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Search results for: Danziger Trilogie in All Content

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Transformation of Trousers in Carlo Goldoni

Transformation of Trousers in Carlo Goldoni

La transformation de Pantalon chez Carlo Goldoni

Author(s): Anna Kucharska / Language(s): French / Issue: 1/2002

Toute la création de Carlo Goldoni tire son origine de la tradition de la commedia dell'arte qui est une forme théâtrale née dans la rue et se caractérise par la présence des types. Dans le présent article on se concentrera sur le personnage de Pantalon et sur son évolution à partir de la commedia dell'arte jusqu'à la comédie goldonienne et pendant la réforme de celle-ci. Bien entendu, il ne s' agira que de systématiser les faits et de p11iser largement dans la riche bibliographie relative à ce sujet.

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Remember: J. R. R. Tolkien

Remember: J. R. R. Tolkien

Remember: J. R. R. Tolkien

Author(s): Robert Lazu / Language(s): Romanian / Issue: 06+07/2003

Keywords: J. R. R. Tolkien;

Commented biography of J. R. R. Tolkien.

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World-View Topics In Rilkes Late Work
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World-View Topics In Rilkes Late Work

Weltanschauliche Themen In Rilkes Spätwerk

Author(s): Zoran Kravar / Language(s): German / Issue: 2/1993

Keywords: Rilke; World-View

Der Verf. versucht, die Themenweit des späten Rilke unter Anlehnung an gewisse weltanschauliche Philosopheme (Monismus,Transzendentalismus) zu beschreiben. Der Versuch konzentriert sich vor allem auf jene Gedichte und Gedichtkreise des späten Rilke, in denen die Transzendentalen Voraussetzungen der Menschlichen Welterfahrung kritisch hinterfragt und Auswege aus den ontologisch privativen »Spiegelungen des SeinS gesucht werden.

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Reviews: History - Middle Ages

Rezensionen: Geschichte - Mittelalter

Author(s): Author Not Specified / Language(s): German / Issue: 69/70/2010

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Exile and Interculturalism – The Case of Five French Writers of Romanian Origin

Exile and Interculturalism – The Case of Five French Writers of Romanian Origin

Exil şi interculturalitate – cazul a cinci scriitori francezi de origine română

Author(s): Marinela Doina Dorobanţu / Language(s): French / Issue: 03/2011

Keywords: language; culture; innovation; exile; belonging; langage; culture; innovaţion; exil; appartenance; limbă; cultură; inovaţie; sursă; ţintă

The influence of French culture over the Romanian language has been the subject of an impressive number of books; our purpose in this paper was to choose the opposite way and to prove to which extent a small, isolated Romance culture, located in the Balkans, such as the Romanian culture, was able to offer the great French culture thinkers that were capable of innovating it, of leaving their mark where everything seemed to have been said. In order not to fall into the trap of subjectivism, our research has addressed a double perspective – Romanian and French, focusing on five Romanian personalities, belonging to different eras and streams and who have decisively left their mark upon French literature: Tristan Tzara, Panait Istrati, Emil Cioran, Eugen Ionesco and Virgil Gheorghiu.

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Andrei Serban: Theatre as Incursion To Life's Essence

Andrei Serban: Theatre as Incursion To Life's Essence

ANDREI SERBAN: TEATRUL CA INCURSIUNE SPRE ESENTIALUL VIETII

Author(s): Raluca Radoi / Language(s): Romanian / Issue: 1/2014

Keywords: Andrei Serban; Hungarian Theatre of Cluj; Uncle Vanya; Cries and Whispers; Hedda Gabler

For the Romanian-born theatre and opera director Andrei Serban, theatre can be more intense than life. Indeed, for him, theatre is an attempt to find the essence of life. Working with the actors from the Hungarian Theatre of Cluj, he has created three shows that reveal the complexity of the human condition: „Uncle Vanya”, „Cries and Whispers” and „Hedda Gabler”. In these productions, Serban and his actors formed a cohesive group, with a common set of theatrical values.

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The "Autonomous Zone" of Nichita Stănescu
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The "Autonomous Zone" of Nichita Stănescu

"La Zone Autonome" de Nichita Stănescu

Author(s): Roumiana L. Stantcheva / Language(s): French / Issue: 1/1996

Keywords: Nichita Stănescu;

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Natural Rubber in the II World War.  Boom and Fail of a Research Project
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Natural Rubber in the II World War. Boom and Fail of a Research Project

Naturkautschuk im Zweiten Weltkrieg. Boom und Scheitern eines Forschungsprojekts

Author(s): Susanne Heim / Language(s): German / Issue: 11/2004

Keywords: Auschwitz; Nazi scientists; Kaiser Wilhelm society; dandelion; rubber; looting; agriculture; Holocaust; women;

Notwithstanding intensive historical research on Auschwitz some aspects of the concentration camp are hardly known; e.g. the agricultural research unit which was part of the camp. There a plant breeding project of strategic importance was conducted. The Germans tried to increase the rubber content of a specific dandelion-like plant, kok-saghyz, in order to minmize Germany’s dependence on natural rubber imports from overseas. The project was closely linked to German expansion policy to Eastern Europe and based on resources captured in the occupied territories: seed, plants, arable land and workers. This article will first investigate the boom of rubber plant research following the German invasion of the Soviet Union - and it’s failure. It will also examine how rubber plant research was pursued in the Auschwitz concentration camp as well as the working conditions and the struggle for survival of the mostly female prisoners working in the project, who were transferred here from the Auschwitz core camp.

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Epische Erzähltechniken in der deutschen Gegenwartsdramatik. Eine Untersuchung der gattungsauflösenden Schreibverfahren

Epische Erzähltechniken in der deutschen Gegenwartsdramatik. Eine Untersuchung der gattungsauflösenden Schreibverfahren

Epische Erzähltechniken in der deutschen Gegenwartsdramatik. Eine Untersuchung der gattungsauflösenden Schreibverfahren

Author(s): Danijela Kapusta / Language(s): German / Issue: 20/2011

In vorliegendem Beitrag werden neue Formen zeitgenössischer deutschsprachiger Theatertexte behandelt, die nicht aus der monologischen und dialogischen Rede dramatischer Personen, sondern aus einem erzählenden Text bestehen. Durch die Übernahme epischer Erzähltechniken schaffen GegenwartsdramatikerInnen neue Formen literarischer Texte, die die Grenze zwischen der epischen und der dramatischen Gattung auflösen und nur durch ihre Bestimmung, im Theater aufgeführt zu werden, mit dem Bereich der Dramatik verbunden werden.

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QUESTIONS DE STYLE DANS LE LANGAGE DE MARTIN CAMAJ

Author(s): Shaban Sinani / Language(s): French / Issue: 01/2007

Keywords: STYLE DANS LE LANGAGE ; MARTIN CAMAJ ; Language Style; Albania; Albanian Language

Il est difficile de comprendre l’individualité d’un écrivain en dehors de certains liens d’influence contraignante : la vie, l’oeuvre, le temps, les hommes, la société, l’État, le lecteur, la conscience littéraire et politique et la liberté Dans le cas de Martin Camaj l’on peut dire que l’identification de l’individualité créatrice et des traits du langage ne peuvent pas être compris en-dehors de ces rapports. Le destin personnel a influé sur celui de la création ; les circonstances de la vie ont déterminé beaucoup de ses prononciations ; l’absence de la patrie et le mythe de l’origine ont dicté énormément ses préoccupations littéraires. L’auteur ne peut pas être séparé de l’homme, l’homme des caractères, les caractères de la tradition, de l’histoire et de l’origine.

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Bibliography of Transylvanian History and Studies of Transylavania
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Bibliography of Transylvanian History and Studies of Transylavania

Bibliographie zur siebenbürgischen Geschichte und Landeskunde

Author(s): Balduin Herter / Language(s): German / Issue: 1/1984

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Those 20 Minutes

Those 20 Minutes

Acele 20 de minute

Author(s): Zsuzsa Selyem / Language(s): Romanian / Issue: 545/2003

Keywords: Imre Kertsz;

Imre Kertsz is the winner of the Nobel Prize for literature in 2002. Zsuzsa Selyem takes a very interesting and insightful interview with the prominent novelist. The journalist is interested in the biographical particulars as much as in the fictitious aspects and some significant theoretical topics.

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If You Were Wrong, the Parrot Started Screaming

Dacă ai gresit, papagalul începe să tipe

Author(s): Cristina Băniceru,Cristina Chevereșan,Paul Bailey / Language(s): Romanian / Issue: 01/2015

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“Cultura creştină” Magazine - Heritage and Continuity

“Cultura creştină” Magazine - Heritage and Continuity

Revista „Cultura creştină” între tradiţie şi continuitate

Author(s): Iuliana Wainberg / Language(s): Romanian / Issue: 1/2009

Keywords: “Cultura creştină” Magazine; cultural values; articles; 1911; editorial; continuity

“Cultura Creştină” [The Christian Culture], a magazine for religious culture and education, was published bimensal in Blaj. The publishing period was 1911-1926 and 1936-1944 (excepting July and August). The initial editorial board had the following members: Dr. Ioan Sâmpăleanu, Ştefan Roşianu, Dr. Alexandru Nicolescu, Dr. Alexandru Rusu and Dr. Ioan Coltor. The end of 1926 was also the end of the first appearance period for “Cultura creştină”. A new editorial series of the magazine is published between 1936 and 1944. The new editorial board has as members: Victor Macaveiu (president), Dumitru Neda (secretary), Ion Agârbiceanu, Ioan Balan, Nicolae Brînzeu, Alexandru Lupeanu, Titus Malai, Zenovie Pâclişanu, Augustin Pop and Aloisiu Tăutu. The magazine brings to its readers studies having a religious feature, notes, chronicles, book reviews, bibliographies, articles dedicated to several clerics and well-known personalities of that time, articles on the problems of the orphanages, on the material conditions of the Greek-Catholic clergy, some of Ion Agârbiceanu’s creations, articles on the contemporary social problems, also sermons and pastorals on different religious events. Ioan Georgescu, Teodor Murăşanu, Ştefan Tăşiedanu, Virgil Pop, Irina Berinde, Iuliu Maior, Ioan Modrigan, Ioan Pop de Zăicani, Septimiu Popa, Iosif Sângeorgeanu, dr. Augustin Tatar, dr. Ioan Ferenţ, Ionel Bârsan, Aurel Marcu, Ştefan Manciulea, I. Miclea, Dr. Iuliu Haţieganu, Iuliu Raţiu, Coriolan Suciu, Dumitru Lucaciu sign all as authors in the pages of the magazine. The magazine definitively stopped its appearance in 1944. Our paper aims to present the most important editorial moments of the magazine „Cultura creştină", with a highlight on the issues published during the first half of the twentieth century, especially because the ordinary reader has a difficult access to their pages. We are also presenting copies of some very interesting articles published in “Cultura creştină” by several acknowledged cultural personalities from the beginning of the past century.

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Apocalypse à l’américaine: un exceptionnalisme blessé

Apocalypse à l’américaine: un exceptionnalisme blessé

Apocalypse à l’américaine: un exceptionnalisme blessé

Author(s): Jennifer Boum Make / Language(s): French / Issue: 2/2012

Keywords: Apocalypse; exceptionalism; particularism; religiosity; sin; virtue

This paper is a presentation of a particularism that shows the representation of the Apocalypse as defined by the American standards. The experience of virtue is at the core of America’s national identity. And the expression of moral responsibility as well as a Manichean tradition solidify this idea. This particular brand of virtue was imported in North America by Puritans, missionaries who came to erect “city upon a hill“, early symbol of American exceptionalism. From this perspective, the apocalyptic genre takes on a new meaning when it is seen through an American lens. That takes into account whether 1) religiosity still remains prevalent in contemporary American society, and in that case 2) the meanings that we can attach to the various representations of the Apocalypse. Through the unmasking of biblical undertones on the screen, the attempt to determine whether or no the human race would be punished for their sins in order to recover their original virtue comes into the spotlight.

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Jog, politika, méltóság, szabadság

Jog, politika, méltóság, szabadság

Rights, Politics, Dignity, Freedom

Author(s): Alain De Benoist / Language(s): Hungarian / Issue: 07/2010

Keywords: moral philosophy; legal positivism; utilitarianism; natural right; punishment

Views on jurisdiction have always been the reflection of a certain political philosophy and the moral philosophy associated therewith. Since the Enlightenment, three major theories have been proposed concerning jurisdiction: legal positivism (which almost confuses the right with the law), utilitarianism (whatever benefits most people is right) and modern natural right theories associated with the ideology of human rights. This article examines these theories and confronts them with each other, as well as with the views of the ancients (Aristotle). In the second part, dealing with criminal law, the author examines questions regarding the purpose of punishment: is it the exclusion of the criminal or a means of his reintegration in society? Is the object of punishment the crime or the criminal? Do we consider as socially harmful or morally guilty those who break the law? Is the real purpose of punishment deterrence, and with exactly what should it be proportional? Is the law always right? And are prisons a solution, or even a panacea?

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On the Poet’s Forehead, the Letter T: Octavian Doclin

On the Poet’s Forehead, the Letter T: Octavian Doclin

Litera T, pe fruntea poetului: Octavian Doclin

Author(s): Valy Ceia / Language(s): Romanian / Issue: 50/2012

Keywords: Octavian Doclin; poem; unity; sacrality; love

By surpassing Manichaean, vindictive and triumphalist attitudes, the Doclinian creation both gives shape to and eternally longs for the harmonious unity of a world animated by the sacred. In my view there are two central ideas in Doclin’s writings: sacrality (under its various shapes: love, belief, humanism) and unity (achieved through the minimal poem, the dot, the kernel of being; it is the One to which philosophical thinking has always aspired). Based on such defining structures, the works of Octavian Doclin find within conscience a true mechanism of selfrevelation. The strength of the poet resides in surmounting – through understanding and the linguistic expression of fractures – the paradoxical, contradictory, meta/translogical dimensions of reality, sublimated in a text that is ardent due to its various examples of the world’s sacrality. In its interplay of hope and despair, certainty and uncertainty, love is relentlessly engaged in building the world’s being and securing its flight. The manifestations of love, in their multitude, are bound in an unbreakable link and together they make possible the understanding of the human being.

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The history, deconstruction. How Tomasz Burek and Ryszard Koziołek read the "Prologue" to the second part of the "Face of the Moon" by Teodor Parnicki

The history, deconstruction. How Tomasz Burek and Ryszard Koziołek read the "Prologue" to the second part of the "Face of the Moon" by Teodor Parnicki

Historia, dzieje, dekonstrukcja. Jak Tomasz Burek i Ryszard Koziołek czytali "Prolog" II części "Twarzy księżyca" Teodora Parnickiego

Author(s): Krzysztof Uniłowski / Language(s): Polish / Issue: 1 (1)/2011

A large Prologue to the second part of the Face of the Moon by Teodor Parnicki shows a mechanism of a complicated bureaucratic-counterintelligence in Byzantium in the middle of the fifth century. The task of agents (recruited among unemployed rhetoricians) is to make the most precise reports, however, as Tomasz Burek, a critic, has noticed, they do not follow the course of events. After years, similar remarks were made by Ryszard Koziołek in his work devoted to Parnicki’s trilogy. Referring to these remarks, the author of the article claims that a dynamic relation between an event and word in Parnicki’s novel is similar to a „source difference” typical of a language of deconstruction. Thus, one can speak of analogies between Parnicki’s prose from the 1960s and Jacques Derrida’s deconstruction deriving from the criticism of phenomenology at the same time. Eventually, the history taking place seems to be an event muddle in Parnicki’s works, around which something happens, though, we cannot definitely say what happens in fact. Reality, „ungraspable and unembraceable” becomes marked with stereotypical female features, taking on the status of an unapproachable object of desire. At the same time, it is being constantly disciplined by écriture masculine, an institutionalised discourse of a patriarchal culture while a monstrous SCHOLA AGENTORUM from the Prologue to Parnicki’s novel may successfully be considered a hyperbole of such a discourse. Maksymian, the main protagonist, chooses another discourse which is confronted with a Nietzschean principle of vita femina.

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Sociolinguistic Considerations for the Bosnian of Today (Using Newer Literature)
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Sociolinguistic Considerations for the Bosnian of Today (Using Newer Literature)

Soziolinguistische Überlegungen zum Bosnischen von heute (anhand neuerer Literatur)

Author(s): Peter Rehder / Language(s): German / Issue: 59-60/2000

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Die Orgel

Die Orgel

Die Orgel

Author(s): Alfonz Bednar / Language(s): German / Issue: 1/2008

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