Search results for: Danziger Trilogie in All Content

Pour un point de vue d’immanence en sciences humaines

Pour un point de vue d’immanence en sciences humaines

Author(s): Marc Maesschalck,Benoît Ghislain Kanabus / Language(s): French / Issue: 9/2009

Th is article shows how, starting from Schelling and Henry, one can build a radical critique of objectifi cation and subjectifi cation within humanities. Th is critique opens the way for the construction of a point of view of immanence, which is characterized by the experimentation of a constitution of aff ects in a process from which proceeds the subjectivity. Th is point of view of immanence questions the accepted attitudes in the production of social relationships and the norms that govern them, so as to increase the attention to the vulnerability of these processes and their power to transform the aff ects.

Gezwungene Sommergäste des Kriegs. Österreichische Schriftsteller in der Emigration auf der Insel Korčula (1942-1944)

Gezwungene Sommergäste des Kriegs. Österreichische Schriftsteller in der Emigration auf der Insel Korčula (1942-1944)

Author(s): Vlado Obad / Language(s): German / Issue: 6/2001

Durch die Wirren des Krieges wurden die österreichischen Schriftsteller und Antifaschisten Franz Theodor Csokor und Alexander Sacher-Masoch auf die südadriatische Insel Korčula verschlagen. Ihr dortiger Aufenthalt war von Entbehrung und Not geprägt, und doch reich an literarischen Ergebnissen. Einzelne Werke, die an der Adria entweder entstanden oder vom Exil inspiriert worden sind, werden hier interpretiert und auf ihre Poetik hin untersucht. Die kroatische Übersetzerin Ina Jun Broda war mit beiden Exilanten in Freundschaft verbunden, einer Freundschaft, die nach 1945 in Wien fortgesetzt wurde und die die Verbindungen zwischen der österreichischen und der kroatischen Literatur intensivierte.

reviews

Recenzii

Author(s): Author Not Specified / Language(s): Romanian / Issue: 03-04/2008

Ioan Dragan, Communication. Paradigms and theories (Alexandra Povara) / 222 Adrian Hatos, Sociology of education (Constantin Schifirnet) / 223 Mihai Pascaru, Cãlina Ana Butiu, Outcome restitution and community development (David Popescu) / 226 Ion Cherciu, Wooden churches in Tara Vrancei . factor of cultural identity; Popular art in Tara Vrancei; Popular traditions and beliefs in Tara Vrancei (Florina Bulzan, Gheorghitã Geanã) / 228 Alain Minc, Epîtres à nos nouveaux maîtres (Delia Bãdoi) / 232 Robert Layton, Order and Anarchy. Civil Society, Social Disorder and War (Marin Constantin) / 236

(Im)Possibilities of Autobiography in Karel Čapek‘s “Obyčejný život“

(Ne)možnosti autobiografie v diele Karla Čapka Obyčejný život

Author(s): Gabriella Csizmadia Petres / Language(s): Slovak / Issue: 2/2011

Keywords: Autobiography. Quasi-autobiography. Anti-autobiography. Meta-autobiography. Heterogeneous subject. Distorting memory.

The paper interprets “Obyčejný život”, a work by Karel Čapek in the context of late 20th century autobiography theories. Previous interpretations are more or less dominated by the so called noetic aspects, however, the autobiographical difficulties raised by the work, the impossibility of imagining life as narration, and facing the multi-facetedness of the self raise the possibility of employing autobiographical considerations. An interesting feature of the analysed work is that it includes an embedded story, an autobiographical text, which has a double structure: the first part includes a traditional autobiography that is a quasi-autobiography; the second part consists of the dismantlement, rethinking and re-evaluation of the first part. Therefore, I call the second part an anti-autobiography, its aim is to liberate the autobiographer from his illusions about the workings of an autobiography and to point at the failure of idealized preconceptions about life story narration. An anti-autobiography works as metaautobiography, and rewrites the relationship of the autobiography and the autobiographer, it intends to riddle the autobiographer’s myth about his/her own autobiographer: it points at the fact that the autobiographer works with a distorting memory instead of a precise one and employs metaphorical narration instead of metonymical, presents only life fragments instead of a whole life story and instead of a homogeneous self it presents a multiple, heterogeneous subject.

Bibliiography of translations polish-czech(2007-2012)

Bibliografia przekładów literatury polskiej w Czechach w latach 2007—2012

Author(s): Paulina Juraszek / Language(s): Polish / Issue: 2/2014

Josef Weinheber zwischen Otto Weininger, Karl Kraus und Adolf Hitler. Krämpfe einer virilen Ästhetik der Sprachkunst in der nationalsozialistischen Är

Josef Weinheber zwischen Otto Weininger, Karl Kraus und Adolf Hitler. Krämpfe einer virilen Ästhetik der Sprachkunst in der nationalsozialistischen Är

Author(s): Albert Berger / Language(s): German / Issue: 5/1999

Readings in the News

Lecturi la zi

Author(s): Irina Marin,Alexandra Olivotto,Dorin-Liviu Bîtfoi / Language(s): Romanian / Issue: 36/2002

Review of: Lao Zi, “Cartea despre Tao si vitrutile sale”, Meteora Press Publishing House 2001. Flavia Teoc, “Din capitala provinciei “interviews with writers from Cluj, Limes Publishing House Cluj, 2002. Rodica Braga, “Si va fi ziua a opta” Dacia Publishing House Cluj Napoca 2001. Teodor Mazilu “Ipocrizia disperarii”Albatros Publishing House Bucuresti 2002.

To the Theatre of Carlo Goldoni: The Topicality and Modernity of his Image of Reality

Návrat k divadlu Carla Goldoniho: Aktuálnosť a modernosť jeho obrazu reality

Author(s): Marina Ruffinazzi-Leue / Language(s): Slovak / Issue: 01/2012

V analýze aktuálnosti a modernosti divadla Carla Goldoniho sa pokúsim ponúknuť nový a trochu netradičný pohľad na Goldoniho divadlo a jeho zobrazenie reality. Analýza zobrazenia reality v jeho dielach sa opiera o štúdium historického a sociálneho pozadia vzniku Goldniho hier, o štúdium jeho autorskej poetiky a rekonštrukciu práce s hercami a režisérom, ako aj o faktor prítomnosti publika v jeho práci divadelníka.

Botho Strauß, a Magician of the Dramatic Structures

Botho Strauß, un magician al structurilor dramatice

Author(s): Eleonora Pascu / Language(s): Romanian / Issue: XVI-XVII/2001

Die Intention dieser Studie ist den erfolgreichen deutschen Gegenwartsdramatiker Botho Strauß vorzustellen, aus der Perspektive seiner dramatischen Werke. Es wird eine Übersicht der formellen und thematischen Aspekte geboten, mit Berücksichtigung der innovativen Vorschläge, die auf ästhetischer Ebene eine starke Auswirkung zeigten. Um die magische Komponente der faszinierenden Theaterproduktionen von Strauß zu demonstrieren, wurde an die Meinung der Theaterkritiker appelliert und insbesondere der Regisseure Peter Stein und Luc Bondy. Botho Strauß erweist sich als ein dichtender, ständig theoretisierender und reflektierender Schriftsteller, der das ästhetische Paradoxon moderner Kunstpraxis auf seine Art zu umkreisen versucht, in seiner Prosa und in seinen Dramen.

Pavel Eisner and Bloudění by Jaroslav Durych. Literary transfer, canon formation and identity

Pavel Eisner Bloudění Jaroslava Durycha. Literární transfer, tvorba kánonu a identita

Author(s): Tilman Kasten / Language(s): / Issue: 6/2014

Keywords: Pavel Eisner; Jaroslav Durych; Bloudění; Rekviem; German-Czech literary transfer; translation; canon; identity

The life and work of Pavel Eisner and his role in literary and cultural transfer has in the past attracted the attention of many researchers. However, only marginal attention has been paid to Eisner’s German translation of Durych’s “larger” and “smaller” Wallenstein trilogy, despite the fact that it forms an important stage in Eisner’s work. On the basis of Eisner’s notes on the novel Bloudění, the present study deals with the issue of why Eisner was so intensively involved on behalf of Durych both on the Czech scene and in Germany. The study analyses the search for cultural, ethnic and religious/denominational identity in Eisner’s literary criticism and aesthetic attitudes.

Heritage as s Metaphor of Female Fates

DĚDICTVÍ JAKO METAFORA ŽENSKÉHO OSUDU

Author(s): Svatava Urbanová / Language(s): Czech / Issue: 1/2015

Keywords: History of Hlučín in Silesia; female stories; topics and symbols

The prose writer Eva Tvrdá (1963) is interested in the life fates of ordinary women from the region of the town of Hlučín which has a powerful history linked with the Third Reich. She places more than sixty years of history, which are parts of memorial and recollective pictures, into the prose of the so-called Silesian Trilogy which have been published in a collected form as Dědictví (Heritage), Třešňovou alejí (Cherry Lane) and Okna do pokoje (Windows to a Room). The motifs of family, home, travels and motherhood, which are linked with social and regional identity, are repeated in her work.

THE HISTORICAL AND CULTURAL BACKGROUND OF POLITICAL COMMUNICATION IN ROMANIA

DER ZEITHISTORISCHE UND KULTURELLE HINTERGRUND DER POLITISCHEN KOMMUNIKATION IN RUMÄNIEN

Author(s): Marc Stegherr / Language(s): German / Issue: 2/2016

Keywords: Media; Crisis; Transformation; Democracy; Discourse.

The media in Western (and Eastern) Europe are in a serious crisis. The gap between published and public opinion is steadily widening. The crisis of Romanian transformation policy and political communication is reflected in a media crisis and more generally in a crisis of trust in political institutions. The disappointment with sluggish political and social change is growing. The article describes the political, social, cultural and intellectual background and the problems of the present Romanian political and public discourse. The main reason why since the end of communist dictatorship no fundamental change towards an open and “impartial discourse” could be achieved is seen in the persisting deficits of democratic transformation and political communication.

Papal Diplomacy in the Age of Globalization

La Diplomatie Pontificale à l’Ère de la Globalisation

Author(s): Justo Mullor García / Language(s): French / Issue: II/2007

Lucian Blaga’s Books about Cognition and their Reception by Philosophical Criticism.

CĂRŢILE BLAGIENE ALE CUNOAŞTERII ŞI RECEPTAREA LOR DE CRITICA FILOSOFICĂ

Author(s): Eugeniu Nistor / Language(s): Romanian,Moldavian / Issue: 2/2019

Keywords: trilogy; philosophical consciousness; dogmatic aeon; transfigured paradox; Luciferian knowledge; transcendent censorship; experiment;

Works about cognition in Lucian Blaga’s system of thought originallyconstituted a trilogy, according to his “Trilogy of Cognition” (1943), but in 1959 heproceeded to a new restructuring, by adding two more works, one as an opening, andthe other as a “supplement”, thus resulting in a “pentalogy” that includes: ConcerningPhilosophical Consciousness (lithographed manuscript from 1947, published in 1974);The Dogmatic Aeon (1931); The Luciferian Knowledge (1933); The TranscendentalCensorship (1934); Supplement: Experiment and Mathematical Spirit (manuscript,published in 1969). Thus, after reordering philosophical ideas from antiquity to thepresent day and stirring consciences, Lucian Blaga declares himself the adept of thedogmatic method of work, by resorting to the deepening of human knowledge, byestablishing a new line of decryption of the mysteries of the world: the Luciferianknowledge. The next step is to uncover the mechanisms of the transcendental brakes ofthe Great Anonymous, who stops and censures all access to the mystery of humanthought, leaving though a door open to epistemological perspectives and cultural-artisticrevelations. Soon as they came out, Blaga’s books about cognition were subjected tophilosophical criticism, being sometimes praised and sometimes suffering criticalattacks and qualitative mutations from their commentators, more or les pertinent.

THE FATHER'S FIGURE IN THE FAMILY CHRONICLES DEMARGUERITE YOURCENAR AND LUAN STAROVA

LA FIGURE DU PÈRE DANS LES CHRONIQUES FAMILIALES DEMARGUERITE YOURCENAR ET DE LUAN STAROVA

Author(s): Elisaveta Popovska / Language(s): French / Issue: 2/2019

Keywords: chronique familiale; mémoire familiale; figure du père; lecture

Dans leurs chroniques familiales, Marguerite Yourcenar et Luan Starova mettent en honneur le rôle bienfaisant de leurs pères respectifs. Bien qu’ils incarnent différents milieux sociaux (la bourgeoisie aisée dans le cas de Yourcenar, l’émigration intellectuelle dans le cas de Starova), ces pères ont exercé, directement ou indirectement, une influence déterminante dans la formation intellectuelle de leurs enfants. Possédant une vaste érudition, en grande partie acquise par l’autodidaxie, les deux pères ont insufflé aux futurs écrivains l’amour pour les livres. Les bibliothèques qu’ils possédaient et les lectures qu’ils proposaient à Marguerite et à Luan ont non seulement façonné le goût littéraire de ceux-ci mais les ont également préparés pour un affrontement lucide avec les hauts et les bas que leur offrirait la vie. Ces pères encourageaient les débuts littéraires de leur progéniture et, plus tard, autant que la durée de leur vie le leur permettrait, se sont montrés lecteurs assidus et commentateurs avisés des œuvres de leurs enfants devenus écrivains. Yourcenar et Starova dans leurs chroniques familiales vont bien au-delà de la mémoire personnelle et se plongent dans la mémoire familiale dans toutes ses manifestations : généalogique, référentielle, rituelle, corporelle, volontaire, involontaire... L’histoire familiale se montre ainsi une présence qui habite constamment ces auteurs et qui ressurgit dans leurs écrits par l’évocation des résonnances d’un passé plus ou moins éloigné.

Magic, Eros, Image(S)- Wagers and Echoes of a Cultural Debate

MAGIE, ÉROS, IMAGE(S) VERS 1857 : ENJEUX ET RÉVERBÉRATIONS D’UN DÉBAT CULTUREL

Author(s): Ion Pop Curseu / Language(s): French / Issue: 43/2020

Keywords: magic; science; eroticism; Allan Kardec; Éliphas Lévi; literature; art; images;

Taking as a starting point the hypotheses of Ioan Peter Couliano on Renaissance magic, this paper tries to see if they could be transferred to other cultural contexts, i.e. 19th century or contemporary world. During the 19th century, with modernity emerging and developing on a planetary scale, two divergent cultural tendencies confront: the rationalism and scientific positivism on one side, and – on the other side – various sorts of magic inspired by Plato. Two seminal works, elaborated around 1857 are analyzed: the spiritualist contribution of Allan Kardec and the magic work of Éliphas Lévi. The first one is oriented towards a conciliation of his explorations in the realm of dead with scientific imperatives, and the second one elaborates an extremely interesting magic syncretism, based on the idea of the universality of the force that eroticism emanates. The influences of the works of Kardec and Lévi on romantic and post-romantic literature, but also on cinema are mentioned and briefly analyzed in the article.

Cardinal Jean Daniélou (1905–1974) – A Catholic thinker for our time

Cardinal Jean Daniélou (1905–1974). Un penseur catholique pour notre temps

Author(s): Krzysztof Witko / Language(s): French / Issue: 17/2021

Keywords: Jean Daniélou; theologian; professor; priest; Christian Faith; Church; Living Tradition, apostolate

The Jesuit theologian, Cardinal Jean Daniélou, was not only the author of numerous books and articles, the founder of the patristic and theological collections (Sources Chrétiennes, Théologie Historique), but also a popular speaker and retreat-giver for the Paris academic and artistic circles. Therefore, it is not surprising that these comprehensive intellectual interests and intense pastoral activities were reflected in his patristic and theological works and gave it a specific flavour that is not easy to be rendered in a single compact system. This article aims to present briefly the figure of J. Daniélou as an outstanding patrist and theologian, academic lecturer and pastor, whoselife and deeds were totally coherent with the testimony of faith in the Risen Jesus Christ, firmly rooted in living Tradition and lived out and celebrated in the community of the Church at the present stage of salvation history.

Johann Marschalk von Frohburg – the first high dignitary from today’s Switzerland in the Prussian branch of the Teutonic Order and the brothers from Alsace-Burgundy

Johann Marschalk von Frohburg. Der erste Großgebietiger im preußischen Ordenszweig aus der heutigen Schweiz und die Brüder aus Elsass-Burgund

Author(s): Piotr Gotówko / Language(s): German / Issue: 4/2021

Keywords: State of the Teutonic Order in Prussia; brother Johann Marschalk von Frohburg and his carrier in Prussia; Great Trappearius; fellow countrymen from Alsace–Burgundy

Postfaces in Karel Čapek’s Writings, or ‘Reflections Written in the Margin’

Doslovy ke Spisům Karla Čapka aneb „Úvaha psaná na okraj“

Author(s): Magdaléna Smějsíková / Language(s): Czech / Issue: 40/2022

Keywords: Karel Čapek’s Writings (1980–1995); postface; paratext; textual analysis; 1980s

This study focuses on the postfaces that accompany Karel Čapek’s Writings (published 1980–1995), with an eye to the way they relate to the primary texts. The first part explores the nature of these essays, as well as the topics they address, in relation to Gérard Genette’s theory of paratexts. The author then goes on to examine certain presuppositions in the essays about the experience of reading Čapek’s writings, and how or whether authors of the essays are aware of their role in mediating this experience. In a third and final part of the study, the author examines the demands placed on literature during the period 1948–1989, and how they are reflected in the postfaces.

Fable for today

Bajka pro dnešek

Author(s): Tereza Dědinová / Language(s): Czech / Issue: 2/2022

Keywords: Ekokritika; hyperobjekt; antropocén; hybridizace; příroda × kultura

Ekokritika je relativně nový, nicméně významný a bouřlivě se rozvíjející směr zkoumání uměleckých děl zaměřující se na vztah literatury a životního prostředí. Od svého počátečního soustředění na nebeletristická líčení přírody (tzv. nature writing) ve své druhé generaci rozšířila pozornost ke všem typům reprezentace prostředí v literatuře a v médiích obecně. Daleka toho být čistě hodnotící či dokonce ideologickou metodou, ekokritika zkoumá reprezentace vztahu přírody a kultury, reflektuje propojení environmentální a sociální tematiky a analyzuje inovativní strategie narace usilující o postižení komplexních témat. V této studii se po úvodní charakteristice a přiblížení vývoje ekokritiky zaměříme na sedm současných českých románů tematizujících environmentální témata. Analýzu vybraných aspektů těchto děl — reflexe klimatické změny a environmentální krize, ekologické spravedlnosti a socio-environmentální bídy, reprezentace přírody a zpochybnění hranic mezi kulturou a přírodou — doplníme pokusem o jejich uchopení prostřednictvím konceptu hyperobjektu Timothy Mortona.