Інтонаційний образ малої Батьківщини у камерній симфонії «Ремінісценції» В. Теличка
Intonation image of the home area in «Reminiscences» chamber symphony by V. Telychko

Summary/Abstract: The purpose of the article is to identify the peculiarities of the intonation plot deployment in Reminiscences chamber symphony by V. Telychko in terms of the genre interpretation peculiarities. This study is particularly focused on the analysis of V. Telychko’s musical language components, the principles of its formation, as well as the stylistic peculiarities. The methodology includes the methods of stylistic, historical-comparative, system-structural, and hermeneutic analysis aimed at understanding the features of this genre in the composer’s legacy. Scientific novelty. The article theoretically substantiates the individual-style model of the chamber symphony genre in art by V. Telychko. Conclusions. Reminiscences chamber symphony is a unique artistic phenomenon in the symphonic works not only of V. Telychko but also of the Transcarpathian professional school of composers. Continuing the line of lyrical-psychological meditative symphonism inherent in modern music, the work represents the moment of human touch to the inviolable, eternal, where not only intonational images of the past but also their relationship and lifestyle become extremely important. Meditative images of Transcarpathian musicians are organically embedded by the composer into several thematic formations: the author's topics of reminiscences and the relentless cluster of time. The use of quotations and monograms, along with the other means of expression, introduces programmatic features, symphonic plots. The intonation plot of the chamber symphony formed an individual genre model of the work, which combines a symphony and a lyrical monologue. Symphony is characterized by a cyclical structure, the logic of musical drama, intonation connections between the parts. The confessional nature of the author's statement reveals the features of monologue.

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