Studia Norwidiana Cover Image

Studia Norwidiana
Studia Norwidiana

Publishing House: Towarzystwo Naukowe KUL & Katolicki Uniwersytet Lubelski Jana Pawła II
Subject(s): Literary Texts
Frequency: 1 issues
ISSN: 0860-0562
Status: Active

  • 2008
  • 2009
  • 2011
  • 2012
  • 2013
  • 2014
  • 2015
  • 2016
  • 2017
  • Issue No. 26
  • Issue No. 27-28
  • Issue No. 29
  • Issue No. 30
  • Issue No. 31
  • Issue No. 32
  • Issue No. 33
  • Issue No. 34
  • Issue No. 34EV
  • Issue No. 35
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Articles list
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Short Description

An annual academic journal, continuously issued since 1983, related to Cyprian Kamil Norwid. This yearbook is an official organ of the Institute for the Study of Cyprian Norwid’s Literature and Art (publisher: Towarzystwo Naukowe KUL) and it belongs to unique Polish scientific periodicals as it is entirely devoted to the research on one of the greatest Polish and European poets and artists. The most prominent Norwidologists from various Polish and foreign research centres publish in the journal. It serves as a special forum for the introduction and presentation for scrutiny of new research, and the critique of existing research on Norwid. It also serves the purpose of exchanging scentific opinions and enabling coordination and support of research initiative. „Studia Norwidiana” takes special care to maintain the highest posible merit of the journal; it publishes only new and original articles which have not appeared in print so the annual provides the most up-to-date review of the research in the field of norwidology. „Studia Norwidiana” is devided into the following sections: 1. Articles, 2. Interpretations, 3. Inedita, 4. Materials, 5. Reviews, 6. Bibliography, 7. Chronicle. Because of wide range of Norwid’s interests the periodical deals not only with history of literature and linguistics but also history of art, history of culture, philosophy and teology, all of which are essential to study Norwid’s work in depth. The annual tries to present the phenomenon of Norwid in wide historical and cultural contexts relating not only to Poland but also Europe and the world, which is caused by the artist’s biography. He spent most of his life abroad and worked in Paris, Italy, Brussels, London or New York.