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Keywords (12)

  • religion (2)
  • Manole (1)
  • civilization (1)
  • future (1)
  • globalization (1)
  • myth (1)
  • new age (1)
  • sacrifice (1)
  • system. (1)
  • anticipation (1)
  • archetype (1)
  • delirium, vanguardism, structure plans, narrative, character (1)
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  • CRISTIAN LUNEL (3)

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Search results for: Cristian LUNEL in Author Name

Result 1-3 of 3
The Empire Cornerstone

The Empire Cornerstone

Piatra de la temelia imperiului

Author(s): CRISTIAN LUNEL / Language(s): Romanian / Issue: 3/2013

Keywords: anticipation; civilization; future; globalization; new age; religion; system.

Science-fiction literature has the merit of proposing a scenario behind which hides the wildest imaginative projects. But it is equally true that behind such scenarios are hiding, more or less subtle realities that mask allegorically a particular context or sometimes project, as it happened in the novels of Jules Verne, a plausible…future. Isaac Asimov`s novel, Empire. Pebble in the sky, allegorically illustrates a model of civilization of the earth temporally situated somewhere in the Galactic Era. An ordinary earthman, Joseph Schwartz, a retired tailor from Chicago, inexplicably ran into another time dimension where Earth is just one planet among many others that make up the planetary system. For the ordinary former tailor, the new world is the expression of a destructive civilization; it is the result of absurd ambitions, of some enormous egos behind which is man. The new man, in turn, is either part of the ruling class leading world or part of the class of subjects living under the rule of obedience and humiliation. This world is conformist. Earthman is an individual who earns his living, or better say, he pays the required share of each citizen and when he is sixty, he is physically removed to make room for the young. This demographic cynicism is the consequence of radioactive contamination of the Earth and as a result, residents are forced to live in a confined space and especially to consume as few resources. In comparison with other inhabitants from other planets, who do not differ physically from Earthlings, the former were considered primitive, barbaric, backward, driven by the most basic instincts. On the other hand, aliens were evolved beings, which harbored the highest ideals of human being. Behind such a futuristic scenario, the reader can identify the model. Anticipated world is nothing but a radiography of the world that destroys itself. Everything happens because of the human being and his bellicose instincts, his petty ambitions, his individualism and selfishness or his dreams of glory. In the service of these ideals, the man puts all his will and science, imagined the worst machines to help him achieve the goal. Even individual, taken generally, is also an ideological processed machine, designed to accept, without any protest, the new religion. For him, there are no values such as: freedom, love, humanity. Everything looks like a predetermined pattern in which the human has to think and act according to that pattern. The man is just a machine programmed to do what he is required to. It is a conformist world, a high-tech and monotone one, but mostly devoid of content. Behind a universal destiny allegorically foreshadowed by Isaac Asimov`s novel, a concrete reality of the world emerges: the human abandonment of faith and spirituality, the industrialization that destroys not only the environment, but also the individual, the expending of the economic and political system meant to compel individuals to make them dependent (a phenom

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Dumitru Ţepeneag or on the Temptation of Escaping

Dumitru Ţepeneag sau despre tentaţia evadării

Author(s): CRISTIAN LUNEL / Language(s): Romanian / Issue: 3/2014

Keywords: delirium, vanguardism, structure plans, narrative, character

Built as a large narrative "score", Dumitru Tepeneag`s novel, Vain Art of the Fugue, turns a writing whose meaning must be sought in other "stave". The subject of the novel is lacking, the characters are devoid of individuality, they are winding through the micro stories which permanently change and which are reproduced on the art of counterpoint. There is no chronology in the stories, everything works according to an automatism that literary criticism attributed to the author`s adherence to delirium. The dissolution of both the narrative and the subject, the characters who mix up to identity, the absurd situations, the repetitions or the stereotypes of the language and images are the support for a literary experiment that is part of a rebellious spirit, closer to the literary vanguardism. Why Vain Art of the Fugue? The title of the 1973 French edition of the novel, ”Arpieges”, proves a connection with the music, but the strings that vibrate in the novel do not belong to any musical instrument, but to the main character`s inner psychological springs. Vain Art of the Fugue becomes a metaphorical expression of individual existence, the obsession that takes over and dominates the individual`s immediate universe. World appears as a huge portable, as a fugue whose themes always comes back in mind. Finally, the entire narrative construction meets the same stave, singing the same theme, the characters are just props of the narrative, devoid of individuality. Beyond the story, the novel exploits a reality seen through the eyes of the characters, voices reduced to the same authorial consciousness that unifies the narrative content.

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ARCHETYPAL AND MYTHICAL STRUCTURES IN LUCIAN BLAGA’S DRAMA MEȘTERUL MANOLE (MASTER MANOLE)

ARCHETYPAL AND MYTHICAL STRUCTURES IN LUCIAN BLAGA’S DRAMA MEȘTERUL MANOLE (MASTER MANOLE)

STRUCTURI ARHETIPALE ȘI MITICE ÎN DRAMA MEȘTERUL MANOLE DE LUCIAN BLAGA

Author(s): CRISTIAN LUNEL / Language(s): Romanian / Issue: 6/2015

Keywords: archetype; myth; religion; Manole; sacrifice;

Any mythic structure starts from a reality that sets up, on the level of human consciousness, a certain way of life, a way of behaving and acting. Myth is a priory model by which the individual repeats, consciously or not, an archetype. Beyond this meaning, proper to the archaic man, the myth says a “true story that happened at the beginning of time” as noted by Mircea Eliade. Based on these considerations, the “Mesterul Manole” ballad reveals a pattern of thought and action, which must be connected with an ontological model of founding the sacred. Human existence makes sense as long as it repeats an archetypal pattern, and the sacrifice of Manole should not be sought in the rational, but in the mythical and symbolic signification area. DOI: 10.29302/InImag.2015.6.13

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Result 1-3 of 3

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