Pieśń o stworzeniu – od zamysłu kompozytora do wykonania
‘The Song of Creation’—From the Inception to the Performance

Author(s): Karol Pyka
Subject(s): Theatre, Dance, Performing Arts, Fine Arts / Performing Arts, Music, Sociology of Art
Published by: Wydawnictwo Uniwersytetu Śląskiego
Keywords: contemporary orchestration; conductor; multimedia character of the music score in contemporary music; clay and ceramic instruments in orchestras
Summary/Abstract: The article describes the origin, content and message of the author’s own music score entitled The Song of Creation, whose core consists in the use of clay instruments in contemporary orchestration. The author discusses particular instances of the use of clay instruments as well as the provenance and the preparation of the piece for performance with regard to the conductor’s work.

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