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Problemy z interpretacją fonologiczną samogłosek nosowych w języku polskim

Problemy z interpretacją fonologiczną samogłosek nosowych w języku polskim

Author(s): Natalia Siudzińska / Language(s): Polish Issue: 36/2023

The article discusses problems related to the sound realisation of the nasal sounds “ą” and “ę” as well as the differences in the phonological interpretation of those realisations The issue has been raised many times by linguistic researchers, which proves its complexity The article is an overview as its main goal has been to compare suggestions in terms of the nasal phonemes range, including the author’s suggestion for the phonological interpretation of the second part of the biphonemic sound production of the sounds “ą” and “ę” using phonological opposition and sound distribution.

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Problemy z interpretacją fonologiczną postpalatalnych głosek zwarto-wybuchowych

Problemy z interpretacją fonologiczną postpalatalnych głosek zwarto-wybuchowych

Author(s): Katarzyna Dróżdż-Łuszczyk / Language(s): Polish Issue: 36/2023

he article reports the most important phonetic changes which took place in the contemporary Polish language. The aim of the chapter is to answer the questions that arise when learning phonetics and phonology, especially in regard to phonemes /k΄/ and /g΄/. In this paper the author presents various opinions on the phonological distinctiveness of the two sounds. The author focuses on the phenomenon associated with depalatalisation of consonants [k΄] and [g΄] and presents solutions adopted in academic textbooks. Finally, the author presents suggestions for the phonological interpretation of selected consonants.

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O labializacji w języku polskim

O labializacji w języku polskim

Author(s): Bogusław Dunaj,Mirosława Mycawka / Language(s): Polish Issue: 36/2023

The authors of the article attempted to answer several questions about the phenomenon of labialization: 1) What are the reasons for its absence in the Polish literary language?; 2) The time of the emergence of labialization; 3) Since when such pronunciation began to be treated as dialectal?; 4) What was the everyday pronunciation of writers at the turn of the 16th and 17th centuries? As for the first question, the authors are inclined to the thesis that the primary factor in the absence of labialization in the literary language was the influence of the Mazovian dialect, and an additional factor was the influence of Latin pronunciation. Labialization in southwestern dialects is an old phenomenon, having arisen at least in the 14th, and perhaps even as early as in the 12th century. Such pronunciation began to be treated as dialectal perhaps as early as the second half of the 16th century. The answer to the fourth question is that the writers of the second half of the 16th century and the beginning of the 17th century did not use dialects in their daily interactions although their language undoubtedly contained some regional elements that were more numerous than today.

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Kõnetempo ja - soravuse varieerumine eesti keeles

Kõnetempo ja - soravuse varieerumine eesti keeles

Author(s): Pärtel Lippus,Maarja-Liisa Pilvik,Kaidi Lõo,Liina Lindström / Language(s): Estonian Issue: 20/2024

Speech varies from person to person, and much of how talkative someone is or how fast they speak depends on their personal characteristics. However, along with individual variability, sociodemographic patterns have also been found, for example, that the speech rate slows down with age, but also that women speak slower, clearer and more vividly than men. In the article we look at how the speech rate changes depending on age, gender and the interlocutor in a spontaneous communication situation based on the two Estonian speech corpora, Teen Speak in Estonia and the Phonetic Corpus of Estonian Spontaneous Speech. In order to account for the effect of the speaking situation, we compare the spontaneous data of the adult speakers with the read speech data from the Estonian Northwind and tSun corpora. Since speech rate has been associated with expressiveness, we also look at the fluency of speakers by counting the occurrences of segmental lengthening, restarts, and word repetitions. The results show that the speech rate in spontaneous speech is significantly faster and age-related differences are smaller compared to read speech. In spontaneous interaction the speaker’s speech rate is the most influenced by the speech rate of the interlocutor. Speech fluency was not correlated with speech rate. Teenagers become more fluent with age, but adults showed no change in fluency.

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Preference of voice and performance style in radio advertising

Preference of voice and performance style in radio advertising

Author(s): Hille Pajupuu,Rene Altrov,Jaan Pajupuu / Language(s): English Issue: 20/2024

This study sought to find out which style of radio advertisement performance listeners consider likable, and which acoustic features differentiate the likable from the unlikable. The same spokespersons presented a gender neutral pretend-advertisement in two styles: calm and energetic. Listeners had to rate the likability of the performances. The results showed that listener likability scores were consistent and did not depend on listener gender. The listeners overwhelmingly preferred advertisements presented in a calm style, regardless of the performer or their age or gender. For each advertisement, 88 parameters of the extended Geneva Minimalistic Acoustic Parameter Set (eGeMAPS) were calculated. Most of these significantly differentiated likable and unlikable performances. Likable performances were characterised by lower pitch, faster articulation rate, a quieter voice with no abrupt changes in loudness, and a breathy voice. The study showed the importance of determining which performance style listeners prefer, as the voice of the performer is directly affected by the performance style. Listeners might like a voice in one style, but not the other.

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Pitch changes as the marker of a phrase edge in standard Lithuanian

Pitch changes as the marker of a phrase edge in standard Lithuanian

Author(s): Regina Sabonytė,Asta Kazlauskienė,Gailius Raškinis / Language(s): English Issue: 44/2024

In many languages, pitch changes at phrase edges are often described as significant cues of juncture. The aim of this study is to analyse pitch changes at the beginning and end of declarative phrases in standard Lithuanian. The study consists of two parts: 1) a pilot study analysing whether the F0 difference is a reliable measure to determine the F0 rise/fall at the end of declarative phrases and whether such a difference depends on the speaker’s sex; 2) an annotated speech corpus analysis on the tendencies of pitch changes at phrase edges. The pilot study showed that in phrases with a rising F0 at the end, the F0 mean of the last stressed syllable is significantly lower than F0 at the end of a phrase. In phrases with a falling F0, the F0 mean of the last stressed syllable is significantly higher than the F0 at the end of a phrase. The F0 difference is a reliable measure to determine the F0 rise or fall at the end of a phrase, and all the abovementioned tendencies were found in both male and female speakers’ recordings. The annotated speech corpus analysis revealed that both intonational and intermediate phrases usually begin and end in a low tone. Hence, the high and rising or falling tones at the beginning or end of a phrase are the marked members of the phrase edge tone system, and they can help identify phrase junctures. However, it is important to pay attention to other acoustic features such as pauses and intensity, as well as grammatical and semantic aspects.

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Kaip kalba TV ir radijo laidų vedėjai? Balsių įtempimas kaip formalaus ir rimto kalbėjimo požymis

Kaip kalba TV ir radijo laidų vedėjai? Balsių įtempimas kaip formalaus ir rimto kalbėjimo požymis

Author(s): Ramunė Čičirkaitė / Language(s): Lithuanian Issue: 17/2022

The present paper reports the instrumental analysis of the unstressed variants of /iː/, /uː/, /eː/, /oː/, /æː/ and /ɑː/. The study was carried out by employing the sound analysis software PRAAT, which was used to measure the length and tenseness of the specified variants. 10 residents of Vilnius city and 10 hosts of TV/radio programmes covering serious public topics were selected as the informants of the study. The main aims of this research were as follows: (1) to determine whether vowel length and tenseness differentiate the pronunciation of Vilnius city residents from that of the hosts of TV/radio programmes covering serious public topics, and (2) to reveal whether the hosts of TV/radio programmes use the length or tenseness of the unstressed variants of /iː/, /uː/, /eː/, /oː/, /æː/, /ɑː/ as a resource for creating a formal and serious speaking style. The current study examines, among other things, if the TV/radio hosts pronounce the unstressed variants of /iː/, /uː/, /eː/, /oː/, /æː/, /ɑː/ systematically more tensely, or perhaps on the contrary – they create the impression of a serious style only with isolated sounds of increased tenseness. The analysis has revealed that the hosts of TV/radio programmes covering serious topics pronounce the unstressed variants of /iː/, /uː/, /eː/, /oː/, /æː/ and /ɑː/ in the same length as Vilnius city residents speaking in a semi-formal style. Hence, vowel length in the said programmes is not a significant linguistic resource when creating a serious and formal speaking style and constructing the linguistic identity of a TV/radio host addressing serious public topics. However, TV/radio hosts covering serious public topics pronounce the unstressed variants of /iː/, /uː/, /eː/, /oː/, /æː/ and /ɑː/ with more tenseness than Vilnius city residents, which suggests that the style of the hosts is distinct from the semi-formal speaking style of Vilnius city residents and serves as a well-defined marker of a certain language standard. These findings are in line with some previous studies indicating that vowel tenseness statistically significantly distinguishes programmes covering serious public topics from entertainment-based programmes covering personal topics. Therefore, it can be argued that vowel tenseness differentiates speakers (TV/radio hosts vs. Vilnius city residents), types of programmes (programmes covering serious public topics vs. entertainment-based programmes covering personal topics), styles (formal vs. semi-formal), and language varieties (actual standard language vs. Vilnius speech). Thus, in the speech of hosts of TV/radio programmes covering serious public topics, tenseness acquires the indexical meaning of “I am speaking seriously”. The use of isolated vowels of increased tenseness is thus sufficient to create the impression of a serious speaking style and to form the linguistic identity of a TV/radio host covering serious topics.

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Diphthongs and Kildin Saami vowel system

Diphthongs and Kildin Saami vowel system

Author(s): Anton Buzanov,Ilya Egorov,Vasily Molchanov / Language(s): English Issue: 04 (51)/2023

The aim of this paper is to present a revision of the phonological system of Kildin Saami. This revision is based on the results of a computational analysis of the Kildin vowel inventory. Specifically, a number of segments that have been variously described by different scholars as either diphthongs or monophthongs have been examined using two automatic methods: trajectory length and changepoint detection. These methods were tested on the material of Estonian and Lithuanian before the examination of the Kildin data. The data analyzed in this research was collected during fieldwork in the city of Murmansk, the rural locality of Lujaavv’r (Lovozero), and the urban locality of Verkhnetulomsky in the Murmansk Oblast of Russia in 2021 and 2022. Computational analysis revealed that the segments analyzed by some scholars as diphthongs /ie/ and /ea/ are monophthongs /eː/ and /aː/ occurring after palatal and palatalized consonants. The low back vowels analyzed sometimes as diphthongs /oa/ and /oaː/ are monophthongs /ɒ/ and /ɒː/. The first component of /ua/ is acoustically closer to /o(ː)/ than to /u(ː)/. The phonetic quality of /ue/ remains to be defined. It is proposed to analyze this phoneme as having three allophones in free variation, diphthong [ʊə] (or even [ɔə]) and monophthongs [ɵː] and [əː]. /i/ and /ɨ/ were shown to be in contrastive distribution only word-initially if Russian loanwords are taken into consideration, so /i/ should be considered a marginal phoneme. /i/-final diphthongs and triphthongs are proposed not to be postulated and analyzed instead as combinations of vowels with /j/ or /jː/. The vowel inventory thus comprises two diphthongs and thirteen monophthongs.

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Артикуляционные параметры дорсального смычного /k/ в тюркских языках Южной Сибири… по данным ультразвукового исследования (на материале телеутского языка и диалектов татар Сибири)

Артикуляционные параметры дорсального смычного /k/ в тюркских языках Южной Сибири… по данным ультразвукового исследования (на материале телеутского языка и диалектов татар Сибири)

Author(s): Denis M. Tokmashev,Valeria M. Lemskaya,Alfiya A. Khakimova,Natalya V. Subbotina / Language(s): Russian Issue: 04 (51)/2023

The objective of the article is to identify and characterize the main types of articulatory patterns of the phoneme /k/ in the related y-group Turkic idioms of Southern Siberia - the Teleut language of the village of Bekovo, Kemerovo region and the Eushta sub-dialect of Tomsk dialect cluster belonging to Siberian Tatar language from the villages of Eushta and Chernaya Rechka, Tomsk region — using the Articulate Assistance Micro ultrasound machine. In Teleut, the phoneme /k/ is represented by velar [k] and uvular [q] allophones, contrasted by the position of boththe tongue body (TB) and tongue root (TR). Since these allophones are positionally distributed according to a number of preceding and following vowels, we can consider them allophones of the same phoneme /k/, nevertheless having significantly different articulation. The uvular allophone is characterized by the retracted TR, while the velar is featured with the advanced TB. The material recorded in the village of Eushta is close to Teleut and attests the contrast between [k] and [q]. The contrast of velar and uvular consonants in the idiolect of the village of Chernaya Rechka is much less overt and affects only the TB, but not the TR this probably being due to the convergence of the Eushta dialect in Chernaya Rechka with the western dialect of the Tatar language lacking the contrast of velar and uvular /k/-allophones. The lack of [k] / [q] articulatory contrast in the idiolect of the village of Nizhegorodka in Kemerovo region may indirectly propose the Mishar substrate in the local idiom. The position of TR during articulation of the velar or uvular allophone does not change, and TB position changes slightly - the velar allophone is characterized by a greater degree of TB advancement, however, the general tongue contour is identical for both allophones.

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Артикуляторные особенности барабинско-татарской фонемы /i⊧/ (по данным МРТ)

Артикуляторные особенности барабинско-татарской фонемы /i⊧/ (по данным МРТ)

Author(s): Tatiana R. Ryzhikova / Language(s): Russian Issue: 01 (52)/2024

The paper considers the articulatory features of the Baraba-Tatar sound i studied by the magnetic resonance imaging. The MRI data were taken from four women - bearers of Barabian and then analyzed in LEPR IP SB RAS (Laboratory of Experimental-Phonetic Researches, Institute of Philology, Siberian Branch of the Russian Academy of Sciences). The results showed that all realizations of i could be deduced to the phoneme /i⊧/ - front narrow tense ejective vowel. Ejectiveness of vowels is not typical of the Southern-Siberian Turkic languages but occurs in Ket. By the height and backness (row) the Barabian phoneme /i⊧/ is close to the Sagay dialect of Khakas. The vowel shift, which is known to have taken place in Volga-Tatar and Bashkir, is also fixed in Khakas and Kumandy, and is supposed to occur in Baraba-Tatar. In the Siberian Turkic languages it affects only front vocalism. Pharyngealization can be both a constitutive characteristic of a vocal system (e. g. in Tuvan, Tofa, Tuba) and additional one (in Baraba-Tatar). It is stated to add some specific acoustic effect of sound tenseness to pronunciation. Vowel nasalization discovered in Barabian occurs in the Siberian Turkic languages sporadically and can be both motivated (as a result of progressive or regressive co-articulation with the nasal consonants) and non-motivated. Some additional articulatory characteristics of the phoneme /i⊧/ prove it to be tense and witness the whole vocal system of BarabaTatar to be a unique cluster of both constitutive and differential features.

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KSZTAŁCENIE WYMOWY A ROZWIJANIE PRODUKCJI, INTERAKCJI I MEDIACJI USTNEJ, CZYLI REDEFINICJA CELÓW NAUCZANIA JPJO

KSZTAŁCENIE WYMOWY A ROZWIJANIE PRODUKCJI, INTERAKCJI I MEDIACJI USTNEJ, CZYLI REDEFINICJA CELÓW NAUCZANIA JPJO

Author(s): Michalina Biernacka / Language(s): Polish Issue: 1/2023

The article aims at presenting methodological assumptions that allow us to incorporate techniques typical for oral production, speaking interaction, and mediation into the process of teaching pronunciation. This can prove to be both an attractive transfer element and an effective motivator. Experience demonstrates that recognizing the value of a prescriptive-descriptive research approach, while taking into account neurodidactic guidelines for the ways of teaching foreign languages, as well as understanding the reservations that students most often formulate against correct pronunciation lessons, may provide an important stimulus for an attempt to redefine teaching goals today. Skills related to the proper articulation of speech sounds can be understood as a base enabling undisturbed communication, and not a goal in itself.

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Polskie i czarnogórskie spiranty ś i ź

Polskie i czarnogórskie spiranty ś i ź

Author(s): Robert Bońkowski / Language(s): Polish Issue: 41/2023

Montenegro’s independence in 2006 and the introduction of Montenegrin as an official language in the Republic of Montenegro paved the way for institutionalized normative work on the Montenegrin language, in which the phonemes ś and ź officially appeared as full-fledged. Thus, the official Montenegrin language is the only South Slavic language and the third, next to Polish and Lower Sorbian, to have in its phonemic stock the soft spirants analyzed in the paper. The purpose of this analysis is to present and compare Polish and Montenegrin spirants ś and ź in terms of genetic description and their contemporary status. Such a comparison does not ignore dialectal contexts.

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Variación estilística de la /s/ implosiva en el habla radiofónica de Guayaquil y su percepción social

Variación estilística de la /s/ implosiva en el habla radiofónica de Guayaquil y su percepción social

Author(s): Brygida Sawicka-Stępińska / Language(s): Spanish Issue: 3/2023

The paper analyzes the stylistic variation of implosive /s/ in Guayaquil Spanish. The aim is to verify the sociolinguistic status of /s/-weakening according to Labov’s three-level hierarchy: linguistic indicators, markers, and stereotypes. It is argued that the aspired allophone [h], by representing a clear pattern of stylistic variation, can be qualified as a marker, and since it receives metalinguistic commentary from the speakers, it is also a stereotype in the Guayaquil speech community. The analysis contains a quantitative study of /s/ variation on a corpus of radio speech (CHARG) and a qualitative confrontation of the results with responses gathered in a language attitudes survey.

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Rrafshimi i kundërvënies /r/ - /R/ në shqipen standarde në Kosovë

Rrafshimi i kundërvënies /r/ - /R/ në shqipen standarde në Kosovë

Author(s): Haki Hysenaj / Language(s): Albanian Issue: 01-02/2017

The purpose of this paper is to describe the opposition r-R in standard Albanian in Kosovo. This opposition has suffered in its quality in these last two decades. In the new linguistic reality, it’s already possible to speak of a nearly complete equalization of this opposition and, on the other hand, of the “birth” of a new phonetic variant, among the vibrant consonants of the Albanian language. This element, which for now can be considered as “insistent” to ensure its status within the phonetic-phonological system of the Albanian language, represents a vibrant with an average number of vibrations, which means a lightly more lateral articulation than standard normative vibrants and a smaller number of vibrations, respectively less touches of the tip of the tongue to alveols than for standard Albanian R and a bigger number of vibrations, respectively more touches than for standard Alb. r. Our research largely confirms the thesis that the r - R opposition leveling process in the standard Albanian variety is considered partially completed or completely completed in several cities in Kosovo. Numerous variations in the use of these two vibrant consonants also occur in written discourse. Obviously in smaller proportions. In the spoken form, today I think that neither r nor R do represent the normative Albanian vibrants. They can be identified as approximating variants with the tendency of matching and creating a new consonant variant that requires positioning in the system. This situation prompts me to think of a new language development in spoken Albanian in Kosovo. This development requires deeper analysis to see if only linguistic factors have influenced its extent or other factors related to the urban identity of Albanian speakers. Conclusions of this paper are based on field research.

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Trajtat fonetike dhe kategoritë gramatikore të paskajores në gjuhën shqipe

Trajtat fonetike dhe kategoritë gramatikore të paskajores në gjuhën shqipe

Author(s): Ina Arapi / Language(s): Albanian Issue: 01-02/2018

This article analyzes the evolution of the phonetic structure and grammatical categories of the infinitive in the Albanian language. When we speak about the infinitive in Albanian, we always keep in mind the infinite analytical verbal form of the type me + participle, which is used in the Gheg dialect with the syntactic functions that are characteristic for the infinitive of the i.e. languages. In a synchronous plane, the infinitive of the type me + participle is interpreted as consisting of the particle me “with” and the participle. The particle me is of prepositional origin, but has long lost its functions as preposition and has been completely desemantized, while the second element fully corresponds to the participle, which is a fact widely accepted in all descriptive grammars of the Albanian language. In the diachronic plane, this participle is sometimes considered as participle, sometimes as a substantiate participle and sometimes as infinitive, but the most grounded opinion seems to be the assumption that here, we are at its origins dealing with a substantiate participle without an article of type pasë -a “having”, lypë -a “begging” etc. Under these conditions we must admit that the infinitive of type me +participle was formed as such during the historical evolution, together with the particle me, which is proved by the fact that the particle me at the Gheg infinitive is necessary and cannot be absent, as for example in German or Romanian. So the particle me has become an indispensable morpheme for the infinitive, just like the morpheme të for the subjunctive mood. Since the first written document (1555) the Gheg infinitive has undergone significant phonetic changes, which relate to the participle and not to the particle me, which has remained unchanged throughout this time. The paper is divided into two parts. The first section presents the phonetic evolution of the infinitive, that is, the Gheg participle, dividing it into two historical periods. The first period includes the works of the old Gheg writers who were written from the middle of the 16th century to the middle of the 18th century (Gjon Buzuku, Pjetër Budi, Frang Bardhi, Pjetër Bogdani, Kuvendi i Arbënit, Gjon Kazazi), while the second period includes works written by the second half of the 18th century until 1872. The main feature of the phonetic structure ofthe infinitive during the first period is that it comes out with a suffix regularly. The suffixes with which the participle is formed, respectively the infinitives are: -m, -në, -un(ë), -ë and -të. On the basis of the very detailed excerpts she has made, the author points out the first cases of the suffixes being dropped and mixed up. In the second period (The Anonymousof Elbasan, Dhaskal Todhri, Zef Guagliata, Zef Jubani, Konstantin Kristoforidhi) the tendency of losing the suffixes in the participle and infinitive, as well as that of their mixing, is increasing. The later authors tend to sporadically preserve the suffixes. In conclusion, we can say that during the literary period, beginning in the middle of the 16th century the participle and respectively the infinitive in the Gheg dialect has two forms: an earlier form we can also call the full form and a later one we might also call it the abbreviated form. The numerous phonetic changes that the Gheg participle / infinitive have undergone may be an indicator of its relatively young age. On the other hand, these changes are also related to the frequency of its use in this dialect, which has been increasing and which has undoubtedly been one of the main causes that have led to its phonetic leveling. In the second part of the paper, we analyze the grammatical categories of the Gheg infinitive, i. e. the grammatical category of diathesis and that of time. Diathesis is the only grammatical category of the infinitive, clearly distinguished since the first written document of Albanian. The diathesis is constructed by the particle u of pronominal origin placed between the particle me and the participle or with the auxiliary verb jam “to be”. For example: Natyra e këtyne qiellje ashtë gjithëherë me u luejtune “la natura di questi Cieli ë di sempre muoverci” (Bogdani I, 25); ashtu, sikundrëse meriton me qenë paguom puna e tyre “just as their work deserves to be paid” (Budi, Dottrina Christiana, 127). There are no functional differences between these two forms. In the semantic plane, the forms with u denote the action simply as being any process, those with the verbjam denote the action more as a result of a process, so they emphasize the resultant aspect. Regarding the grammatical category of the time, as in most languages that have an infinitive, in Albanian also, there are formally two fonns of it: present and past. The present infinitive, as we have mentioned at the outset, is formed by the particle me with the participle of the conjugated verb, for instance me punue “to work”, while the past infinitive from the infinitive of the auxiliary verb kam “to have” and the participle of the conjugated verb, i. e. me pasë punue “to have worked”. In terms of the temporal meanings expressed by the present infinitive we must first distinguish the so called independent from the dependent infinitive. The independent infinitive is usually used with the temporal meaning of the present, while the dependent infinitive has a temporal meaning conditioned by the temporal meaning of the directional verb. The passive form of the infinitive is constructed by the pronominal particle u placed between the particle me and the participle. While analyzing the use of the past infinitive by the old Albanian writers, the author concludes that the past infinitive is actually used by them in the temporal sense of the future. Consequently, it can be said that the grammatical category of time by the Albanian infinitive has fictitious and not real value.

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Mbi ndarjen në rrokje të grupeve dyshe të bashkëtingëlloreve në pozicionin ndërzanor

Mbi ndarjen në rrokje të grupeve dyshe të bashkëtingëlloreve në pozicionin ndërzanor

Author(s): Artan Xhaferaj / Language(s): Albanian Issue: 01-02/2018

This paper has focused on syllabification of bi-consonantal clusters in intervocalic position. In the present research on syllabification, we support some of the existing rules by bringing new arguments and making some additions in order to make them more convincing, with a view to improving and simplifying their practical application. We focus on syllable boundary when there are two consonants between vowels, based on the Sonority Sequencing Principle, on the Syllable Contact Law, the Dispersion Principle and the Maximum Onset Principle. We consider that the sonority theory offers better solutions to syllable boundary in Albanian. According to the data from our questionnaire, 82% of the subjects placed two consonants in the onset of the second syllable in [mi- sra], even though Albanian has no word starting with /sr/; thus, in this case the phonetic aspect overrules the phonotactic rule. This argument also holds for the groups /fk/,/nt/, /rj/, /lj/ etc. As it can be understood from the examples discussed above, if we focus on a detailed phonetic analysis of the articulation of a word or a certain group of sounds, relying on phonotactic criteria worsens the controversy on syllable boundary determination in Albanian. By contrast, if we resort to the Sonority Theory and the models we examined above, solutions that are more appropriate could be given: the rules of syllable boundary become clearer, more generalizing and simpler in practical application, by avoiding the exceptions for consonant groups in intervocalic position that possess the same sonority curve. Furthermore, we deem it necessary that experimental researches on such cases should be conducted in the future. However, for specific words in Albanian, the phonological factor, the morphological structure of a word and the role of stress may aid in determining syllable boundaries.

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Rreth disa dukurive fonetike të së folmes së qytetit të Prizrenit me rrethinë

Rreth disa dukurive fonetike të së folmes së qytetit të Prizrenit me rrethinë

Author(s): Muharrem Gashi / Language(s): Albanian Issue: 01-02/2018

its surroundings, within the varieties of the dialects of the northeast dialect generally have their significance, even we would say irreplaceable for opposing today’s language developments, and especially for the history of dialectology and the history of our language, as this area is part of this whole that falls precisely at the center of the lands of northeastern Gheg. The results of dialectic recognition have special value for the enrichment of the language, as the popular specter language, its varieties are an inexhaustible source of words and expressions for more sensitive communication as well as for the permanent growth and enhancement of interpersonal relations and language. First and foremost, we have in our mind the common and essential elements of the standard, language composition base that marks almost all of its spheres. Likewise, in most of the spoken language these characteristics are similar to those of all varieties of Albanian spoken language.

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Dukuri të ndërgjuhës tek shqipfolësi me italishten si gjuhë të dytë

Dukuri të ndërgjuhës tek shqipfolësi me italishten si gjuhë të dytë

Author(s): Valbona Sinanaj / Language(s): Albanian Issue: 03-04/2018

Acquisitive linguistics describes stages of learning led to spontaneous or L2 (second language), and reaches through it to understand the principles and methods by which the mind processes and rebuilds a new language. Acquisitive linguistics describes and interprets the processes through which the speaker develops his competence language, also interprets and mistakes deviant forms used in various stages of L2 learning it, as manifestations creative student or speaker develops systematically, system rules new interlingua. Everyone uses language creatively and performances of his personal and is distinct from another person. During the process of learning a second language speaker describes an evolutionary phase called learning or Interlingua varieties, which differ from structured rules. Acquisitive studies, describe the process of L2 learning it, interpret deviant forms, present or errors that can be made in different learning stages, the first of these errors not as a negative indicator of competence, but as a creative manifestation during which the student develops in a systematic way the rules of the new language. The comparative analyzes and the differences between the Italian language and Albanian language are complex. It is reflected in the conscience of emigrants and Albanian scholars who are under the pressure of both different languages and cultures, in their efforts to be expressed into Italian to be integrated and to survive in the Italian society. Each language contains some linguistic units that reflect the social features of the speaker, the listener or of the relations between them. As a consequence a linguistic act that contains these units informs the listener for the way the speaker consider these features and their incorrect use represents an infringement of the linguistic norms. The language can also reflect the social relations between the speaker and the listener, in particular the power and the solidarity manifested in these relations. The power does not demand the explanations, but the solidarity is linked with the social distance of the people: how much common experience they have and as they have features in common (belief, sex, age, country of origin, race, labor, interest) to what extent are likely to live together. These conclusions convinced us that if we want to learn or to use a foreign language is necessary the acquisition of sounds for mutual interfering of them, placing clearly in the phonematic systems of each language. Each language has its sounds, and those that look identically are always approximate, and in order to learn a foreign language we have to recognize and to know the new phonematical system.

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Vëzhgime akustike të gjymtyrëzimit aktual në shqipe

Vëzhgime akustike të gjymtyrëzimit aktual në shqipe

Author(s): Enkeleida Kapia / Language(s): Albanian Issue: 03-04/2019

There is very little-known work on the intonation phonology of Albanian, as well as the acoustic and phonological correlates of information structure in this language. The present study offers preliminary evidence on the realization of pitch countours for three independent syntactic constructs, i.e. topic, rheme and kontrast. The study corpus consists of read speech from adult native speakers of Albanian and the data are analyzed within the framework of Autosegmental Metrical Analysis using the ToBI method. As hypothesized based on syntactic data, speakers use acoustic cues to differentiate between the three contracts mentioned above. More specifically, the pitch countour for topic is realized via a low pitch accent that docks onto the stressed syllabled followed by a high boundary tone at the end or near the end of the word. While rheme and kontrast seem to be more similar to each other in terms of their pitch countour realization, wherein the high tone is not a boundary tone that docks at the end of the word anymore, but is a pitch accent that docks onto the stressed syllable, making the pitch contour look more like the shape of a peaked mountain. The difference between the two, rheme vs kontrast, is the fact that for rheme the high pitch accent is lower in hight and arrives a bit later in time than for the syntactic construct of kontrast. Future studies will explore further differences between these two constructs, as well as other types of information offered in discourse for a complete inventory of tones in Albanian language.

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Giovanni (Gianni) Maria Belluscio (1961- 2020)

Giovanni (Gianni) Maria Belluscio (1961- 2020)

Author(s): Author Not Specified / Language(s): Albanian Issue: 01-02/2020

Në muajin prill të vitit 2020 komuniteti i studiuesve albanologë përjetoi një tronditje të thellë nga lajmi i ndarjes së parakohshme nga jeta të kolegut dhe mikut Gianni Belluscio, profesor i gjuhës shqipe pranë Universitetit të Kalabrisë, studiues i dialekteve dhe fonetikës arbëreshe dhe shqipe.

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