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Short stories written by Rodica Bretin - "Kindergarten", / Damaschin Pop-Buia - "Atra cura", / Luminița Ignea - "Măciuca".
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Zakaria Tamer is one of the most important contemporary Arab writers. In his literary oeuvre, the short story stands out as a form that appeared in contemporary literature with the aim of presenting simple, mundane, and specific motifs from the lives of the characters. In Tamer’s stories, the characters are one of the most significant segments. The actantial model is a scheme that is used to represent the way in which the relations between actants are organized. In this paper, the characters are analyzed through their role within the actantial model, according to the action they perform in the stories.
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Mostarski sajam gospodarstva i Društvo hrvatskih književnika Herceg Bosne organizirali su i ove godine natječaj za pisane radove i fotografije: Pričom i(li) fotografijom do nagrade, tema ovogodišnjega natječaja bila je „Ne prekoračivši kućnoga praga, svemir se upoznati može“.
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The review of: Miljenka Koštro: Tri tajne, Matica hrvatska Čitluk - Društvo hrvatskih književnika Herceg Bosne, Čitluk - Mostar, 2021.
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This article was written with the aim of drawing attention to the chromatico-symbolic use of white color in Guy de Maupassant’s short prose, which reveals one of the writer’s recurring themes that has been the subject of numerous research work during the nineteenth century, namely madness. Guy de Maupassant’s short stories report an abundant number of “lunatics”, disconnected from reality (memory) and “sunk” into madness. Forgetting the quality of being rational is strongly impacted by a major trigger: the age. Symbolically reigned by the white color, the ol“ age pla”s the card of madness in Maupassant’s prose, illustrating characters who approach dementia at the sight of white objects or apparitions. We therefore propose to make visible the notion of “psychological-chromism” through a chromatic and symbolic analysis of this color related to Maupassantian psychologies.
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Short Prose by Szabina Farkas B. - "Bebábozott szemeink", "Szél utca", "Kendőjének négy sarkán csomó", "Sapkáimat telefújta a szél".
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Short Story by Johann Lippet.
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This study deals with previously unknown manuscripts that the authors have identified and reassembled in an as yet unorganized section of the Jakub Deml fonds in the Museum of Czech Literature (PNP) Literary Archive. These manuscripts, fragments and variants of some seventy books and dozens of unpublished texts make a significant contribution to our understanding of the genetics and meaning of the work as a whole. They alter our idea of its genre composition, clarify information on the origin, authorship, co-authorship and addressees of the texts and testify to the complex, non-linear chronology of the work. The authors identify three periods in which Deml’s manuscripts have different functions: the first period involves manuscripts and to a limited extent publishing (1896-1911); the second period independent publishing (1912-1941); the third period is the second manuscript period (1941-1961), when manuscripts became the main medium. Subsequently the study comments on the possibilities of a critical edition of the entire work. It compares the approach of the samizdat Works of Jakub Deml and Collected Writings, touches upon the limits of the second edition brought about by the omission of a substantial part of the author's personal papers and proposes a solution in the form of a digital edition.
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Review of: 1) Jasmina Hasanspahić-Šijak, “U zagrljaju sjećanja” 2) “WHY, AS A MUSLIM, I DEFEND LIBERTY”, MUSTAFA AKYOL (Cato Institute, Washington; 2021; ISBN: 978-1-95223-17-4; broj stranica 184; engleski jezik)
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