Między maskami i lustrem – o dwóch autoportretach Felixa Nussbauma
Between masks and mirror – two self-portraits by Felix Nussbaum
Author(s): Magdalena Milerowska
Subject(s): Fine Arts / Performing Arts, Architecture, Special Historiographies:, History of the Holocaust, Sociology of Art, History of Art
Published by: Wydawnictwo Uniwersytetu Łódzkiego
Keywords: Felix Nussbaum; Jewish art; German art; self-portraits; Holocaust
Summary/Abstract: Felix Nussbaum was an artist whose years of creative activity coincided with the Weimar Republic and the Third Reich. This artist, extremely narrative in his art, is primarily associated with his politically-tinged works painted during the Second World War, which became poignant testimony to the Holocaust. However, Nussbaum himself opposed the categorisation of his artistic activities for quite a long time; nev-ertheless at the same time, in most of his pre-war works, he tried to subtly express his opinion on issues currently bothering him related to his perception of family, society and religion. In this article, I have undertaken an analysis of two self-portraits (Self- -Portrait with a Mask and Self-Portrait at the Easel) to show how, in this painting genre, the artist sought answers underlying his shaky identity.
Book: Ars inspiratio. Studia dedykowane Profesor Eleonorze Jedlińskiej
- Page Range: 293-310
- Page Count: 18
- Publication Year: 2024
- Language: Polish
- Content File-PDF