strategija je zadnjih zbirki, a spoj je to (još davnih i početnih) egzistencijalističkih naslaga, osobne enigmatičnosti same autorice iz područja ljudske (često nespretne i neuspješne) komunikacije, te dobrodošao lirizam bajkovitog tipa, kao i povremena nadrealistička rješenja u stihu.
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