МЕНЕДЖЕРСЬКИЙ АСПЕКТ МІСІОНЕРСЬКОЇ ДІЯЛЬНОСТІ О. СКРЯБІНА
MANAGERIAL ASPECT OF MISSIONARY ACTIVITY OF A. SCRIABIN

Summary/Abstract: The purpose of the article is to identify the historical and cultural specifics of A. Scriabin's missionary activity in dealing with the features of music management as a value, creative phenomenon of spiritual culture, which has a practical implementation in the conditions of socio-cultural interaction. The methodology includes analytical, comparative-historical, and genre-nominative musicological approaches determined by aesthetic-cultural and philosophical positions, as we have in the works of P. Valeri, O. Losev, L. Sabaneev, in the dissertations of D. Androsova, V. Batanov, Liu Binqian, etc. The methodological foundations of the research are the theory of knowledge, philosophical principles of dialectics of unity and interaction of object and subject, general and individual, spiritual and material, cultural and historical. The scientific novelty lies in the distinctive historical and cultural features of Music Management in the missionary efforts of Fr. Scriabin, directed by the Christian-Hesychast incentives of his ideological attitudes, which fueled both the creative and practical activities of both a brilliant artist and organizational and peacekeeping efforts to protect the "intellectual rebirth" of people during the bloody realities of the first World War. Conclusions. The Christian-Hesychast, including the genesis of the ideological foundations of Fr. Scriabin, who gave the features of music management, organizational and managerial principles determined by the national mentality of the need to "save humanity" through religious unity in an ecumenical-expanding interpretation of planetary-significant actions ("Religare"-communication). Scriabin saw the value-semantic load of organizational and managerial means in the dispatch of the mystery as a planetary-unifying factor-despite the socio-political discord of the first World War.

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