A név kátyú, vaddisznódagonya, omladék, szerelem – 23.
A literary text written by Wirth Imre.
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A literary text written by Wirth Imre.
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Contemporary Korean literature and women’s prose gain increasing popularity both among the readership outside the Korean peninsula and the foreign researchers of Korean studies. The concept of “women’s literature” and “women’s prose” are relevant not only in modern Korean literature, but also in the literature of other countries; it occupies one of the most important places. Tracing the history of the growth of self-awareness of a Korean woman, we clearly realize what a difficult path the “new” woman had to go through in order to attain emancipation. The Republic of Korea is the country of Confucian ethics, hence, it was determined to uphold the pronounced patriarchal nature of organization in society.
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Short Prose by Erika Gerber - "Miheztartás végett", "A vadászleves", "Megvilágosodás";
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Anton Pavlovich Chekhov is a world famous Russian play and short story writer and one of the greatest writers in history. The article reviews one of the most famous Chekhov’s stories “Ward № 6”. The article describes the method of analysis of the text taking into account the internal dynamics of the construction of statements and their inclusion in the chain of communication in the practice of interactive teaching Turkish students of the Russian language in an extralinguistic environment. The text of Chekhov’s story “Ward № 6” is considered as an appeal to the reader and a message to the addressee from whom a response is expected in the form of assessment, criticism, sympathy or objection. Three types of utterances constructing the text are studied and analyzed: author monologue speech, direct speech of the characters and their dialogs. The individuality of the speech subject, that is the author of the story, his style, worldview, the idea of the work as well as various forms of transferring the speech of the characters in relation to the author's speech is revealed. The role of the landscape sketch is analyzed as a reference to the time of year, month, time of day, weather, scene of action, from which the description of the development of the story’s plot begins as well as a marker of the emotional state of the character. Analysis of the text of Chekho’s story “Ward № 6” was made with Turkish students as part of an interactive teaching of Russian as a foreign language in comparative literature. Analysis of the text including the difficulties of perceiving a foreign language text allows to conclude that the strategy of reading and understanding Russian literature texts involves a conscious approach to those speech means that are used by the writer in the process of compiling the text as a complex statement that poses essential questions to readers, to which each of them will have to find their own individual answer.
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Short story written by Rada Iveković: „Le texte plus ou moins infini“.
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The essay discusses ten short-stories published under the title Bakakai, written by Witold Gombrowicz at the age of 29 year old, partially edited for the first time in 1933 as Pamietnik z okresu dojrzewania. The volume homogeneity – its stories are very diverse – is however ensured by a common denominator, be it formal in nature (their allusive character, playing with literary forms, their sometimes cruel realism, the flexibility of the narrative form) or intrinsic (strange characters, bizarre, alienated peoples). Regarded as a whole, the short-stories depict in a very fresh, simple, suggestive vocabulary, absolutely innovative for the beginning of the XXth century, the absurdity of day-to-day life, because in these stories Gombrowicz’s heroes evolve in more than ordinary social circumstances: they go to the theatre or to the restaurant, pay visits, are presented while fulfilling their duties, they travel, have absolutely normal needs and do not stand out in the least by the way they choose to react to normal life situations. All short-stories included in Bakakai prove Gombrowicz’s artistry and mastery in reading and interpreting man’s personality. In Gombrowicz’s oeuvre – including these stories as well – the affirmation of the Ego in a world dominated by paradoxes is very powerful. The characters form a gallery of very interesting psychological archetypes. Narrated mostly in the first person, the stories reveal to the readers characters that either choose to isolate themselves, or are conditioned by external circumstances to live outside society, because they are obsessive and incapable to manage their way in society. There are also characters that have their own outlook on life, which differs from that of the most people and which is not necessarily in consensus with reality. That is the reason they choose to behave differently, as an act of rebellion in a world they consider grotesque and alien. They do not realize they are the one being grotesque, ridiculous, burlesque.
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