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Keywords (11)

  • 1945-2012 (1)
  • April Salon (1)
  • Fine Arts (1)
  • Gabrijel Stupica (1)
  • Visual Arts Association Zenica (1)
  • Bosnia and Herzegovina (1)
  • Exhibition (1)
  • Law on museums (1)
  • Stjepan Totić (1)
  • Zenica (1)
  • museum (1)
  • More...

Subjects (11)

  • Fine Arts / Performing Arts (2)
  • Museology & Heritage Studies (2)
  • Library and Information Science (2)
  • Visual Arts (2)
  • History (1)
  • Law, Constitution, Jurisprudence (1)
  • Cultural history (1)
  • Local History / Microhistory (1)
  • Recent History (1900 till today) (1)
  • Post-War period (1950 - 1989) (1)
  • Transformation Period (1990 - 2010) (1)
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Authors (5)

  • Ikbal Cogo (2)
  • Lejla Osmanić (1)
  • Lejla Sarajlić (1)
  • Muhamed Tunjić (1)
  • Kamiah Karović (1)

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Publisher: Muzej grada Zenice

Result 1-3 of 3
Museum Legislative in Bosnia and Herzegovina 1945 - 2012.
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Museum Legislative in Bosnia and Herzegovina 1945 - 2012.

Muzejsko zakonodavstvo u Bosni i Hercegovini od 1945. do 2012. godine

Author(s): Ikbal Cogo / Language(s): Bosnian

Keywords: Law on museums;Bosnia and Herzegovina;museum; 1945-2012;

The scientific and professional literature in Bosnia and Herzegovina has not considered the issue of legislation on museums to a great extent during the past decades. Although tens of museums and galleries on the territory of Bosnia and Herzegovina actively work (the first museum collection was established in 1884 in Humac near Ljubuški, and the first public museum institution – the National Museum was founded in 1888 in Sarajevo), legislation apparently seems not to have been an interesting issue for research and analysis. During the period of the Kingdom of Serbs, Croats and Slovenes/the Kingdom of Yugoslavia (1918-1941) the common legal act on museums did not exist although it was drafted on several occasions. In those days, there were two public museums in Bosnia and Herzegovina (the above-mentioned National Museum in Sarajevo and the Museum of Vrbas Province in Banja Luka founded in 1930) and the management staff of these museums was appointed by the Ministry of Education in Belgrade. The first law on museum activities was adopted in Bosnia and Herzegovina after the World War II (1947) which made Bosnia and Herzegovina the first republic in Yugoslavia have such a legal act (Macedonia passed its own law in 1948 and Serbia in 1951). Before passing the Law on Museums (which contained 6 articles), the Decision on Protection of Cultural Monuments was made in February 1945 in Belgrade. It was signed by Marshall Tito and it was binding for the entire country. The amendments to the first Law on Museums were adopted in 1948. During 1960 a new, and much more extensive law on museums was passed and it contained 52 articles (during 1960s all the republics of former Yugoslavia passed their own laws on museums some of which for the first time such as Croatia, for instance). The laws were passed by the Assembly upon the proposal of the Government and the Ministry in charge. The last amendments to the law on museums in Bosnia and Herzegovina before 1992 were passed in 1987. During the recent war (1992-1995) the legally binding Regulation on Museums dating from 1993 was in force. After Dayton Peace Agreement had been signed in Paris in 1995, the state of Bosnia and Herzegovina ceased being in charge of science, education and culture on the basis of Annex IV (which makes the Constitution of Bosnia and Herzegovina). This means that the field of cultural activities became the responsibility of the entity of Republika Srpska and the cantons in the Federation of Bosnia and Herzegovina. The issue of museum activities was regulated in Republika Srpska by the law and the respective by-laws while in the Federation of Bosnia and Herzegovina several cantons have legally stipulated museum activities by the corresponding laws (e.g. Canton Sarajevo in 2000, Zenica-Doboj Canton in 2003, Tuzla Canton in 2002, Bihac in 2001 and West Herzegovina Canton in 2009). It is interesting to note that Bosnia and Herzegovina has never had the legally regulated central museum institution (there used to exist “central“ museum institutions for certain fields such as archaeology, ethnology or history) nor have there been any common standards or norms for the museum activities (to provide the required minimal space for storing, library, the defined minimal smaller or larger space as the standard for the museum institutions etc.). It is particularly interesting that even nowadays Bosnia and Herzegovina does not have the museum of technology, traffic and the like, and, thus, there is no legal regulation to define such exhibits within the field of museum activities. Th ere is no Technical Museum (traffic, railway, post etc.) which is, nowadays, normally present in the European museum practice. Presently, this kind of legislation exists in Republika Srpska according to which the Museum of Republika Srpska and the Museum of Modern Arts of Republika Srpska represent the central museum institutions in that entity. They have also adopted the norms and standards for museum activities.

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Art collection guide - City museum of Zenica
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Art collection guide - City museum of Zenica

VODIČ kroz likovnu zbirku - Muzej grada Zenice

Author(s): Lejla Osmanić,Lejla Sarajlić / Language(s): Bosnian,English

Keywords: Zenica; April Salon; Fine Arts;Exhibition;

Visual Arts Association Zenica was founded in 1974 as a Visual Arts Branch Association Zenica. Its members were – Muhamed Bajramovic, Mirko Maric, Tomislav Perazic, Ljubomir Percinlic and Stjepan Totic. Three years later Anto Kajinic and Goran Raner also joined this group and in 1978 Irfan Handukic did the same. In 1984 the Association was also enriched by Jelenko Butina and Miroslav Šetka while Anto Cabraja and Dajana Suk entered the Association in 1988. This Branch Association acted as a self-managing association of the Visual Arts Association of Bosnia and Herzegovina. Their first exhibition took place in 1974 and it was until 1988 that the Association used to have its own regular exhibitions. At the first joint exhibition in 1975 Tomislav Perazic and Ljubomir Percinlic presented their works. That year and in the year to follow also the following members of this Association presented their works of art: Muhamed Bajramovic, Mirko Maric, Tomislav Perazic, Ljubomir Percinlic and Stjepan Totic. Visual Arts Circle in Zenica, as the critics of former Yugoslavia used to call mostly the academically educated painters, among which the oldest ones were Stjepan Totic and Tomislav Perazic, had performed very intense exhibition activities even before the Visual Arts Branch Association was established and before opening of the Visual Arts Gallery Zenica. The joint exhibitions were called „April Salon“ and before the gallery was opened the permanent place for exhibitions had been the Exhibition Pavilion of the Cultural Centre Zenica. The first „April Salon“ took place in the above mentioned pavilion in 1972 and it lasted from 10th to 25th April. It was organized to celebrate 12th April – the Liberation Day of Zenica. Ever since the joint exhibitions of visual artists from Zenica, and after the recent war, also of the academic artists of Zenica Doboj Canton, have been held and named „April Salon“ on the anniversary of this important date of the City of Zenica. This date is the date of closing the international cultural festival „Zenica Spring“. The exhibition of the „April Salon“ in the above mentioned year was moved to the Exhibition Pavilion of the Cultural Centre in Banja Luka.

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Stjepan Totić: contribution to cultural history of Zenica
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Stjepan Totić: contribution to cultural history of Zenica

Stjepan Totić : prilog kulturnoj historiji Zenice

Author(s): Ikbal Cogo / Language(s): Bosnian

Keywords: Stjepan Totić; Visual Arts Association Zenica; Gabrijel Stupica;

Since the mid of 1950-ies a visual arts scene, specific in many ways, has flourised in the region of the city of Zenica. Firstly, the association of amateur artists was founded in 1956; afterwords the Visual Arts Association Zenica founded in 1974 whereas the Art Gallery started its activities within the City Museum towards the end of 1981. Visual arts scene of the second half of 20th century involved the artists of different sensibility and poetics of art; among them most famous ones were Ljubomir Perčinlić, Mirko Marić i Anto Kajinić. In addition to these artists we should also mention Tomislav Perazić, Muhamed Bajramović, Irfan Handukić, Miroslav Šetka, Jelenko Butina, Anto Čabraja, Mensur Begičević, Duško Abramušić, Jasmin Kukavica and others. Yet, the first visual artist with the academic education was Stjepan Totić, born in December 1927 in Zenica. He started his education at the Visual Arts Academy in Ljubljana in 1959 and graduated in 1963. Later, he finished his specialist studies at the same Academy in 1964/1965. Throughout his career Stjepan Totić worked in graphic and printing industry (he worked as the visual illustrator and later as the technical editor of the city periodical Naša Riječ). He made over 100 of different illustrations for the newspapers (the first ones appeared during 1956); he also gave the artistic form for about ten books (cover page illustartions), and he also wrote visual arts critiques and created a relatively small but very specific artistic collection. As he used to describe his own painting he was, primarily, a painter of figuration and portraits. Many visual arts critics wrote about his work, just to mention a few: Azra Begić, Branka Perišić, Meliha Husedžinović, Slobodan Blagojević. He was a member of the Visual Arts Association Zenica from 1974 until the beginning of the recent war. The artistic expression of Stjepan Totić was mostly influenced by the Slovenian painter Gabrijel Stupica. Totić had only one independent exhibition in Zenica in 1980 and it was accompanied by the catalogue. He withdrew from active artistic life of the city in the second half of 1980-ies. In Spring 1992, at the very beginning of the war activities, Stjepan Totić left for Innsbruk (Austria) where he lived for the rest of his life and died in 2009. He was married to Marija Helena Totić and had two sons, Josip and Krunoslav, and the daughter Margareta. His painting „Trapez“ used to be the permanent exhibit of the City Museum of Zenica from 1986 to 2007.

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Result 1-3 of 3

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